Photo Stories – Page 12

May 16, 2011January 14, 2013

Mono Lake Sunset

Clouds hang over the tufa at sunset, Mono Lake, CA. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering 0 EV: 8 sec. at f/22

After a first evening of disappointing skies at Mono Lake, I went back later in the week on my recent trip to the eastern Sierra. Some clouds were building in the afternoon, and it looked like it would be a decent evening for sunset.

In my mind’s eye, I envisioned still waters, mirrored reflections of tufa, and a lightly clouded sunset sky. The sky was certainly shaping up, but late in the afternoon, the wind picked up and blew away any chance of tufa reflections. Because the wind was blowing the water into small waves hitting the shore, I decided instead to use a longer exposure to translate that lake motion into a quiet mist.

I knew that the tall tufa spires I had previsualized were out – I needed something smaller to use as a foreground to lead the eye into the lake. Whenever using a long exposure to create a water mist effect, I always juxtapose the water against razor sharp, highly detailed subjects. These usually end up being rocks, but in this case, tufa would work just as well. I walked along the shore until I found what I was looking for.

Trying to achieve a longer shutter speed, I added a circular polarizer and lowered my ISO to 50, giving me an 8 second exposure. This was plenty of time to soften the water, giving me the sought after effect. I moved back and forth, forward and backward, working the composition until I was happy with it.

After the sun had set, I walked back along the shore looking for subjects that would work well in twilight. The composition in the photo below caught my eye, and I made a quick photograph on my way back to the car.

A stillness descends on Mono Lake just after sunset. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 200. Evaluative metering +1/3: 8 sec. at f/16

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On my second visit to Mono Lake, I was much more satisfied with the weather, giving me clouds to add a little texture to the sky. But I had to remain nimble in my thinking to work with and accommodate the wind. Sometimes all the planning and thinking about a place must be thrown out the window, but what you get in return may be unexpected and a great reward.

May 11, 2011January 14, 2013

Mono Lake Osprey

Clutching the remains of a fish he caught, an osprey takes off out of a nest after he delievered dinner to his nesting mate, Mono Lake, CA — Clutching the remains of a fish he caught, an osprey takes off out of a nest after he delivered dinner to his nesting mate, Mono Lake, CA. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 1600. Evaluative metering 0 EV: 1/320 sec. at f/5.6

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Last week I took a photography trip to the eastern Sierra to capture some spring time action over there. I went with a photographer friend to the south end of Mono Lake in hopes of a great sunset. Unfortunately, the skies were clear and the light was flat. Instead of a lasting sunset glow, it was as if someone just turned out the lights.

Fortunately, there were two pairs of osprey nesting near the shore in large nests built on top of two tufa towers. Just before dusk, the males came in close to the nests with fresh-caught fish. We had a brief show during which they perched on nearby tufa towers, enjoying their dinner, before they returned to the nests to deliver what was left to their respective mates.

An osprey clutches the remains of a fish in its talon as it perches on top of a tufa tower, Mono Lake, CA

During this time, the sun set and the light left. However, just before it got completely dark, I managed to get a shot of one of the males leaving the nest with the rest of the fish dinner. Because the sun was well over the horizon, it back lit the birds. I knew I could not get enough detail on the birds, so I underexposed and went with a full silhouette, emphasizing the graphical shape of the osprey taking off.

May 2, 2011January 14, 2013

Burrowing Owl

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I took this photo last week of a local burrowing owl, whose burrow I had discovered the week before when out scouting with a couple of local birders. Since the light was poor that day, I returned later to get the bird in the nice warm light of sunrise.

I found the owl sitting upright in the burrow, not crouched low as I’ve seen other owls. He seemed quite comfortable with my presence. He was situated on the edge of a golf course, and I was able to photograph him while standing on a paved road, so I’m guessing that he is quite used to people being in the vicinity. I was careful not to approach too closely however, as the too much human contact with a burrow has been known to displace owls permanently. As much as I liked the lighting and the photos, he never did pop out of his hole, and I wanted to try to get photos of him up out of the ground.

A burrowing owl perches on a tree branch above its burrow at sunrise. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 500. Evaluative metering -2/3: 1/250 sec. at f/5.6

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I returned two mornings later, this time a half hour earlier, so I could be there for day break. As I approached, I was excited to see the owl perched on a low branch of a nearby tree. I photographed the owl as the sun rose behind me, lighting the bird like a spotlight, while leaving the background dark. In order to compensate for a much brighter bird than the background, I had to dial down my exposure compensation to -2/3 of a stop, so as not to blow out the highlights of the owl.

In order to keep the ISO as low as possible, I opened up to the lens’ maximum aperture (5.6), knowing that with the owl’s fairly flat features, I could still get its entire face sharp at that depth of field. The shutter speed was just fast enough to photograph without needing to lock down the gimbal head of my tripod. However, because my subject wasn’t moving, I didn’t have to pan the lens with the bird, so I locked it down anyway, eliminating any chance of lens shake.

Soon after the photo above was taken, the sun rose higher in the sky and was casting small shadows into the owl’s large eyes. Sometimes the lighting is perfect for a given situation only for a few moments. While the owl was still in the tree at the time I left that morning, I knew it would only be a matter of time before it returned to its burrow for the day.

April 27, 2011January 14, 2013

Greater White-fronted Goose

A greter white-fronted goose walks through a field of grass and white flowers. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/1600 sec. at f/8

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Canada Geese are everywhere around the San Francisco Bay. And I mean everywhere. This year-round resident breeds throughout the bay area and infests parks, lakes, sidewalks, and streets. The geese are so ubiquitous, that most people just block them out and ignore them. But every once in a while it pays to scan flock of Canada Geese – you might just find one that sticks out.

Such is the case with the Greater White-fronted Goose, which (at least in my area) tends to hang out with larger groups of Canada Geese. They are slightly uncommon for the area, but in the winter you might find one or two with their Canada brethren. A singular Ross’s or Snow Goose can also be found mixing it up with Canada Geese, as can the Cackling Goose, which looks almost identical to a Canada Goose, except that it is the size of a mallard.

A greater white-fronted goose stands for a head and shoulder portrait. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/1600 sec. at f/8

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I found this goose in a local park along the bay. I set up a little ways away and waited for him to separate from all the Canada Geese so that I could get some solo shots. He was quite cooperative, posing occasionally for some portraits like the photo above. I used an aperture of f/8 in order to have enough depth of field to cover his entire body. If I kept the aperture large and focused on his eye, the close edge of his round body would likely have been out of focus.