Photo Fix Or Photo Fraud?

I was able to digitally remove the mud, restoring a close approximation of what the chicks' reflections looked like behind the mud.

I took this photo last year of a black-necked stilt and her three young chicks. I had set up in my usual position, with my lens close to the water surface in order to achieve a more intimate eye-level perspective. I was happy with the shoot and this shot in particular, showing all three chicks together with the mother standing protectively over them.

The only thing that bothered me each time to looked at it was the out-of-focus mud bank just peaking up into the frame. It had not been a concern when I was shooting the mother by herself, but once the chicks were introduced to the scene, the mud cut off parts of their reflections and became a distracting element.

The original image included a distracting mud berm obstructing the reflections of the chicks.
The original image included a distracting mud berm obstructing the reflections of the chicks.

This week I took another look at the shot and realized I might be able to pull off digitally removing the mud feature, and finally fulfilling my original vision. The result is below.

I digitally removed the entire mud bank across the bottom of the photo, and restored portions of each chick’s reflections to rebuild what had been hidden behind the mud. While I was at it, I removed a distracting out-of-focus blade of grass from the left hand side of the photo.

I was able to digitally remove the mud, restoring a close approximation of what the chicks' reflections looked like behind the mud.
I was able to digitally remove the mud, restoring a close approximation of what the chicks’ reflections looked like behind the mud.

Was my change acceptable? Ethical perceptions of photography range wildly. Each photographer and photo critic sits somewhere on the spectrum from thinking that photography is merely a form of art so it is up to the artist’s vision, to thinking that any changes to what was captured by the camera is unethical and not acceptable.

In fact, ethics in photography cover topics other than just post-processing manipulation (which probably gets 80% of the attention). Even when a photograph represents accurately what a camera captures, it does not mean that the scene wasn’t artificially created by the photographer.

I think the judgment lies in how the photograph is presented to the audience. Is this presented as a work of art created in the mind of the photographer? Is it a natural history image, meant to accurately depict a natural scene or behavior? Do the digital edits in any way change the fundamental portrayal of that natural scene or behavior?

For example, in the digitally altered image presented in this article, if I had artificially inserted any of the chicks into the scene with the mother in order to create more emotional impact, that would go beyond what I consider an ethical representation of my work. It would be depicting a behavior in a species that never actually took place. However, the edits I have made fall inside what I consider ethical. I have not changed the position or behavior of any of the subjects of the photo. I have only removed an aesthetically distracting element in order to create a more pleasing photo.

What do you think? I’d love to hear your opinions on the matter.

Lake Vernon Loop

The spray from Wapama Falls creates a rainbow as it rushes into the Hetch Hetchy Reservoir, Yosemite National Park
The spray from Wapama Falls creates a rainbow as it rushes into the Hetch Hetchy Reservoir, Yosemite National Park

Recently a friend and I headed up to Yosemite for an early season 4-day backpacking trip. It was a good excuse to loosen up the joints for the summer and get out in the Sierra backcountry. We chose the area around Lake Vernon as sort of a staging point from which to launch an off-trail loop into some of the less explored drainages. Supposedly, this area was relatively snow-free compared to other areas at similar elevation (7,000 – 9,000 ft).

We decided to hike up out of Hetch Hetchy due to the easy access. Because permits are issued at the entrance gate, you can get a wilderness permit the night before as late as 9pm. That is a huge help for those driving up after work from the Bay Area. We got there Friday night, got our permit, and settled in at the backpacker’s campground overlooking O’Shaughnessy Dam. We were up at 5:30 the next morning, and hit the trail by 7am. We had a very long day of hiking and lots of climbing, so we needed the early start.

The uneventful hike along the edge of Hetch Hetchy reservoir was punctuated only by the raging waters of Wapama Falls (see photo above). A couple of weeks earlier, the flow from the fast snow melt was so great that park rangers closed the bridges across the falls and shuttled people by boat around the dangerous spots. I was happy that we timed it such that it was a easy walk through the water spray.

We reached Rancheria Falls by 9:30 and began our long climb up out of the lower elevations of Hetch Hetchy. After a long day of absolutely nowhere to camp (not that we were ready to stop anyway), we reached our destination of Lake Vernon. It ended up being a 16 mile day with 4800 ft of elevation gain. Not surprisingly, we were pretty worn out for a first day of the season! With little time to scout before it was fully dark, I set my alarm to wake up before sunrise and do some quick scouting for shots along the shoreline.

Twisted trunks of trees are reflecting in Lake Vernon are silhouetted against the pre-dawn light, Yosemite National Park
Twisted trunks of trees are reflecting in Lake Vernon are silhouetted against the pre-dawn light, Yosemite National Park

One of the features of the lake that struck me was that all along the shoreline, trees were growing directly out of the water. I’m guessing that the Lake was at peak capacity and was flooding the base of the trees, but it definitely made for an interesting silhouette abstract. The sun soon rose into a cloudless sky, and we were quickly packed up and ready to hit the trail once again.

