Burney Falls

Burney Falls drops across a wide cliff into a pool below, creating a tree-lined grotto.
Burney Falls drops across a wide cliff into a pool below, creating a tree-lined grotto.
Burney Falls drops across a wide cliff into a pool below, creating a tree-lined grotto.

Burney Falls is located in Northern California in McArthur-Burney Falls Memorial State Park. It is a beautifully wide waterfall, dropping 129 feet into a tree-lined grotto below. Even in the summer months, when most other creeks in the area have withered or dried up to nothing, this falls keeps up its steady flow rate. This is because the water originates from an underground spring not far upstream from the falls itself.

Burney Falls drops across a wide cliff into a pool below, creating a tree-lined grotto.
Burney Falls drops across a wide cliff into a pool below, creating a tree-lined grotto.

There are many ways to photograph the falls, from the grand view taken above the falls, to more intimate closeups of rivulets running over bright green moss. It is important to shoot waterfalls with a tripod – that way you can use longer exposures and blur the water into a glossy silk texture. Down in the grotto, it was dark enough to let the exposure run over a second, giving me the desired look.

Burney Falls drops across a wide cliff into a pool below, creating a tree-lined grotto.
Burney Falls drops across a wide cliff into a pool below, creating a tree-lined grotto.

One challenge was to balance bright hot spots of light reflecting off the water with the dark shadows within the rocks. Luckily a quick check of the histogram on the back of my camera told me that I was able to capture the entire dynamic range of the scene in a single shot, and so I exposed to the right, getting as bright an exposure as possible without blowing out the highlights. This was corrected in post processing, giving me an amazing amount of detail in the shadows.

I’d love to go back and shoot this scene in early, pre-dawn light, which would give me soft even lighting across the entire scene. The quick visit left me thinking of many other compositions I could use to better cover the variety seen in this beautiful falls.

Columbia River Sunset

The sun sets over the Columbia River, just east of Portland, OR
The sun sets over the Columbia River, just east of Portland, OR

This photo was taken in Corbett, Oregon, from the backyard of some good friends. They live high on a cliff overlooking the mouth of the Columbia River Gorge. This panorama was taken at sunset looking west toward Portland.

I grew up in Corbett, and I always enjoy going back to visit. The town is a kind of jewel, sitting close to Portland, close to Mt. Hood, and surrounded by forest and farmland.

Every time I visit, I try to take some time to explore the area with my camera. I don’t have to wander too far to see first hand why Oregon is hailed for its natural beauty.

Please be sure to click on the image above to see a larger version.

Eastern Sierra, The Panoramas

On my recent trip to the Owens Valley, I tried to look for good panorama opportunities. These situations arise when there is an expansive vista that lends well to an image that is three to six times wider than it is high. As with any photograph, one thing to keep in mind is to make sure the entire contents of the frame supports the photograph. There should be no large empty areas, unless those areas purposefully support the image with negative space.

These images can be created with any regular digital camera. The images are stitched together in post processing to create large, wide angle views. All of the photos presented here are in the 40 to 100 megapixel range, which means they can be printed very large (at least 30×90 inches). For better appreciation for the detail captured in these photos, please be sure to click on the image to see a larger view.

The sun lights stormy clouds as sets behind the eastern Sierra range, north of Bishop
The sun lights stormy clouds as sets behind the eastern Sierra range, north of Bishop. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 640. Evaluative metering 0 EV: 1/400 sec. at f/8. Composed of 7 stitched photos, handheld.
The sun rises over Hot Creek, as the Sierra Nevada looms in the distance
The sun rises over Hot Creek, as the Sierra Nevada looms in the distance. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 3.2 sec. at f/16. Composed of 4 stitched photos.
The wall of the eastern Sierra rises over ten thousand feet above the Alabama Hills at dawn
The wall of the eastern Sierra rises over ten thousand feet above the Alabama Hills at dawn. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/4 sec. at f/16. Composed of 7 vertical stitched photos.
An ancient bristlecone pine crouches on a snowy slope, greeting morning's first rays of light, Ancient Bristlecone Pine Forest
An ancient bristlecone pine crouches on a snowy slope, greeting morning's first rays of light, Ancient Bristlecone Pine Forest. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/6 sec. at f/7.1. Composed of 7 stitched photos.

Hot Creek Sunrise

Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks
Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 30 sec. at f/16.

One of my first sunrise shoots on my recent trip to the eastern Sierra was at Hot Creek. I wanted to catch some snow from the recent snow storm before it melted out of the mountains, and I knew this spot would work well with longer lenses to help emphasize the mountains.

The first shot was taken a half hour before sunrise. The scene was just starting to light up, but still maintained some of the cooler hues of night. Although there were no clouds to work with, there was some slight haze above the mountains, which reflected some of the deep purple of pre-dawn.

One of my biggest challenges in these early morning shoots is staying warm as I patiently wait behind my tripod for the light to change. For this location, the main foreground attraction was really the flowing creek, so I didn’t move around a lot. If you had been there that morning, you would have seen what looked like a crazy person jumping up and down and blowing on his hands to keep warm (yes, I forgot my gloves that morning).

Grass adorns the banks of Hot Creek as sun touches the mountains to the east
Grass adorns the banks of Hot Creek as sun touches the mountains to the east. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: .3 sec. at f/16.

After the sun rose and I felt I captured that part of the creek in the best light of the morning, I explored with the camera a little trying out different foregrounds and lens lengths. I’m a sucker for near/far verticals, and that’s what my eye gravitated toward when I saw this long grass growing along the bank of the creek.

Soon enough the photo shoot was over, as the morning light faded and fishermen began to show up along the length of the creek.

Copyright 2017 Hank Christensen