The setting sun highlights an outcropping on rock, jutting into the still waters of Crater Lake, Eagle Cap Wilderness, Oregon.
This week’s photo was taken during a recent backpacking trip into Eagle Cap Wilderness in northeastern Oregon. This was our first night, and the end of a long day of driving and a steep uphill climb of 3000 feet. Even before I pressed the shutter release, I knew I wanted to convert this image to black and white. A small rock peninsula was jutting out into the lake from the opposite shore, and I wanted to accentuate the extreme contrast between the brightly lit rocks and the shadowed forest beyond.
As expected, we had the lake to ourselves. Unlike the famous Oregon counterpart of the same name, this “Crater Lake” in the Eagle Cap Wilderness is small, and is not considered a destination unto itself, but a stopping point as the hiker gets deeper into the wilderness. In fact, this lake is not formed in a crater at all, but a dimple in the landscape carved by glaciers of the last ice age. As this lake is fed by snow melt, its water is crystal clear. Although small, this lake definitely is beautiful, which can be at least some comfort on very cold nights.
Mt. Lassen is reflected in Lake Helen after a morning snow shower, Lassen National Park, California
This week’s shot was taken on my way out of Lassen Volcanic National Park after a failed attempt at a solo backpacking trip. After trying to wait out the rain in the morning, I finally gave up and headed back home after my long drive only the night before. The rain was strong, and the dark clouds foreshadowed the wicked thunderstorm to come.
However, just as I was passing Lake Helen on the main road through the park, the rain stopped and I decided to take advantage of this brief respite. I parked my car by the lake and jumped out with my gear, hoping to make a few quick exposures before the storm started in again. I had the lake to myself, and I didn’t see a single car pass on the road while I was shooting. Although I knew the temperature had dropped the night before, I was surprised to see fresh snow on the top of the mountain. That was my second fresh snow of the summer, the first being at Crater Lake in July.
This shot is actually a combination to two images – a technique I’ve been using successfully for a couple of years. Traditional photographic technique would have required I use a graduated neutral density filter, in order to darken the exposure of the sky so as not to blow it out when I exposed for the foreground. Shooting digitally from a tripod allows me to create this effect later on the computer using two exposures instead of one. This saves the weight of the extra filters out in the field, and frees me up aesthetically.
First, I expose for the foreground light, and capture the frame as if the entire scene was lit evenly. This will result in an image where the sky (and in this case mountain top) is completely blown out and appears white in the photograph. Next (without moving the camera or tripod), I expose for the sky, rendering the foreground very dark, if not black. I later combine both images as separate layers of the same file in Photoshop, using layer masking and the gradient tool to blend them together, getting the best exposure for the sky and the foreground.
Soon after I got out of my car, it started raining again, and I knew it was time to leave. I’m glad I got this opportunity to shoot this area during a break in the storm – the rain could have easily let up somewhere else (or not at all), and I would have driven out of the park without another shot.
Mt. Lassen is reflected in Manzanita Lake at sunset, Lassen National Park, California
A couple of weeks ago, I drove up to Lassen National Park for a quick solo overnight backpacking trip. I could tell that wilderness camping in the park was not very common by the raised eyebrows from the ranger when I asked for a permit. “Oh. Did you hear about the weather?” she asked.
Uh oh, I thought. That is never a good sign. She went on to tell me that the temperature was expected to drop by 30 degrees and a thunderstorm was moving in, with rain expected by 11 AM of my first day. I decided to give it a go anyway, and see how bad the weather would get. Before setting up camp at the trail head, I drove north to Manzanita Lake for sunset, where I took this week’s photo.
Luckily, I was blessed with great weather that evening, and had a pleasant hike around the lake capturing different views of the mountain reflected in the deep blue water. Mt. Lassen is probably most photogenic from the north, so this lake is a (very) popular spot for campers. I was happy to see some snow still clinging to the north-facing slopes.
After sunset, I drove south to the trail head, set up camp, and was soon asleep. The rain started at 5 AM and picked up from there. I packed up in the rain, tried to wait out the storm in the car, and finally gave up around 8:30. It turned out to be a good decision, because it rained continuously for the next couple of days. With low, fog-like clouds over much of the landscape, photography was rendered pointless. The handful of photos I took at Manzanita Lake turned out to be the bright spot (literally) of my trip. Overall, the trip was not what I was planning, but it is hard to be disappointed with such a beautiful scene.
As the sun sets, it casts one final beam across wild lupine and granite boulders, Sierra National Forest, CA
This week’s photo is all about light. If you take away the dramatic lighting effects from this photo, you are left with something pretty mundane – a forest and some rocks. But with the sun filtering through the trees as a star burst, lighting the granite boulders and contrasting them with the darker forest, an interesting image is born.
Before this composition found me, I was pointing my camera in the opposite direction and quickly becoming uninspired. Sure, I was shooting from the edge of a cliff and had a large, open, forested valley below me, but no specific feature stood out and grabbed my attention. I turned around and saw that the sun was setting behind the trees, and knew then that I would use sunlight as my subject.
It didn’t take much hunting around to find this line of granite boulders illuminated by the setting sun. Now I had a decision to make – include the sun in the image or not? Since I was shooting at f/16 (as I often do with landscapes), I knew I’d get a nice, tight star burst effect from the sun. I ultimately decided to include it in the image because I wanted to balance the lower right of the image which included a lot of light, with the light of the sun in the upper left.
Another thing to worry about when shooting into the sun is that the camera’s meter can will be thrown off. If I shot this at the camera’s recommended shutter speed (I was in aperture priority), the forest would have been rendered brighter and the granite would have been completely blown out. I dropped the exposure compensation by two stops, which gave me a photo much closer to what I was seeing with my eyes.
I am pretty happy with the result. It is not the typical grandiose landscape typical of Sierra photography, but a more intimate scene. Hopefully it conveys more than just the visual aspect, but a real sense of place – the distant echos of forest birds, the sharp smell of pine needles, the thumping of the heart at high elevations. Ultimately for me, it was my latest reminder that when in doubt, I should always follow the light.
