lassen volcanic national park

June 3, 2016February 1, 2017

Lassen Cinder Cone

A couple of summers ago I met my brother and dad in Mt. Lassen National Park for a backpacking trip. This park sees one fraction of the backpacking that other national parks get. As a result, you get the feeling of having the back country to yourselves. More importantly for me, this trip would revolve around revisiting the Lassen Cinder Cone that sits in the east part of the park. We had been there many years before on a day hike, but backpacking would give me more time to explore it photographically.

A backpacker is dwarfed by the large Lassen Cinder Cone as he heads up the steep trail to the top, Mt. Lassen National Park.

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We spent the night at Snag Lake, and in the morning, approached the Cinder Cone from the south. From there, we reached the steeper of the two trails that wind to the top. In the photo above, you can see my brother as a small speck as we neared the cone from the west.

Two backpackers climb the steep southern trail up the Lassen Cinder Cone. Mt Lassen and the Painted Dunes can be seen to the west.

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The trail to the top is built using the loose volcanic scoria that makes up the cone itself. It is only a little more solid than walking up a sand dune, and is not for the faint of heart. This is due not only to the phyisical exhaustion that comes from pushing up such a slope, but also the steepness of the trail itself. At times I felt like I was going to tumble backward down the trail as my backpack made me somewhat off balance.

A large cinder cone sits to the east of Mt. Lassen in Northern California. A trail decends a hundred feet into the mouth of the cinder cone to a large steam vent.

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Those who reach the top are rewarded with spectacular views of Mt. Lassen to the west, as well as a chance to peer down into the crater of the cone. A trail even descends into the mouth of the crater, where you can stand next to thermal steam escaping from the ground.

The cinder cone was formed long ago by many small eruptions that threw lava into the air, which cooled into the loose, porous volcanic rock. Over time, this piled up into the 700 foot tall cone that we see today. It is thought to have erupted as recently as the 1650s, though the only activity that remains today is the steam rising from the crater.

A backpacker looks at Mt. Lassen from the top of the Lassen Cinder Cone.

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Walking to the western edge of the crater, we were rewarded with views directly across from Mt. Lassen, as well as views of the Painted Dunes below.

The Painted Dunes extend to the forest surrounding Mt. Lassen in Northern California. These volcanic dunes were formed by a thousand year old cinder cone.

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The painted dunes are pumice fields formed by oxidation of volcanic ash from earlier eruptions of the Cinder Cone. Its beautiful colors formed because the ash fell on lava that was still hot and forming.

Two backpackers decend the steep southern trail of the Lassen Cinder Cone, Mt Lassen National Park.

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After a while at the top, and after we tired of braving the fierce wind, we descended the way we had come up. I tried not to think about the consequences of losing my footing, and took it step by step.

A backpacker heads west away from the Lassen Cinder Cone, Mt Lassen National Park.

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Soon we were down and continuing our day’s hike to our destination of Summit Lake. The promise of camp chairs and cold beer quickened our step. It was great to spend time up close with this unusual creation of nature.

May 18, 2013

Recent Publication – Textbook Cover

A photo of mine taken in Lassen National Park was used for the cover of a recent text book about child development

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Hot on the heels of my recent Outdoor Photographer cover comes a new textbook featuring a photo I took a couple of years ago in Lassen National Park. The textbook is geared toward educators interested in child development.

This shot features a trail built into the side of a cinder cone, located in the northeast corner of the park. The hike to the top is very cool, offering views of Mt. Lassen in the distance, and even a second trail descending into the crater of the volcanic peak.

December 22, 2009January 14, 2013

Steller’s Jay On Fir (Photo of the week)

A Steller's Jay perches in a fir tree, Lassen National Park

This photo was taken in late summer in the early morning. Sometimes getting a “nature” shot can be as easy as wandering around a busy campground. Campgrounds can be a great place to find common birds, especially the loud, bold, and sometimes irritating Steller’s Jay. While they can be a nuisance when you’re trying to eat, they are a quite striking bird, especially in the right lighting conditions. Try to shoot them either in early morning or late evening, or with a polarizer – they’re feathers tend to reflect a lot of light in harsher lighting situations. To go for a more natural look, I made sure to shoot away from tables, benches, and fire pits. Zooming in tight allowed me to isolate this jay in a more natural environment.

I wish everyone a safe, happy, and relaxing holiday season. Here’s to a new year full of excitement, exploration, and of course, many more photographs!

December 2, 2009January 14, 2013

Don’t give up – improvise

Have you ever gone out with a particular type of photography in mind (birds, landscapes, macro, etc), only to find a perfect opportunity for something complete different? The problem is that usually when this occurs, you have the wrong equipment. However, it is better to improvise with what you have with you than to miss that opportunity altogether. Below are two examples of when I ran into this exact situation.

Although I did not have my telephoto lens, using stalking techniques, I was able to get close enough with my wide angle to capture this egret and some habitat

The photo above was taken along 17-mile drive near Carmel, California. My wife and I were out for the day with nothing in mind – just being touristy. I had my SLR and a wide/mid range zoom with me – a decent walking around lens that could work for landscapes if needed. As we were driving along the coast, we saw this great egret very close to the road in beautiful light. Immediately I cursed myself for not bringing a longer lens, but I figured I’d try to see what I could do with what I had with me. We drove past the bird and I got out and slowly stalked back along the road toward it, trying to get as close as possible. Luckily the traffic was light this early in the morning. Obviously, I wouldn’t come away with a head portrait, but maybe I could get a decent habitat shot.

I slowly crept forward, hoping to intercept the bird if it kept moving in the same direction. Every few steps I’d stop and stand still, hoping the egret would not get spooked and fly off. Ultimately it payed off – the egret ended up walking very close to my position. I fired off a few shots of the bird with the ocean in the background. Through careful stalking technique, and by not giving up because I didn’t have the “perfect” equipment with me, I was able to capture one of my favorite shots of the trip.

This panorama of Mt. Lassen was composed of 26 separate shots using a long telephoto lens

Recently I was up at Lassen Volcanic National Park and I decided to take a walk around Summit Lake, hoping to get some shots of some forest birds. As a result, I had only my long telephoto with me (not a great walking around lens, as the lens alone weighs 3 pounds!) As I came around to the side of the lake furthest from Mt. Lassen, I found myself in almost the exact opposite situation as with the great egret shot above. I had a long telephoto, but I really needed a wide angle lens to capture the mountain, trees and lake.

At first I tried several compositions with my lens, but it was no good – only a small portion of the mountain was in frame at one time. Then an idea hit me – by combining many zoomed-in photos of the mountain and the surrounding scenery, I could combine them into a single panorama, mimicking the angle of view of a wide angle lens. I had shot panos before, but I was still too close in for my regular panning left to right method. However, if I created several rows of images, and I used a steady hand, it might work. I metered off the sky, set manual exposure and focus, and then spot metered several different areas of my scene to make sure I would stay within the dynamic range possible with the camera.

Starting at the upper left area of the scene I wanted to capture, I started taking photos (hand held), overlapping each by about 30%. Once I got to about the same distance from the mountain on the right that I started with on the left, I moved the composition back to the left, but slightly lower than my previous row of photos. The result was two rows of 13 photos each, creating a single panorama of 26 photos, and a 140 megapixel image. Thanks to Photoshop’s fantastic Photomerge technology, creating the final image was a snap (though my machine took a little time to crunch through the processing).

If I had planned for a panorama of the mountain from the offset, I would have used a much wider angle (and a tripod). However, I was quite happy with what could be done in a pinch with a little improvising.