Above Lake Vernon, we hit quite a few places where the trail was under one to two feet of water. Large patches of snow began appearing amongst the trees. As we climbed higher, we began to worry about our original plan of climbing off trail to 9,000 feet and from there, exploring some of the ridge lines. As we got closer to our destination, we could see the ridges were still full of snow. With no choice but to change our plans, we camped up above Lake Wilma on some flat granite slabs next to a quiet cascade.

Water cascades down flat, open granite above Wilma Lake, Yosemite National Park
Water cascades down flat, open granite above Wilma Lake, Yosemite National Park

The next morning we decided that the best course of action was to more or less retrace our steps back to Lake Vernon, as we were pretty worn out from trudging through flooded meadows and snow drifts. At least this day would be mostly downhill (only 1500 ft of elevation gain), as the previous two days combined were close to 8,000 ft of gain. Walking downhill most of the day allowed us to enjoy the beauty of Falls Creek, which the trail followed most of the day.

We set up camp in the same spot along Lake Vernon that we had used two nights earlier. A bonus was getting to use the rest of the firewood we had already gathered! The next morning was quiet and beautiful. The surface of the lake had settled into a mirror, reflecting everything along the shore with perfection.

A large pine grows out of a pile of granite boulders along the shore of Lake Vernon, Yosemite National Park
A large pine grows out of a pile of granite boulders along the shore of Lake Vernon, Yosemite National Park

After enjoying a leisurely morning at the lake, we didn’t hit the trail until 9:30, our latest start yet. That was okay, because we had only an 11 mile hike out to the car, downhill almost the entire way. We left the lake opposite our entry point, creating a loop from Hetch Hetchy to Lake Vernon. We made quick time, blasting out of there in 4 1/2 hours. The most scenic part of the last day was descending the old construction road from Beehive Meadows. This was a road built to service the building of the dam, which has been converted into a hiking trail. A few chunks of asphalt were still seen here and there, but for the most part, mother nature had wiped out this road long ago with severe freeze/thaw cycles and many rock slides. Although the exposed decent was hot and hard on the joints, it did offer some stunning views of the reservoir.

Lupine blooms adorn the hillsides surrounding the Hetch Hetchy Reservoir, Yosemite National Park
Lupine blooms adorn the hillsides surrounding the Hetch Hetchy Reservoir, Yosemite National Park

As I was reaching the waterline, I couldn’t help but try to visualize what this valley would look like in its original condition, before the dam was built. I couldn’t help but feel a touch of remorse as I imagined John Muir shaking his head in disgust.

We reached the car by 2pm and began the drive home. It was a great first trip of the season, clocking in at 3 1/2 days of hiking, just over 50 miles covered, and over 10,000 ft of elevation gained. If this was a warmup trip, what’s the next trip going to be like?

Abstracting A Season

Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.
Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.

I recently processed these photos that I took last fall near my home. I happened upon some trees in full fall color that were being reflected in beautiful light off the surface of a wetland slough. I spent some time just watching different parts of the water, and then isolating the varied reflections with a long lens.

Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.
Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.

The patterns and colors in the water were changing so quickly, that I didn’t have time to see what I liked, compose a shot, and then capture it. I mainly looked for larger areas of interesting color (which changed moment to moment) and then took a bunch of exposures within that area.

Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.
Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.

I also played with varying shutter speeds to see the effect on the pattern separation and motion blur. I took several hundred shots (one of the many benefits of digital), and then selected these shots as my favorites.

Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.
Fall colors are reflected in the surface of moving water ripples. The ripples turn simple reflections into endless patterns.

I always try to keep my eye out for patterns in nature. Sometimes a photograph is so abstract, the viewer cannot immediately identify the subject. This can be a lot of fun, and a real departure from the realism with which natural history photography is often associated.

Parenthood

A canada goose delivers a lesson to its young chicks
A canada goose delivers a lesson to its young chicks

One of my favorite wildlife subjects to photograph is a parent with their new young. Watching how different species teach their children about the dangerous world in which they live is a joy.

Two canada goose chicks forage at the edge of a small pond
Two canada goose chicks forage at the edge of a small pond

Seeing siblings interact is also a lot of fun. They play together, squabble, and compete for food. All of these help activities teach them important survival skills.

Two canada goose siblings swim together in a pond
Two canada goose siblings swim together in a pond

Photographing these family interactions is challenging. You have to be close enough to catch the action, while still maintaining enough distance to let their natural behavior unfold. If you get too close to a family group, the parents will corral their chicks as if from a dangerous predator.

A gosling stands in shallow water eating
A gosling stands in shallow water eating

Canada geese is one of the easiest species to see these types of family behaviors in local wildlife. In the bay area they are a year-round species so there are lots of chicks running around in the spring.

A canada goose escorts its chicks to a small pond for a swimming lesson
A canada goose escorts its chicks to a small pond for a swimming lesson

They are much larger than ducks, which allows the parents to teach their young in open areas, rather than keep them hidden in the pickle weed like ducks.

A canada goose keeps a careful eye on its young
A canada goose keeps a careful eye on its young

Sometimes I get so wrapped up in watching these chicks that I forget to take photos, and end up using my lens as a scope. They always bring a smile to my face.

Copyright 2017 Hank Christensen