Photo Fix Or Photo Fraud?

I was able to digitally remove the mud, restoring a close approximation of what the chicks' reflections looked like behind the mud.

I took this photo last year of a black-necked stilt and her three young chicks. I had set up in my usual position, with my lens close to the water surface in order to achieve a more intimate eye-level perspective. I was happy with the shoot and this shot in particular, showing all three chicks together with the mother standing protectively over them.

The only thing that bothered me each time to looked at it was the out-of-focus mud bank just peaking up into the frame. It had not been a concern when I was shooting the mother by herself, but once the chicks were introduced to the scene, the mud cut off parts of their reflections and became a distracting element.

The original image included a distracting mud berm obstructing the reflections of the chicks.
The original image included a distracting mud berm obstructing the reflections of the chicks.

This week I took another look at the shot and realized I might be able to pull off digitally removing the mud feature, and finally fulfilling my original vision. The result is below.

I digitally removed the entire mud bank across the bottom of the photo, and restored portions of each chick’s reflections to rebuild what had been hidden behind the mud. While I was at it, I removed a distracting out-of-focus blade of grass from the left hand side of the photo.

I was able to digitally remove the mud, restoring a close approximation of what the chicks' reflections looked like behind the mud.
I was able to digitally remove the mud, restoring a close approximation of what the chicks’ reflections looked like behind the mud.

Was my change acceptable? Ethical perceptions of photography range wildly. Each photographer and photo critic sits somewhere on the spectrum from thinking that photography is merely a form of art so it is up to the artist’s vision, to thinking that any changes to what was captured by the camera is unethical and not acceptable.

In fact, ethics in photography cover topics other than just post-processing manipulation (which probably gets 80% of the attention). Even when a photograph represents accurately what a camera captures, it does not mean that the scene wasn’t artificially created by the photographer.

I think the judgment lies in how the photograph is presented to the audience. Is this presented as a work of art created in the mind of the photographer? Is it a natural history image, meant to accurately depict a natural scene or behavior? Do the digital edits in any way change the fundamental portrayal of that natural scene or behavior?

For example, in the digitally altered image presented in this article, if I had artificially inserted any of the chicks into the scene with the mother in order to create more emotional impact, that would go beyond what I consider an ethical representation of my work. It would be depicting a behavior in a species that never actually took place. However, the edits I have made fall inside what I consider ethical. I have not changed the position or behavior of any of the subjects of the photo. I have only removed an aesthetically distracting element in order to create a more pleasing photo.

What do you think? I’d love to hear your opinions on the matter.

Snowy Plover With Chicks

A snowy plover sits with its freshly hatched brood of three chicks
A snowy plover sits with its freshly hatched brood of three chicks

Recently I had the opportunity to photograph a new snowy plover family nesting along the Pacific side of the San Francisco peninsula. Snowy plovers nest up and down the coast of the US in open sand. Well-known nesting grounds are often closed to the public during sensitive nesting periods, but this family managed to survive on a public, widely-used beach.

A snowy plover chick explores a seemingly massive clump of seaweed.
A snowy plover chick explores a seemingly massive clump of seaweed.

Capturing this vulnerable family on camera was a delicate operation. I had to be very careful not to get too close or spend too much time in contact with the family, or risk stressing out the mother or the chicks and causing irreparable harm to them. I paid close attention to the mother, looking for signs of stress or protective behavior.

Two snowy plover siblings explore their new world together
Two snowy plover siblings explore their new world together

I had been looking for an opportunity to photograph snowy plover chicks for over two years. At that time I found and photographed a nesting plover, but never was able to make it back for the hatchlings. The first thing I realized when I found these ones were how quickly they moved! They would each run at a full out sprint in opposite directions. I loved watching their antics and they poked around towering driftwood or climbed mountainous piles of foot-tall seaweed – quite an effort for their inch-tall frames.

Soon however, they found their way back to mom, and attempted to squeeze themselves underneath her protective tent of feathers.

Two snowy plover chicks struggle to push into the protective care of their parent, while a third sibling is already occupying this feathered embrace.
Two snowy plover chicks struggle to push into the protective care of their parent, while a third sibling is already occupying this feathered embrace.

Here the mother already has one chick nestled in her feathers, while the remaining two siblings try to push their way in.

I limited my time with them to only 10 minutes, and made sure to keep my distance. I wanted to make sure the little ones were spending their precious energy foraging for food instead of running from a giant with a camera!

A snowy plover stands along the beach with two newly hatched chicks
A snowy plover stands along the beach with two newly hatched chicks

It was great to see life thriving, especially outside of protected areas. It seems at least this one family was able to adapt to their environment and raise three chicks on a busy beach.

A Greedy Goldfinch

A lesser goldfinch snacks on thistle clumps, holding the food with one foot
A lesser goldfinch snacks on thistle clumps, holding the food with one foot

A little while back, I found this lesser goldfinch feasting on thistle. When I found him, he already had one clump of thistle clutched with his foot.

A lesser goldfinch snacks on thistle clumps, holding the food with one foot
A lesser goldfinch grabs a second thistle clump while still holding the first

He saw another piece he liked and…

A lesser goldfinch snacks on thistle clumps, holding the food with one foot
A lesser goldfinch perches while clutching two thistle clumps, trying not to drop any

now he had two.

He started munching away, but got a little animated, causing one of the clumps to drop. No problem, there’s one more right here.

A lesser goldfinch snacks on thislte clumps, holding the food with one foot
A lesser goldfinch grabs yet another thistle clump after dropping one

This time, we wasn’t taking chances, and kept the new thistle in his mouth.

A lesser goldfinch snacks on thislte clumps, holding the food with one foot
A lesser goldfinch perches with the new thistle in his mouth

After sitting there a while, I think he realized that in order to consume his new finds, he’d have to relocate to a better location. And off he went.

Chestnut-backed Chickadee

A chestnut-backed chickadee poses on a small branch whose leaves are beginning to turn colors
A chestnut-backed chickadee poses on a small branch whose leaves are beginning to turn colors

One of my favorite local passerines is the chestnut-backed chickadee. It is common enough to be seen semi-regularly, but just rare enough for those sightings to be special. Here is a photo I took last November, as the leaves were turning color on the trees. I love how the chickadee’s colors compliment the fall colors of nature.

Another reason that I enjoy chickadee sightings is that I always think of them as “bonus” birds. I never set out to specifically find one of these guys (if I did so, I’d probably be searching for days). Usually I’ll go looking for a different target species (be it a shorebird rarity, newly hatched chicks, etc) and only after I successfully (or unsuccessfully) photograph my target do I look around to see who else is present. And that’s when a chickadee might show up.

The biggest challenges in photographing birds like this are their size and speed. They are a relatively small bird. When working with a large lens (as I normally do for birds), that means working at or less than the lens’s minimum focusing distance. That also means that finding your subject at that magnification is like finding a needle in a haystack! And the speed? The only time this bird sits still is when it stops to sing. Otherwise it is flitting from branch to branch – very hard to track with a long lens. Here patience and practice (and some times a little luck) pay off.

Copyright 2017 Hank Christensen