Trip Report – Page 7

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September 30, 2011January 14, 2013

Ansel Adams Wilderness

A couple of weeks ago my friend Steve and I finally headed into the Sierra high country for a long-overdue back-country excursion. Due to the heavy snow pack this year and busy schedules, this turned out to be our only trip of the summer. To make the most of it, we chose to visit the Ansel Adams Wilderness, arguably one of the most scenic regions of the Sierra.

Banner Peak is reflected in Thousand Island Lake at dawn, Ansel Adams Wilderness — Banner Peak is reflected in Thousand Island Lake at dawn, Ansel Adams Wilderness. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 1/15 sec. at f/14.

Hiking out of June Lakes and up Rush Creek, we hit less than ideal weather. The climb was a brutal slog (4200 ft of gain), and thunder clouds began to congregate in the western sky. A biting wind whipped us from all sides, making even the flat spots (of which there were few) seem like a chore.

Finally we reached our destination – Thousand Island Lake. Rising above the lake was the impressive Banner Peak, but most of it was obscured by thick clouds. This is a very scenic and popular spot. Sitting next to both the Pacific Crest Trail and the John Muir Trail, it receives an enormous number of visitors each summer. Even though it was after Labor Day, and the weather was no good, there were still quite a few backpackers settling in for the night along the north shore of the lake. I’d hate to see this place on a mid-August weekend!

We set up camp and soon the weather was too cold to even wait for darkness to fall. We were in our tents by 7pm.

The sun rises over Thousand Island Lake and Banner Peak, Ansel Adams Wilderness — The sun rises over Thousand Island Lake and Banner Peak, Ansel Adams Wilderness. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 1/15 sec. at f/14.

Dawn brought clear weather and introduced me to an entirely new landscape. The wind was gone, and Banner Peak was reflected like a mirror in all its morning glory. I finally got out my camera and began to hunt for shots. The day before I took only four photos the entire day.

After finally warming up, we packed up camp and decided to get away from the crowds. We headed north off trail. We only had one ridge to climb before descending into Davis Lakes. It was our shortest hiking day on record, but given the beautiful scenery we were surrounded by, we couldn’t complain.

Mt. Davis is reflected amongst the boulders in Davis Lake, Ansel Adams Wilderness — Mt. Davis is reflected amongst the boulders in Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: 1/6 sec. at f/16.

We spent a leisurely afternoon by lower Davis Lake, and I scouted the area so that I would be prepared when the evening’s magic hour arrived. I was not disappointed, with views to the south (above) and to the north (below).

Mountains are reflected in the smooth surface of Davis Lake at sunset, Ansel Adams Wilderness — Mountains are reflected in the smooth surface of Davis Lake at sunset, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: .3 sec. at f/16.

After another long night in our tents, I woke long before dawn and watched the world slowly light up around me while I was hunkered behind my lens. It was our last morning out, and it didn’t disappoint. The landscape had a wholly different feel than in the sunset light the night before.

Sun lights the tip of Mt. Davis at dawn, Ansel Adams Wilderness — Sun lights the tip of Mt. Davis at dawn, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: .8 sec. at f/16.

The lake shore had many interesting boulders and grass features to position in the foreground. This helped to keep the shots varied and gave me plenty to work with in terms of composition.

The morning sun touches the peaks surrounding Davis Lake, Ansel Adams Wilderness — The morning sun touches the peaks surrounding Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: 1 sec. at f/16.

Soon the morning’s sweetest light was gone, but I was confident that I had captured at least a little of the beauty around me. It was time to pack up and start the long hike out.

Mt. Davis is reflected in the still morning waters of Davis Lake, Ansel Adams Wilderness — Mt. Davis is reflected in the still morning waters of Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 1 EV: 1 sec. at f/16.

Despite the problematic weather at the beginning of our trip, I thought it turned out very well. I was glad to have visited this area, and know that I’ll be back to photograph it more in depth.

