Every time I go to a new place, I try to have at least basic photography gear with me in order to explore the area photographically. For a location as beautiful as a Mexican beach, there are opportunities for both landscape and wildlife (in this case, birds). Due to the necessity to travel light, I left my 800mm behemoth at home and opted instead for the (comparatively) compact 100-400mm zoom lens.
Given that I was still in North America, most of the shorebirds along the beach were the usual suspects. The ever-present whimbrel was strutting around through the breaking waves, poking at exposed treats in the sand.
One of the stranger looking birds in my usual list is the black skimmer. When seen on land, they look slightly off balance, with a long protruding lower beak. It is not until they take flight until you realize the grace of their build. Skimming low across the surface of the ocean, they dip their lower beak into the water, scooping up food while in flight. Seeing a group of ten or more doing this is a remarkable sight.
The willet is one of the blander looking birds of the bunch, and is similar is size to the whimbrel. Here I caught a slight reflection in the shallow water, which were few and far between on this blustery morning.
I was happy to see this laughing gull, as I don’t see those very often close to home. The black eye ring is a give away here for identification. I typically find gull species hard to differentiate from one another, given the species similarity, and the great plumage variance depending on the bird’s age.
Finally, I snagged some photos of a semipalmated plover among the lesser sandpipers. I am a big fan of plovers, and am always excited to find them hiding among the masses.
If you are interested in casual bird photography while traveling, I highly recommend a lens like the 100-400mm zoom. With some careful stalking, you can usually get close enough for some good photos, and it is very easy to travel with. Also, you can leave the tripod at home, as it is easily handheld.
I’ve posted previously about some of the birds I had a chance to photograph on a trip to India last year. No spot was more prolific than the Ranganathittu Bird Sanctuary just outside Mysore. Although I was there off-season for migratory birds, I was able to get up close to a variety of the resident species, through the cunning use of a wooden rowboat.
Some of the birds were close cousins of common birds that I regularly photograph. This little egret very closely resembles the snowy egret that is common in wetlands near my home in California.
On the other hand, most of the sightings were brand new for me, and very different from home. We were able to get quite close to this mugger crocodile in the boat. Luckily, he seemed busy sunning himself and didn’t pay us much attention!
One of the less common birds for that area was the river tern. We lucked upon a pair engaged in courtship ritual. A male and female were sitting on separate rocks when the male flew off to find food to give to the female. Although we didn’t get a chance to witness it before we floated on, the pair engages in a food exchange as part of their courtship.
Even from low in the water, we got some decent views of black kites circling high overhead. One landed in a tree growing out of the top of a nearby cliff. My 800mm lens came through and allowed me to get reasonable shots even from far away.
And yes, it was much more than just birds. In addition to the crocodile, I was able to see a cluster of fruit bats trying to sleep away the morning. I found and photographed a couple that weren’t completely sealed up in their wings.
Finally, after departing the boat, we lucked upon a white-spotted fantail. He was quick and difficult to photograph, staying under bushes most of the time and rarely coming out into the open. But when he finally did, I was low to the ground and ready for him.
In all, I loved the variety and experience of shooting in a different part of the world.
I recently finished compiling my top 40 picks from the last 12 months. The gallery is an assortment of my various trips and outings, including trips to India, Mexico and Canada. As always, there is a mixture of bird, wildlife and landscape, including some previously unpublished.
Please enjoy the gallery below. For best viewing (especially if viewing on a mobile device), please click on the following photo:
To view the gallery, click here to see individual photos.
If you are interested in compilations from previous years, please see the 2010, 2011, 2012, 2013, and 2014 lists.
I spent about an hour this morning doing some bird photography with my new 7D Mk II. My primary use for this camera will be birds and wildlife, and I found and photographed some of the usual suspects around my home. This is not meant to be a formal review by any means, but I wanted to share some of my first impressions.
Before we get to performance, I have to address how the camera felt out in the field. It was a real joy! The build quality is solid and the camera was extremely responsive and accurate. Ergonomically, the buttons are laid out well, and I can tell a lot of thought went into designing the UI. The number of settings on this camera can be daunting, but almost everything can be customized to suite your exact photography needs.
Obviously auto-focus capabilities are one of the headliner features for this camera. Canon’s new auto-focus debuted on their flagship pro body, and have been filtering down to less expensive cameras in the last couple of years. I haven’t tried out the myriad AF algorithms available (I’ll do further testing with these using birds in flight), but I can say that auto-focus was fast and accurate. Almost everything I captured was tack sharp. I’ll be setting up the camera with different AF settings depending on whether I’m photographing stationary animals or birds in flight.
As the sun was rising, I shot mostly at ISO 1600, gradually dropping down to ISO 400 as the day got brighter. At ISO 1600, there is still some noise visible in the shadows, but it was easily corrected in post processing. I found very clean shadows at ISO 800 and below. With my previous camera (7D), my starting ISO was usually 400 and I’d go up from there if the situation demanded it. Based on the performance of the Mk II, I will probably do most bird photography at ISO 800, giving me a full stop of extra light to play with in most circumstances.
Shooting at 10 frames per second felt awesome. Even though I’m used to 8 fps with the older 7D, the incremental speed boost was noticeable. While I didn’t have any action situations that called for this speed this morning, having that capability was reassuring. With the large buffer, I never hit any card write delays, even though I was shooting with a slow card.
At one point, I crept close to a black-crowned night heron and began to fire off 10 fps bursts (mostly just for fun). The chatter of the shutter was loud enough to get his attention, and he stared at me, looking a bit anxious. I then remembered that the camera features a silent shutter mode (it applies extra dampening to the shutter mechanism so that it is very quiet). I set the camera to silent burst mode. This reduces the fps from 10 down to what felt like 3 or 4 fps, but it was nearly silent! I continued shooting photos of the now comfortable bird. This feature will actually be very helpful for getting close to some of the more sensitive wildlife – a nice little bonus.
So far, the results are fantastic. One caveat is that at the time of this writing, Adobe does not yet support the camera’s RAW files, so I had to use Canon’s software to convert to tiff before processing them in Lightroom. I’m sure I’ll get better results once I can process the RAWs directly with Lightroom, as Canon’s processor seems very poor. But the images are sharp, and the tones are pleasing. Auto white balance seems accurate. If anything, it seems that the Mk II overexposes a little more than the 7D, but I’ll get a feel for where the exposure compensation needs to be for various lighting conditions as I use the camera more.
Of course, the camera also has some goofy crowd-pleasers like multiple exposure and in-camera HDR. While I wont be using these for any serious work, they can be fun to muck around with if you’re bored.