I photographed this dowitcher just as the last light of the day was hitting the marsh. He was busy with dinner, but paused long enough for me to create a portrait. I like this shot because it shows some of the bird’s habitat along with the entire body. Although crisp bird portraits with blurred backgrounds of solid color look great, sometimes we strive to isolate the subject from its habitat just a little too much.
This american avocet was sitting on her nest, hidden in pickle weed along the bank of a shallow slough. Avocet nests are fairly unimpressive – they are usually just a small scrape along the ground, sometimes lined with grass. Sometime avocet females will lay their eggs in other avocet nests – or even the nests of other species. Likewise, other species (usually black-necked stilts) have been known to lay their eggs in active avocet nests. The avocet female that tends the nest will raise the stilt chicks as if they were her own.
San Francisco Bay in springtime is a great place to capture songbirds in action. This song sparrow would fly from perch to perch, stopping to sing out very methodically in each direction. This was my favorite shot that I took of him, because his head is thrown back, and it looks like he’s really getting into it.
I like to photograph songbirds about an hour after sunrise. They are still very active in their morning routines, and the ambient light is bright enough for action shots (songbirds can move very fast!) Another technique I employ is to go to places where there are people. Birds that are used to people being around tend to be more at ease and will likely let you approach closer before flying off. Running trails, parks, and urban ponds are all great places to find birds that are used to people.
This week’s photo was taken during my recent trip to Salt Point State Park. There were quite a few of these sparrows flitting around from bush to bush, some of them stopping occasionally to sing out at the top of their tiny lungs.
With bird photography, my goal, whenever possible, is to try to be close to the subject’s eye line. In this case, it was easy, as the top of the bush was about 5 feet off the ground. My camera was therefore also at about 5 feet, so that the lens looked directly into the bird’s eye. When birds are at ground level, I try to get very low, either kneeling behind my camera or sometimes down on my stomach (which can get quite dirty!) In these cases, my tripod legs are at their shortest, and splayed out to each side so that the tripod head is just off the ground. I find this simple concept can really give the viewer more of a connection to the photograph.
