Lightplay On Granite (Photo of the week)

As the sun sets, it casts one final beam across wild lupine and granite boulders, Sierra National Forest, CA
As the sun sets, it casts one final beam across wild lupine and granite boulders, Sierra National Forest, CA

This week’s photo is all about light. If you take away the dramatic lighting effects from this photo, you are left with something pretty mundane – a forest and some rocks. But with the sun filtering through the trees as a star burst, lighting the granite boulders and contrasting them with the darker forest, an interesting image is born.

Before this composition found me, I was pointing my camera in the opposite direction and quickly becoming uninspired. Sure, I was shooting from the edge of a cliff and had a large, open, forested valley below me, but no specific feature stood out and grabbed my attention. I turned around and saw that the sun was setting behind the trees, and knew then that I would use sunlight as my subject.

It didn’t take much hunting around to find this line of granite boulders illuminated by the setting sun. Now I had a decision to make – include the sun in the image or not? Since I was shooting at f/16 (as I often do with landscapes), I knew I’d get a nice, tight star burst effect from the sun. I ultimately decided to include it in the image because I wanted to balance the lower right of the image which included a lot of light, with the light of the sun in the upper left.

Another thing to worry about when shooting into the sun is that the camera’s meter can will be thrown off. If I shot this at the camera’s recommended shutter speed (I was in aperture priority), the forest would have been rendered brighter and the granite would have been completely blown out. I dropped the exposure compensation by two stops, which gave me a photo much closer to what I was seeing with my eyes.

I am pretty happy with the result. It is not the typical grandiose landscape typical of Sierra photography, but a more intimate scene. Hopefully it conveys more than just the visual aspect, but a real sense of place – the distant echos of forest birds, the sharp smell of pine needles, the thumping of the heart at high elevations. Ultimately for me, it was my latest reminder that when in doubt, I should always follow the light.

Red Foxglove (Photo of the week)

Red Foxglove grows alone in a clearing in the forest, Corbett, Oregon
Red Foxglove grows alone in a clearing in the forest, Corbett, Oregon

This week I’m posting a wildflower shot. I don’t often get out to specifically shoot wildflowers, but seeing pristine foxglove like this, standing out against a green forest backdrop makes it hard to pass by.

I was up visiting my parents who live near the Columbia River Gorge outside of Portland, Oregon. I decided to photograph portions of their forest, which is mostly Douglas fir, and can get pretty dense in places.

Because the forest was thick, it was dark, and a tripod was required. For this shot, I used a polarized filter to cut any sheen from the vegetation. This really allowed the greens to pop. I also wanted to isolate the flowers, so I used a wide aperture (f/2.8) and the telephoto end of my 24-70mm zoom lens. In general, the longer the lens, the shallower the depth of field, so if I’d shot the flower at 24mm, even at f/2.8 the background foliage would have been much more in focus. With 70mm, all the busyness of the forest disappeared into a sea of green.

Below is another shot from the same trip, though of a different foxglove in a different part of the forest.

Red Foxglove petals hang from a green stock
Red Foxglove petals hang from a green stock

Canada Goose Siblings (Photo of the week)

Two canada goose siblings stand side by side, waiting their turn to drink from a puddle

It has been a very busy (and sleepless) couple of weeks for me, as I’ve been trying to keep up with watching the Tour de France while keeping up with my current work load. That translates to earlier mornings and later nights! I’ve been busily processing photos from a recent trip to Oregon, and I’ll have some of those shots posted soon. For now, please enjoy a couple of adolescent Canada goose photos from before the trip.

These goose siblings were lined up behind a long puddle, taking a break from gorging themselves on grass to drink. In the photo below you can see one of the parents looming in the background. To drink, they would sip water to fill their beaks, and then tilt their head backward to let the water run down their throats.

Two canada goose siblings take turns drinking from a puddle. A watchful parent stands guard in the background.

In both of these photos, I stopped down the aperture to f/9 in order to get a bigger depth of field. I knew this was needed to have any chance of catching both geese in focus. In the first photo, the difference in distance from the focal plane was greater than the second photo, throwing the sibling farther from the camera into soft focus. The photo still succeeds however, as the closer sibling is in sharp focus. At least the second goose is easily distinguishable here – if I had gone with a larger aperture, the second goose would have been blurred away into the background.

California Gull Bathing (Photo of the week)

Flapping its wings repeatedly, a california gull dries its feathers after submerging its body in water.

This shot was taking a couple of weeks ago while shooting some of the bay area’s more common inhabitants. I was watching various gulls and mallards, mostly acting boring and just standing around. But this California Gull decided to jump into the water and put on a show. He would submerge his entire body under water, then pop up and flap his wings back and forth to dry his feathers and prepare for preening. After preening for about 30 seconds, he’d dive back in and start all over again. This repeated for about ten minutes. The photo below is another shot of this lively bird.

Not until the wings are fully extended can one appreciate the surface area required to keep these birds aloft.

Copyright 2017 Hank Christensen