Sunrise At Hanalei Bay

In the moments before sunrise, the sea washes a beach clean in Hanalei Bay, Kauaii
In the moments before sunrise, the sea washes a beach clean in Hanalei Bay, Kauaii

One morning on last fall’s trip to the island of Kauai, I woke before dawn and drove out to Hanalei Bay to capture day break with the backdrop of the dramatic green cliffs to the south, with a long exposure of moving waves in the foreground. Usually with long exposure shots, I like to feature a non-moving object somewhere in the foreground to act as sort of a sharp, visual anchor. Juxtaposed against smooth flowing forms of movement, these anchors can help keep the viewer centered in reality. However, in this case there was nothing along the beach to help me, so I used the line between water and sand to lead the viewers eye into the photo.

Compounding the difficulty of this shot was the fact that my tripod was placed in soft sand (usually I try to find some kind of rock, but again none was available), and every 30 seconds or so the legs would start sinking into the sand. That kept my exposures about half what they normally would have been in this light (around 15 seconds), and not all of my shots were usable, because every once in a while a larger wave would undercut the tripod legs, resulting in a blurry photo.

But in this light (pre-dawn), all of the subtle color differences of the cliffs came out, showing the complex contours of the mountains. This was only possible with low contrast light, giving me full control over localized contrast in post. Once I was fairly sure I achieved my desired shot, I made to way onto the pier and waited for the sun to rise, providing high contrast side lighting to the cliffs.

Green mountains covered with waterfalls rise from the shores of Hanalei Bay, catching the first rays of sunlight, Kauaii
Green mountains covered with waterfalls rise from the shores of Hanalei Bay, catching the first rays of sunlight, Kauaii

This is a very different photo, at a much shorter shutter speed (as I had plenty of light after sunrise). Here I used a telephoto to make the largest mountain the star of the show. Here we see sail boats lined up along the beach in this tropical paradise. If you look closely enough, you can see one of the hundreds of waterfalls making its way through the clefts in the mountainside.

Soon it was time to pack it in, head into town, and enjoy a coffee with my wife. Truly a great way to spend vacation!

2013 Round-up – Top 40 photos of the year

I am a little late this year, but finally, here are my favorite images from the previous 12 months. This year I only had one major photography focused trip to the northern California coast, capturing the delicate rhododendrons amongst the fog of the coastal redwoods. I also had a truncated attempt at the John Muir Trail (got completely rained out after only three days) and a wonderful trip to Kauai to celebrate ten years with my beautiful wife.

Photos from all of these trips plus a wide variety of birds made my top 40 list this year. Please enjoy the gallery below. For best viewing (especially if viewing on a mobile device), please click on the following photo:

Click the photo above to see the top picks from 2013!
Click the photo above to see the top picks from 2013!

Or, just enjoy the gallery here on the page. To view larger photos in the embedded gallery below, be sure to click the icon in the lower right corner to enter full screen mode.


Hank’s Picks 2013 – Images by Hank Christensen

If you are interested in compilations from previous years, please see the 2012 2011 and 2010 lists.

Shooting the Ends of the Day

Stillness envelops the landscape of Mono Lake just after sunset
Stillness envelops the landscape of Mono Lake just after sunset

One of my favorite times of day to shoot is either just before sunrise or just after sunset. The sky casts the entire scene in deep blues and purple hues, and the light becomes very soft. It is actually a great time to shoot because all harsh contrast is removed, and the photo captures all the details in the shadows.

The photo above was taken about 45 minutes after sunset, just after the typical “magic hour” light had left the sky. For post-sunset photography, it helps to scout your intended shots earlier in the day, as it can quickly get quite dark, and it is harder to compose the photograph. There is only about half an hour with this type of light before it becomes night photography.

Additional benefits include lack of crowds (even most photographers leave after the sunset light goes away), and (usually) any wind will die down, allowing for reflections and keeping grass and plants from moving in those long exposures. Here it is helpful to have an intervalometer to help time really long exposures, as most cameras stop their auto exposure shutter timings at 30 seconds. A stopwatch can also work in a pinch, but that can become more fiddly, especially in the waning light.

Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks
Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks

This photo was taken at the other end of the day, about a half hour before sunrise. Again, there is little contrast difference between the foreground and the distant mountains due to the soft, even light. I had been to this location before, and had pre-visualized this shot in this kind of light. This helped me greatly in knowing where to go and how I wanted to compose this shot, so that I didn’t have to wander around in the dark (and cold!) of the early morning. I find it also helps with my early morning motivation to know exactly what I want to accomplish. Without a clear plan, it is far too easy to glance out the window and then roll over and go back to sleep!

Sonoma Coast Sunrise

Dawn breaks over the rolling hills of the Sonoma Coast
Dawn breaks over the rolling hills of the Sonoma Coast

A little while ago a friend and I were out near Bodega, shooting sunrise along the Sonoma coast. Because we were getting some morning fog rolling inland, any kind of shoot along the water was a no go, and we headed into the rolling hills just off the ocean. Here we had great views to the south as the sun side-lit the undulating farmland, punctuated by scattered forest.

The early rays of sun peak through a dissipating fog along the Sonoma Coast
The early rays of sun peak through a dissipating fog along the Sonoma Coast

I love opportunities to shoot fog, whether it is filtering through trees, or defining separation between mountains or hills. The added atmosphere can lend a certain drama to the photo.

Once the sun had risen, I chose to shoot directly into it, knowing the fog would help filter the direct light.

The early rays of sun peak through a dissipating fog along the Sonoma Coast
The early rays of sun peak through a dissipating fog along the Sonoma Coast

Here I loved the way the fog helped the trees separate into layers. I worked the composition and exposure, trying to balance the direct sun, low contrast fog, and back-lit grasses so that they could all add elements to the same photo. Once I was satisfied with some of the larger elements of the landscape, I moved into the macro realm to capture detail.

The rising sun backlights the golden grasses of a Sonoma Coast hillside
The rising sun backlights the golden grasses of a Sonoma Coast hillside

The back-lit grass itself captured my attention and demanded further photographic exploration. Moving from a small aperture to a very large one gave me the ability to amplify the fine detail of only the few grasses that remained in focus. The rest of the grass blended into a nice evenly colored backdrop.

Soon the sun had risen higher and the fog began to burn off in the rapidly warming day. I packed up my gear, happy for the fog that forced us up into the hills.

Copyright 2017 Hank Christensen