Hot Creek Sunrise

Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks
Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 30 sec. at f/16.

One of my first sunrise shoots on my recent trip to the eastern Sierra was at Hot Creek. I wanted to catch some snow from the recent snow storm before it melted out of the mountains, and I knew this spot would work well with longer lenses to help emphasize the mountains.

The first shot was taken a half hour before sunrise. The scene was just starting to light up, but still maintained some of the cooler hues of night. Although there were no clouds to work with, there was some slight haze above the mountains, which reflected some of the deep purple of pre-dawn.

One of my biggest challenges in these early morning shoots is staying warm as I patiently wait behind my tripod for the light to change. For this location, the main foreground attraction was really the flowing creek, so I didn’t move around a lot. If you had been there that morning, you would have seen what looked like a crazy person jumping up and down and blowing on his hands to keep warm (yes, I forgot my gloves that morning).

Grass adorns the banks of Hot Creek as sun touches the mountains to the east
Grass adorns the banks of Hot Creek as sun touches the mountains to the east. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: .3 sec. at f/16.

After the sun rose and I felt I captured that part of the creek in the best light of the morning, I explored with the camera a little trying out different foregrounds and lens lengths. I’m a sucker for near/far verticals, and that’s what my eye gravitated toward when I saw this long grass growing along the bank of the creek.

Soon enough the photo shoot was over, as the morning light faded and fishermen began to show up along the length of the creek.

Bishop Sunset

Dramatic clouds build over the peaks of the Evolution Basin of King's Canyon National Park.
Dramatic clouds build over the peaks of the Evolution Basin of King's Canyon National Park. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 800. Evaluative metering 2/3 EV: 1/160 sec. at f/8.

Earlier this month I made a trip to Bishop, CA and the surrounding areas to see what the autumn colors had to offer this year. I knew it would be unpredictable, given the huge snowfall of the previous winter, combined with this year’s short summer. The weather played one final card as an early snow storm moved in right before my trip, dumping snow in the mountains. Unfortunately, this snow killed off the trademark fall color of the eastern Sierra, turning those golden Aspen leaves to brown and black. However, I was treated to a pristine white mountain backdrop, at least for a few days.

The sun plays dramatically across storm clouds as it sets behind the eastern Sierra range
The sun plays dramatically across storm clouds as it sets behind the eastern Sierra range. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 800. Evaluative metering 1/3 EV: 1/200 sec. at f/8.

When I got into town, I met up with photographer friend Dan Canfield, and set out to the Chalk Bluffs north of Bishop for the first sunset of the trip. As dusk approached, it looked like the sunset would be a dud. One small wispy cloud mocked our photographic anticipation.

However, as the sun crept toward the eastern mountains, dramatic clouds began building up and materializing above the horizon. Once the sun set behind the range, we were treated to twenty minutes of pure (and frantic) delight. The colors played across the ever-changing clouds, which congealed and dissipated with casual acquaintance. Soon it was all over, as the sun slipped away yet again.

These moments always pass too quickly, but that’s part of what makes them so special. I felt blessed to witness such a powerful display of natural forces in one of our earth’s special places. Stay tuned for much more from this trip – I’m processing the photos as quickly as time allows!

American Goldfinch

An american goldfinch clings to the narrow branch of a cherry tree
An american goldfinch clings to the narrow branch of a cherry tree. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering -2/3 EV: 1/2000 sec. at f/8.

This week’s photo involved nothing more than setting up my camera and walking out my front door. The cherry tree in my front yard is a welcome perch for birds flying in to survey the feeding station. However, they usually only stay still for a brief few seconds before moving to the bird feeders. Here, patience and a quick trigger finger save the day.

When I’m photographing birds in the front yard with my long lens, I always use an extension tube to decrease the minimum focus distance of the lens. Otherwise, even standing all the way across the yard, I’m too close and can’t get a focus lock on anything in the yard. This closer distance allows small birds to fill the frame, but makes photographing large birds impossible, unless I’m just going for a head shot or head and shoulders portrait (and how many mourning dove portraits do you really need?)

Burrowing Owl

A burrowing owl stands on rocky ground, looking at the camera
A burrowing owl stands on rocky ground, looking at the camera. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering +1/3: 1/160 sec. at f/8.

This week’s photo features a popular favorite – the burrowing owl. This species exists throughout the Bay Area (if you know where to look), but every year their habitat is either destroyed or urbanized. Instead of living in a natural grassland habitat, they are now more often found on golf courses or other large landscaped areas (such as corporate campuses). Fortunately burrowing owl advocates tend to be passionate and active, which may yet give this species a fighting chance.

The burrowing owl is one of the more photographed species of owl in the Bay Area, mostly due to the fact that they are non-nocturnal, and burrow away from trees in more open areas. That is not to say they are easy to find, however. I’ve located an owl in its burrow with my long lens before, then looked up and was unable to locate it with my naked eye. Their camouflage is so good sometimes, that people almost step on them before they see them.

A burrowing owl portrait is captured against a white sky background
A burrowing owl portrait is captured against a white sky background. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering +1/3: 1/320 sec. at f/8, fill flash.

I found this owl in the Alviso area of San Jose. There were high overcast skies, which can be very good for bird photography. The shadows are softened so you can shoot all day. In the lower image I used a fill flash to introduce a catch-light to the bird’s eye. Neither images are cropped – a testament to the power of the 800mm lens.

Copyright 2017 Hank Christensen