One of my favorite locations I visited in Namibia was the Damaraland region. I was staying at the Mowani Mountain Resort – a collection of beautifully architected bungalows settled in among giant boulders. Each structure was connected by a series of footpaths, and situated so that each room felt completely isolated. I felt as though I had the entire landscape to myself.
Luckily there was an interesting cloud bank to the west, blocking the sun and allowing its light to radiate into strong beams. The only element missing was a herd of desert-adapted elephants roaming the desert floor.
I had two camera bodies with me for the shoot, one mounted to a tripod with a medium zoom (24-70mm) and the other with a telephoto zoom (100-400mm) which I was hand holding. This way I could capture the larger scene with the tripod, and still shoot the sun’s transition through the western clouds as a dominant subject with the telephoto. The photo above was taken at 170mm, emphasizing the sun’s rays breaking through the clouds.
After the sun had set, the landscape radiated a deep blue, beckoning me to keep firing the shutter. This is a crop of a much wider panorama. Sometimes these photographs that appear more muted lend themselves to large wall hangings. Some day I may do just that.
As usual for a sunset landscape session, the action was over too quickly. Soon it was time to pack up the gear, have a quick sleep and prepare for an early safari the next morning.
On my first evening in Etosha National Park (and third evening in Africa), my traveling companions and I came across two lion brothers snoozing away the afternoon in the shade of the only tree for miles. Although it was still early in the afternoon, we decided to hunker down and wait them out. We were somewhat close to a waterhole, and wanted to see if the lions would wander that way as dusk settled. While we waited, we were treated to many poses as the restless lions moved around.
Armed with both my 100-400mm and 800mm lenses, I had plenty of options for focal length (especially given that I couldn’t get out of the vehicle and move around!) As the lions were more or less stationary, I was able to combine my 800mm lens with the fantastic 50 megapixel Canon 5DSr for maximum reach.
Based on the length of their manes, these lions were definitely young, and seemed to enjoy each other’s company. At time ticked by, their main reason for movement was to get up and walk a few feet when the shadow of the tree had moved sufficiently to no longer provide enough shade.
As often happens with wildlife photography, we waited patiently for something to happen. Although the lions lazed about with no intention of getting up to go to the waterhole, we were eventually presented with a beautiful sunset over the grasslands of Etosha. To capture the landscape, I used my 100-400mm lens zoomed out to 100mm.
After a few more minutes, it grew dark enough that wildlife photography at any great focal length became impossible. I packed up my gear in anticipation of a long, sleepless night at the floodlit Okaukuejo waterhole (photos coming soon!)
Okay, so I’m REALLY behind on my photo editing. I try to keep up to date with important photo shoots, but that often means that my less important photos fall into my backlog for later processing. Here is a set of images I shot in Kauai in 2013. Like I said, I am very behind!
Often when I’m shooting landscapes, I create images that has a foreground, middle ground and background, to create depth and lead the viewers eye into the frame. However when I was in Hawaii, I found myself simplifying ocean images into nothing but clouds, colors and water. These images are really all about the colors and texture of the clouds, and most are shot with longer lenses.
Overall, the colors and lighting of the Kauai sea were spectacular enough to hold their own without a strong foreground. When seen together, they paint a picture of the drama that can play out between light, clouds and ocean.
After a bit of thought, I have compiled my top 40 picks from the last 12 months. I selected from a variety of outings and types of photography, ranging from landscape, to wildlife, to pet photography. Unfortunately, 2014 was not the year I caught up on my backlog of photos waiting to be processed, so this list was not selected from all of my 2014 photographs (you’ll have to wait till next year’s round-up for those!)
This year included a fantastic fall color photo trip to the San Juan mountains in Colorado, as well as visits to the Sierra Nevada and of course many bird photographs, including some previously unpublished.
Please enjoy the gallery below. For best viewing (especially if viewing on a mobile device), please click on the following photo:
Or, just enjoy the gallery here on the page. To view larger photos in the embedded gallery below, click here to enter full screen mode.
If you are interested in compilations from previous years, please see the 2010, 2011, 2012, and 2013 lists.