I always enjoy photo locations that offer more than one possibility for a successful photo. Such was the case on a recent morning I spent at Pescadero State Beach for a sunrise landscape shoot. Being along the coast, I knew that chances for wildlife were high, and so I lugged my wildlife/bird lens along with me, even though I was hoping for a magical coastal sunrise shot.
Arriving about 45 minutes before dawn, I hiked up to a vantage point overlooking sea stacks just offshore. By shooting due south, I was hoping to get some wave action around the stacks, with a colorful backdrop of winter sunrise colors. Unfortunately, the weather conditions were not with me, and I got a dull glow to the east and suddenly it was daytime. No sunrise colors, no landscape keepers, nothing.
As it got lighter, I scanned the offshore rocks and saw several groups of harbor seals clustered away from the roaring ocean. Getting these guys on camera was only a quick walk back to the car to retrieve my wildlife gear. Once re-set up, I waited for another 15 minutes until it got light enough to really start in earnest.
On a trip to Ontario Canada a while back, I was able to spend some time photographing some of the area’s local birds, knowing that many of what I found there would be new species to me. I quickly found a few local residents, but as my time was short, I wasn’t able to get all of them without man-made elements in the frame.
The first such local was an eastern kingbird. He was perched right next to a country road, at perfect eye level with my lens, which was resting on a bean bag sitting in an open window. Often bean bags are the best supports from which to shoot from a vehicle, especially if you want the opportunity to shoot out both sides of the car. Often Kerry is kind enough to drive slowly (and as quietly as possible) down country roads while I keep the back seat to myself and move back and forth between the rear windows as required.
I usually try to capture birds in more natural environments, but there were no trees nearby, there was a perfect distant background, and I had no time to wait for a better perch.
The second bird I photographed in the same area (and yes, perched on a similar wire fence to the first bird) was a female bobolink. I saw several males in the area as well, but they stayed farther from the road and I didn’t get any worthwhile photos of them. It is always difficult identifying female species as the coloring can be quite different than the males. Since males typically have more differentiating colors, species are usually described using the males’ attributes instead of the females. To identify female birds, I often troll through hundreds of photos after guessing at the species, or at least narrowing down the family of bird.
I also got some decent photos of a mute swan, and finally without distracting “hand of man” elements! Mute swans are native to Europe and Asia, but have established sizable populations in the coastal areas of the Great Lakes. I felt lucky to see one in the wild, as I’d never find one on the west coast of the US.
My last bird for the day was not a new species for me, but who can’t marvel at a beautiful osprey in flight? The local area had erected several nesting towers to encourage the birds to raise their young here. This osprey had chicks in the nest, and gave me lots of great flight shots as it flew to and from the nest.
Here the osprey is perched at the edge of its nesting tower, looking majestic.
It is always fun to travel to new areas for nature photography. While landscape photography dictates that you continually visit new areas, bird and wildlife photography can often be done closer to home. Closer to home, you often have much more time with an animal, but with traveling, nothing beats the thrill of seeing what’s around the next corner.
The Etosha Pan is a large dry lake bed in Namibia, which due to heavy mineral deposits forms a dry salt pan. The name “Etosha” comes from an Ndonga word meaning “great white place”. While the pan rarely sees water, it is surrounded by savanna and sparse forest, teeming with wildlife. The pan is 75 miles long and just shy of 3,000 square miles. Here you can see the white expanse of the pan stretching into infinity.
Occasionally the wildlife that lives at the edges of the lake bed wander out onto it to gather surface minerals, making up a portion of their diet. A blue wildebeest is dwarfed by the vastness of the pan.
The lake was fed by a large river about 16,000 years ago when glacial melt caused the formation of many such rivers. At some point tectonic plate movement changed the course of the river, and the pan dried up to its current state. The only time it sees a few centimeters of water is due to heavy rains, but this is a seldom occurrence.
The area surrounding the pan is dotted with waterholes which support a wide variety of wildlife. This area is protected within the boundaries of Etosha National Park, which completely surrounds the pan. Although I only spent one full day here, that glimpse of wildlife photographic possibilities will surely draw me back.
My last blog post detailed my experience with five endangered black rhino at the Okaukuejo Waterhole in Ethosa National Park, Namibia. But that’s certainly not all I saw during those long quiet hours in the dead of night.
I arrived at the waterhole just as the sun was setting behind the horizon. Night is the best time to see wildlife here, and to facilitate wildlife viewing, this camp has set up a flood light by which to see the nocturnal visitors. Quite a few people gathered at the waterhole to watch the sunset, but soon they were off to dinner and bed. Over the next hour, the crowds thinned out and only the die-hards remained for a long night’s wait.
One of the more common visitors were the zebra. One night a small herd came at dusk, but it was those few that crept up to the waterhole in the middle of the night that were more fun to watch. The absolute silence was only disrupted by the soft crunching of rocks under their feet, as they lined the edge of the water to drink. The stillness of the water cast a perfect reflection. However there was no chance to relax, as any little sound had the zebra darting their gaze to the darkness, trying to see beyond the wall of black.
Zebra gave way to giraffe, which traveling in ones and twos. In order to capture photos of these animals at night, I had my 400mm lens locked down on the tripod, my mirror locked up, and my shutter speed just slow enough to gather the required light. Keep the shutter too slow, and the animal was more likely to move during the exposure. It was a careful balance of predicting animal behavior, and making sure all my camera functions were set correctly.
One of my favorite sights was the comical way in which giraffe drank water. They had to contort their bodies and spread their front legs in order to bring their heads low enough to the ground to drink.
I did see an elephant in the early hours of morning. However luck was not on my side, and none of my photos turned out. There was too much movement from this giant beast to capture under low lights.
I would certainly recommend this type of experience to wildlife lovers. It was incredibly intimate to watch these animals interacting under the cover of darkness, with nobody else around. It was a wildlife cathedral I was lucky enough to attend!