September 2, 2011September 5, 2017

Waterfalls of the Columbia River Gorge

Latourell Falls drops straight down from an overhanging basalt cliff, Columbia River Gorge, Oregon

Wild flowers adorn the creek that descends from the base of Latourell Falls, Columbia River Gorge, Oregon

Earlier this summer I spent a couple of mornings in the Columbia River Gorge, photographing just a few of the many waterfalls that line its cliffs. Luckily, I was blessed with Oregon’s trademark high overcast skies, which gave me the perfect diffused light with which to do forest photography. By cutting out all the scattered light beams filtering through the canopy, I was able to get even light across the entire scene, and reduce the dynamic range to something my camera could handle.

Latourell Falls drops straight down from an overhanging basalt cliff, Columbia River Gorge, Oregon

The two preceding images are of Latourell Falls, which seems to have endless foreground opportunities. While most of the falls in the Gorge cascade down rock faces, this waterfall plunges off an overhanging basalt cliff, allowing the water to fall straight down. Since there are never any true straight lines in nature, having a strong vertical line to work into the composition can be a lot of fun.

Ponytail Falls shoots outward from a cleft in a rock cliff, and cascades over large stones below, Columbia River Gorge, Oregon

Ponytail Falls sits upriver from Horsetail Falls, a much larger waterfall closer to the road. While Ponytail may be inferior to its companion in size, it makes up for it in beauty. This fall shoots out from a notch in the cliff, creating a pleasing arc of water. A hiking trail wraps around the base of the cliff behind the waterfall, giving hikers the added bonus of seeing the fall from a different perspective.

Shepperds Dell Falls empties into a narrow canyon overgrown with greenery, Columbia River Gorge, Oregon

Shepperd’s Dell Falls is absolutely covered with green. This is a nice tidy little waterfall that starts well below the trailhead, allowing views from high above looking down. Of course, shooting so much foliage makes using a polarizer a must. This will cut all reflections on the leaves, and really make the green color pop. This is an effect that cannot be replicated well in post processing.

The river below Wahkeena Falls cascades past a fern, Columbia River Gorge, Oregon

Just below Wakheena Falls is a beautiful cascade that runs past lush ferns and wild flowers. It is not as well visited, as it is tucked away below the road, and most visitors are drawn immediately to the waterfall.

Bridal Veil Falls empties into a small pool surrounded by dense forest, Columbia River Gorge, Oregon

The last waterfall I covered in this trip was Bridal Veil Falls. This is one of the more popular waterfalls along this stretch of road. Equally as popular is the Bridal Veil post office, which receives boxes of wedding invitations from all over the world, so that the invitations can be postmarked by the town of “Bridal Veil” and mailed out to potential wedding guests.

I have to admit, I had a little trouble with the aesthetics of this waterfall. The shot above is a straight-forward interpretation, shot from an (ahem) observation platform. Okay, let’s be honest – it is a vacation snapshot! I wasn’t very happy with this rendering, as I felt it lacked conveying the almost ethereal quality of the grotto that this waterfall plunged into. I worked the scene and settled on the more distant perspective below.

Bridal Veil Falls opens up into a creek that flows through dense forest, Columbia River Gorge, Oregon

The best part of this photo excursion is that I only scratched the surface of the multitude of waterfalls along the Gorge. With so much water flowing into the Columbia River, and so many overcast days (smile), this area really can be a photographer’s paradise.

Gear I used to create the photos in this post:
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August 23, 2011January 14, 2013

Ten Lakes, Yosemite National Park

After waiting all summer for the snow to melt out of the high country, I finally ventured north of Tioga Road with some friends from college for a weekend backpacking trip. Instead of my usual high mileage days, our focus was on leisure time in the backcountry, which gave me plenty of time for photography. We hiked into the Ten Lakes region – an area featuring a chain of lakes with forested streams in between them, all draining into the Tuolumne River far below.

A calm lakes reflects the surrounding cliffs in early morning, Ten Lakes, Yosemite National Park — A calm lakes reflects the surrounding cliffs in early morning, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 1/6 sec. at f/16. Stitched vertical frames creating a 44 megapixel image.

We found a campsite at the far end of a small lake. The site was situated atop a thirty foot cliff, giving us a commanding view of the lake and surrounding cliffs. Behind us rose an unnamed granite peak, offering the camp a nice backdrop. Best of all however, was the nearby stream dropping from an upper lake into the lake below. There was an endless variety of small pools and cascades, giving me plenty of material to work with.

