Seeking Originality In Yosemite Valley

A California black oak stands in a field of wild flowers. In the background an immense granite wall rises from Yosemite Valley.
A California black oak stands in a field of wild flowers. In the background an immense granite wall rises from Yosemite Valley.

This summer I spent some time with some old friends backpacking in the Yosemite high country. I love the high country any time of year, but especially in the summer, it offers a cooler respite to the throngs of visitors choking the roads of Yosemite Valley. However, one of my friends had not been to the park since he was a young child, and since we had a little time on our first day, we wanted to drive down in to the valley. I was game, but photographically, I was not expecting much. The valley was hot, had bad lighting midday, and several controlled burns were blowing smoke up the Merced, coating everything in a brown haze.

As we drove down into the valley, seeing all the tourists got me to thinking about originality and photographic vision. Here were millions of people getting out of their cars and taking essentially the same photo as the person they were standing shoulder-to-shoulder with. I started to formulate a challenge in my mind – search for a photograph that captures some of the essence of Yosemite Valley, but keep it fresh and unexpected. I didn’t know if I could come away with something I was proud of, having been through the same area with my camera so many times before.

Luckily the natural world is ever changing and constantly brings new surprises at every bend. The first thing I noticed were all of the wildflowers blooming in the fields on the valley floor. The yellowing grass of late summer was punctuated by brighter yellow blooms, spattered throughout the fields with chaotic perfection. Suddenly three elements came together, and I knew I had the shot I was looking for. A California black oak stood apart from its neighbors, surrounded by intense wild flowers. Behind the tree rose an immense sheer wall of granite, juxtaposing the flowers with cool blues and grays. Here was the essential Yosemite Valley, captured in a way I had never done before.

I couldn’t help but have a smile on my face as I strolled back to the car – a great start to a great trip.

Snowy Egret In Breeding Plumage

A snowy egret grows long bushy feathers and has a bright red skin around the base of the beak in breeding season
A snowy egret grows long bushy feathers and has a bright red skin around the base of the beak in breeding season

Looking back through my archives, I came across these photos of a snowy egret in full breeding plumage. Because there are so many of these birds around my home, I often overlook them (everything ends up looking like a crow after awhile). But these photos stood out as they were taken at the height of breeding season, and this bird in particular had magnificent breeding colors.

A snowy egret grows long bushy feathers and has a bright red skin around the base of the beak in breeding season
A snowy egret grows long bushy feathers and has a bright red skin around the base of the beak in breeding season

As snowy egrets enter breeding season, their feathers become long and shaggy. When the they display, they can create a great fan of feathers with which to show off. In addition, a hormone in the body changes the pigment of their skin around the eye to a bright red.

Seeing these photos reminded me that birds are a living and breathing part of the natural world around us. Like much of nature, they change colors and shapes as the seasons change, and are constantly adapting to their environment.

Eastern Sierra, The Panoramas

On my recent trip to the Owens Valley, I tried to look for good panorama opportunities. These situations arise when there is an expansive vista that lends well to an image that is three to six times wider than it is high. As with any photograph, one thing to keep in mind is to make sure the entire contents of the frame supports the photograph. There should be no large empty areas, unless those areas purposefully support the image with negative space.

These images can be created with any regular digital camera. The images are stitched together in post processing to create large, wide angle views. All of the photos presented here are in the 40 to 100 megapixel range, which means they can be printed very large (at least 30×90 inches). For better appreciation for the detail captured in these photos, please be sure to click on the image to see a larger view.

The sun lights stormy clouds as sets behind the eastern Sierra range, north of Bishop
The sun lights stormy clouds as sets behind the eastern Sierra range, north of Bishop. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 640. Evaluative metering 0 EV: 1/400 sec. at f/8. Composed of 7 stitched photos, handheld.
The sun rises over Hot Creek, as the Sierra Nevada looms in the distance
The sun rises over Hot Creek, as the Sierra Nevada looms in the distance. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 3.2 sec. at f/16. Composed of 4 stitched photos.
The wall of the eastern Sierra rises over ten thousand feet above the Alabama Hills at dawn
The wall of the eastern Sierra rises over ten thousand feet above the Alabama Hills at dawn. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/4 sec. at f/16. Composed of 7 vertical stitched photos.
An ancient bristlecone pine crouches on a snowy slope, greeting morning's first rays of light, Ancient Bristlecone Pine Forest
An ancient bristlecone pine crouches on a snowy slope, greeting morning's first rays of light, Ancient Bristlecone Pine Forest. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/6 sec. at f/7.1. Composed of 7 stitched photos.

The Grove Of The Patriarchs

The setting sun casts a red glow in an ancient bristlecone pine, Ancient Bristlecone Pine Forest
The setting sun casts a red glow in an ancient bristlecone pine, Ancient Bristlecone Pine Forest. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 1/8 sec. at f/14.

On my trip to the Owens Valley last month, I spent a night up in the Ancient Bristlecone Pine Forest with some friends. This forest runs across the ridge of the White Mountains in Inyo National Forest. It is an inhospitable environment, with a barren landscape, freezing weather, and frequent gale-force winds blasting across exposed rock. It is also one of my favorite places on earth.

This was the first time that I was in that area for both sunset and the following sunrise. A few small clouds moved in at sunset (above), providing some texture to the sky.

At sunrise, I had unobstructed views of the sun rising over the eastern horizon, across the Nevada desert. Similar to the intense alpenglow of the eastern Sierra peaks, at this elevation the trees turn an unworldly red glow at dawn. From a distance, these bare, twisted branches can transform into the wild licking flames of a campfire.

A twisted bristlecone pine glows orange in the intense rising sun, Ancient Bristlecone Pine Forest
A twisted bristlecone pine glows orange in the intense rising sun, Ancient Bristlecone Pine Forest. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 2/3 EV: 2 sec. at f/16.

The early tree-glow gave way to direct sun on the bark. This was prime time to capture the morning light, and the race was on to photograph as much as possible before it faded. Of course, working along a steep slope at 11,500 in deep snow is not easy! Soon I was panting for breath and my heart was racing out of my chest. In these types of environments, it is better to pick a spot with several morning light opportunities and stay there.

A twisted bristlecone pine reflects the warm glow of the rising sun, Ancient Bristlecone Pine Forest
A twisted bristlecone pine reflects the warm glow of the rising sun, Ancient Bristlecone Pine Forest. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 200. Evaluative metering 1/3 EV: 1/10 sec. at f/16.
A bristlecone stump clings to the side of a snowy slope, where it has sat for thousands of years
A bristlecone stump clings to the side of a snowy slope, where it has sat for thousands of years. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 2/3 EV: 1/5 sec. at f/16.

An hour later, the sun had risen above the horizon, and the trees went back to their natural brown-tan color.

A gnarled bristlecone pine grows out of a rocky slope high in the White Mountains
A gnarled bristlecone pine grows out of a rocky slope high in the White Mountains. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 1/3 EV: 1/60 sec. at f/16.

Photographing these trees in the right way is not an easy task. I learned this the hard way when I first visited the forest. Having seen many amazing photographs from Galen Rowell and David Meunch taken in this area, I was expecting a lot. But I came away with less than desirable photographs, and a deeper appreciation for the difficulty in photographing these trees well. The key is to take it slow and spend some time with the trees. Not to get too metaphysical, but it helps to sit with a tree, and listen. Each time I go back, I feel as though I understand the trees a little better, and my photos improve just a little more. Some day, I may just do them justice.

Copyright 2017 Hank Christensen