A lazuli bunting perches on a branch in the sun, singing, Arastradero Preserve, Palo Alto, CA. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/2000 sec. at f/7.1
Last week I spent the evening in Arastradero Preserve in Palo Alto in order to photograph Lazuli Buntings as they returned to the Bay Area for the summer. I hiked for a while through grassy hills spotted with oak trees, past wet marshy areas, and through dark oak woodland, still not seeing any of the buntings. I stopped and played their call on my iPhone. From every direction, dozens of voices answered my call. I then realized that I had been surrounded by buntings all day, I just had not recognized their bird song.
It was as though a veil had been lifted, and I started seeing them everywhere. As the sun started to drop to the west, I saw many buntings move to the treetops, hoping to sing out to the world in those last rays of the day.
A lazuli bunting perches on a branch in the sun, Arastradero Preserve, Palo Alto, CA. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/2000 sec. at f/7.1
Two great horned owlets sit side by side on a tree branch. Both have yet to fledge and are awaiting food from a parent. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering 0 EV: 1/400 sec. at f/8
I photographed these two great-horned owlets this past weekend, as they cuddled up together on a branch. They had not fledged, making them easy to find close to their nest. Both parents were still around (as was a third sibling), performing the duties of food gathering for their new brood. Occasionally, the left most owl would become unsettled, and scoot closer to the other, even though his body was already pressed up tight against its sibling. Just as the owl on the right was drifting off to sleep, here comes his brother (or sister), snuggling up close.
After a few minutes, the alert owl decided that it wasn’t time for sleeping, but for a grooming session. With that, he began to lick the other owl’s feathers, rearranging them just so.
While sitting side-by-side, one owlet begins to groom its sibling. Neither owlets have fledged. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/250 sec. at f/8
This continued for quite a while, and I eventually left to see what else I could find. When I returned to the owls, it looked as though the sleepy owl had left and found a quieter place to roost, leaving the alert owl to sit and stare at the world.
A young great-horned owl that has yet to fledge perches on a tree branch, awaiting food from a parent. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 500. Evaluative metering +1/3 EV: 1/400 sec. at f/8
I was lucky that these young owls had not yet learned to fly. While they’ll still remain dependent on their parents after fledging, they will be much harder to find among the many trees in the area.
After a first evening of disappointing skies at Mono Lake, I went back later in the week on my recent trip to the eastern Sierra. Some clouds were building in the afternoon, and it looked like it would be a decent evening for sunset.
In my mind’s eye, I envisioned still waters, mirrored reflections of tufa, and a lightly clouded sunset sky. The sky was certainly shaping up, but late in the afternoon, the wind picked up and blew away any chance of tufa reflections. Because the wind was blowing the water into small waves hitting the shore, I decided instead to use a longer exposure to translate that lake motion into a quiet mist.
I knew that the tall tufa spires I had previsualized were out – I needed something smaller to use as a foreground to lead the eye into the lake. Whenever using a long exposure to create a water mist effect, I always juxtapose the water against razor sharp, highly detailed subjects. These usually end up being rocks, but in this case, tufa would work just as well. I walked along the shore until I found what I was looking for.
Trying to achieve a longer shutter speed, I added a circular polarizer and lowered my ISO to 50, giving me an 8 second exposure. This was plenty of time to soften the water, giving me the sought after effect. I moved back and forth, forward and backward, working the composition until I was happy with it.
After the sun had set, I walked back along the shore looking for subjects that would work well in twilight. The composition in the photo below caught my eye, and I made a quick photograph on my way back to the car.
A stillness descends on Mono Lake just after sunset. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 200. Evaluative metering +1/3: 8 sec. at f/16
On my second visit to Mono Lake, I was much more satisfied with the weather, giving me clouds to add a little texture to the sky. But I had to remain nimble in my thinking to work with and accommodate the wind. Sometimes all the planning and thinking about a place must be thrown out the window, but what you get in return may be unexpected and a great reward.
Clutching the remains of a fish he caught, an osprey takes off out of a nest after he delivered dinner to his nesting mate, Mono Lake, CA. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 1600. Evaluative metering 0 EV: 1/320 sec. at f/5.6
Last week I took a photography trip to the eastern Sierra to capture some spring time action over there. I went with a photographer friend to the south end of Mono Lake in hopes of a great sunset. Unfortunately, the skies were clear and the light was flat. Instead of a lasting sunset glow, it was as if someone just turned out the lights.
Fortunately, there were two pairs of osprey nesting near the shore in large nests built on top of two tufa towers. Just before dusk, the males came in close to the nests with fresh-caught fish. We had a brief show during which they perched on nearby tufa towers, enjoying their dinner, before they returned to the nests to deliver what was left to their respective mates.
An osprey clutches the remains of a fish in its talon as it perches on top of a tufa tower, Mono Lake, CA
During this time, the sun set and the light left. However, just before it got completely dark, I managed to get a shot of one of the males leaving the nest with the rest of the fish dinner. Because the sun was well over the horizon, it back lit the birds. I knew I could not get enough detail on the birds, so I underexposed and went with a full silhouette, emphasizing the graphical shape of the osprey taking off.
