If you are a Save The Bay supporter, be sure to flip to July to check out my image of a juvenile green heron when your 2016 calendar arrives in the mail. Save The Bay is a San Francisco Bay Area non-profit dedicated to the preservation of the SF Bay. If you’re not a supporter, the calendar is yours free with a gift of donation. Its a worthwhile cause – I’m just saying!
On a trip to Mexico at the beginning of the year, I was lucky to find a large, male common iguana and set about photographing it. My favorite portrait position was when it began to climb the trunk of a smooth tree. It walked vertically up the tree with ease, employing the use of its long toes claws.
I also managed to get some interesting poses from the ground, where it was patrolling its territory. Here you can see the iguana’s large dewlap, a flap of skin hanging from its neck used to regulate body temperature.
I soon realized that it was on the lookout for its mate, when a female emerged and began eating low growing plants.
As the male had spines of an extraordinary orange color, I wanted to get a ground portrait that showed them off. I used a shallow focus an emphasize the head, while you still see a hint of the orange spines in the background.
Probably the most notable feature however was the large feet of the iguana. It was fascinating to watch it grip smooth surfaces and navigate them so easily.
Using a long lens, I made sure to keep my distance, both so as not to disturb the lizard, and so that I felt safe! The last thing I wanted was to have to treat a nasty lizard bite. As usual, please click the images for larger, more detailed versions.
Recently I published a post about my trip to Bandon Oregon and some of the sunset conditions I faced. Here is a counterpart to that article about the mornings I spent on the beach. Due to the weather, most mornings were overcast and very moody. It was a perfect opportunity to capture a quiet beach in somber lighting.
Most mornings had a very low tide, offering more compositional opportunities than sunset. For the photo above I spent some time studying the interplay of shapes between the sand, water, rocks, and their reflections. It is important to separate out the graphical elements in your image to prevent strong lines from overlapping. I had to carefully balance the space in between the large rock reflection and the sand bar jutting into the tide pool, with the spacing between the mid-frame rock and the sea stacks out on the horizon.
On another part of the beach, I found a large group of exposed mussels and decided to use them as leading lines out to the large sea stacks in the water. Getting down low with a wide angle lens helped emphasize the mussels in the foreground. Here I used focus stacking to ensure sharp focus throughout the frame.
The flat light of the morning lent itself well to black and white conversions. What attracted my eye to this area were the deep lines in the sand cut by the receding water. By converting to black and white, I was able to emphasize these lines by increasing the contrast and bringing out the drama of the image. I also liked the randomness of the rocks strewn about the background of the image. Compositionally, it is a nice juxtaposition of the round shapes of the rocks with the jagged straight lines cut through the sand.
Sometimes instead of adding contrast to an image (as in the black and white image seen above), it is better to showcase the low contrast qualities of the scene. Many mornings there was a foggy mist that settled around the rock formations, and here I wanted to show that atmosphere as well as the blue light cast of the morning.
Finally, this image was shot on the same day as the image above, but I increased the contrast to show off the sharpness of the foreground rocks leading to the rock spire.
It was a lot of fun to really think about why I was attracted to each of these images and use the processing stage to convey those thoughts to the viewer. It is also a reminder that taking the photos is only half of the story. A lot of communication comes through in the processing itself.
Roosevelt Elk are the largest of the remaining four subspecies of elk in North America. I photographed these elk in northern California, just south of Prairie Creek Redwoods State Park. They travel in a herd of about 30-40, and can usually be seen grazing or lazing about on either side of highway 101 in the mornings and evenings. I have seen them about 50% of the times I pass through that area, and it is always worth a quick stop to photograph them.
The herd is mostly made up of females and calves, but there are a few young bulls sprinkled here and there. This male kept pretty far away from the dirt road from which I was photographing, but occasionally he emerged from the brush to give me some clear views.
As with any wild animal, photographing them takes special care and etiquette. Especially with large mammals, keeping your distance and being extremely vigilant around them is of utmost importance, both for your safety and theirs. Using a long lens is a necessity in order to stay far enough away so that they don’t get agitated. I’ve seen too many tourists approaching with small point and shoot cameras, trying to get close enough to get a reasonable shot. In these cases, it is much better to just admire them from a distance, and if you must have a photo, go buy a postcard from a local merchant!
In a world of ever encroaching human presence, it is a joy to see a large herd like this living fairly undisturbed. Next time you are planning a road trip, do some research before hand and look for any wildlife viewing areas along your route. You never know when you might be treated to a personal experience with large wild animals.