A stream runs between two lakes in the Ten Lakes chain, forming a small cascade, Yosemite National Park — A stream runs between two lakes in the Ten Lakes chain, forming a small cascade, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2/3 EV: .6 sec. at f/16.

Just before sunset on our first night, the clouds started moving in. While other campers might have cast a worrisome eye to the skies, I was elated. I knew that the chance for a dramatic sunset was greatly increased with the changing weather conditions, and thankfully I was rewarded with one. The best part – I only had to walk about ten yards from our campsite to get the view I wanted. Given it required almost no work on my part, I almost felt guilty.

The dramatic skies of sunset are reflected in one of lakes of the Ten Lakes chain, Yosemite National Park — The dramatic skies of sunset are reflected in one of lakes of the Ten Lakes chain, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 2.5 sec. at f/16.

The next morning was bright and clear. I woke up early to explore the area, and see what the morning had to offer. Our little lake looked quite different in the morning, and I took advantage of the still air to get a nice reflection in the background of a camp-side stream photo. I can never get enough of Sierra Nevada granite.

Trees and vegetation grow amid Sierra granite, Ten Lakes, Yosemite National Park — Trees and vegetation grow amid Sierra granite, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering 0 EV: 1.3 sec. at f/16.

Working my way up the stream, I found a spot where I could capture the running water with the peak that rose above our site.

A stream cascades down slabs of granite below an unnamed peak, Ten Lakes, Yosemite National Park — A stream cascades down slabs of granite below an unnamed peak, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2 EV: .6 sec. at f/18.

This day was a rest day – full of fishing and exploring some of the other lakes in the chain. Working our way up to a higher lake, we saw there were still huge slabs of snow right at the shoreline. Going higher still, we found a lake with no fish, but a perfect spot for a mid day swim. There is something very special about having an entire lake to yourself in the most populated state in the nation. Of course, along the way, I also had plenty more opportunities for photos.

A stream cascades through a forest in the Ten Lakes region of Yosemite National Park — A stream cascades through a forest in the Ten Lakes region of Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2/3 EV: 1/6 sec. at f/16.

After exhausting ourselves and getting a great night of sleep, it was time to head back to the real world. It was a great trip, with beautiful landscape and only seven miles of hiking each way. While the location was not as remote as most of my Sierra trips, I enjoyed the slower pace and additional time for photography. I’ll definitely have to work in more trips like this in the future!

June 29, 2011January 14, 2013

Stilt and Avocet nesting

Last month I visited a marsh near my home where American Avocets and Black-necked Stilts nest every year. Both species had been in the area for about a month, pairing up, mating, and preparing the site for nesting. Closely related, these two species often nest in the the area, sometimes laying eggs in the nests of the other species, leaving another parent to raise their young. When I got there, the avocets were either still building nests, or sitting on eggs. One or two lookouts were constantly scanning the skies for predators, turning their necks 90 degrees in order to focus an eye upward.

An american avocet continually watches the skies above its nesting area, looking for would-be predators. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/1600 sec. at f/8.

The stilts were even more wary, as some of them had freshly hatched chicks. The most common threats were gulls, as they dive-bombed the nesting site. Occasionally a northern harrier would fly overhead, sending the stilts into a panic.

A black-necked stilt watches the skies above its nesting area, looking for gulls and raptors. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/3200 sec. at f/5.6.

One stilt had three precocious young who were anxious to explore their new surroundings. It was a fairly constant effort to corral them together, and try to keep an eye on three little ones at once.

A black-necked stilt watches over its freshly-hatched chicks. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/1250 sec. at f/9.

The chicks were just getting old enough to venture away from the nest to practice feeding on their own. Their unsteady clumsy legs sometimes pitched them sideways into the shallow mud. They would stray from the nest for only a few minutes, at which point they’d turn around and head back, perhaps out of some primal instinct to stay close to a parent.

Two black-necked stilt checks explore the shallow water near their nest. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/640 sec. at f/8.

As the sun set, the stilt settled down into the shallow scraping of a nest it had created at the edge of the pickleweed. One by one, each chick would press its way into the feathers of its parent, so it could nest in relative safety.

A day's end, a black-necked stilt cuddles its chick, inviting it to nest within its feathers. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/500 sec. at f/11.

Finally just one chick remained before it too nestled into the comforting feathers of its parent.