The Search for Sky Rock

Created long ago by Native Americans, the Sky Rock Petroglyph's location is kept fairly private. It is only shared through word of mouth so that it can be kept safe.

The blazing sun beat down on us as we scanned the horizon looking for more rock piles, heaved up eons ago from the ancient volcanic surface on which we stood.

“Hey Dan, wanna try over there?” I asked, pointing to a long stretch of ten to thirty foot wide boulders. Dan nodded and we trudged across the high desert plateau to search another area.

I was with my photographer friend Dan Canfield, and we had decided on our first night in town that we would try to find a secret Native American petroglyph, in recent years dubbed “Sky Rock”. Not found on any map, this ancient rock drawing is kept secret from the general public. Those in “the know” don’t divulge its location so that fewer people will visit, and its condition will be kept as pristine as natural forces allow. After some hunting, we narrowed down the location to its general vicinity, but even then, the ancient carving eluded us.

It was midday, and our second attempt at searching. Our first attempt was during sunset the evening before, and we quickly ran out of time trying to find it before dark. This time we were armed with a little more research, and many more hours of daylight. Finally, after much scrambling, a few skinned knees, and crawling into some dark and nasty places, we found it! We were giddy with excitement.

Created long ago by Native Americans, the Sky Rock Petroglyph's location is kept fairly private.  It is only shared through word of mouth so that it can be kept safe.
Created long ago by Native Americans, the Sky Rock Petroglyph’s location is kept fairly private. It is only shared through word of mouth so that it can be kept safe.

Carved into a flat rock, this series of drawings is different than most other petroglyphs because of its horizontal orientation. Most Native American drawings were done on vertical walls. The drawings are carved into the rock about an inch deep, to reveal the lighter colored stone underneath the darker outer coating. We took some photos, sat for a while, and scouted our route so that we could come back in the dark. Midday was great for searching, but as photographers, we wanted only the best light, which would be either sunrise or sunset. Our schedule allowed for a sunrise shoot in a couple of days, so all we could do was cross our fingers and hope for good weather.

The mountains of the easter Sierra Nevada glow red over the Sky Rock Petroglyph, just outside of Bishop, CA
The mountains of the easter Sierra Nevada glow red over the Sky Rock Petroglyph, just outside of Bishop, CA

The history of this carving is not well known. Some have theorized that it was probably created by the ancestors of what are today known as the Owens Valley Paiute, possibly as long as 8,000 years ago.

It was a very special experience spending some time on this rock as the sun lit first the western mountains, and then the valley below us. I devoured the silence of the morning, and felt a special energy around this place. It was an amazing feeling to know that this human creation had sat here for similar sunrises, long lazy days, and powerful storms for millennia.

Possibly the best part of finding Sky Rock was the fact that it was hidden. In the days of instant gratification and unlimited knowledge, it was nice to really have to work for answers.

Eastern Sierra Wrapup

Earlier this month I had the pleasure of attending a short three-day workshop with David Muench, one of this country’s preeminent landscape photographers. Assisting him was Jerry Dodrill, who spend his early professional photography career working for Galen Rowel. It was great to catch up with both of them, and see some of the best that the eastern Sierra has to offer in the spring. It was a busy three days, during which I averaged about four hours of sleep per night. I spent a few days on either end of the workshop to meet up with friends and do a little exploring on my own. Here are a few photographs from the trip.

Barrel cactus is just starting to bloom in the Alabama Hills, Lone Pine, CA
Barrel cactus is just starting to bloom in the Alabama Hills, Lone Pine, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering -1/3 EV: 1/6 sec. at f/22.

The photo above and directly below were taken in early morning in the Alabama Hills, just outside of Lone Pine. It is an area famous not only for the sheer face of the eastern Sierra and the multitude of arches that frame them, but also for the many movies made here. Recent films include Iron Man, Gladiator, and Gone In 60 Seconds. Driving out on the dusty dirt road after sunrise, we saw two women walking along the road. I did a double take as I saw one of them was Penny Marshall. Really weird place to see a Hollywood celebrity!

I love the barrel cactus growing in this area, and wanted to feature one using the backdrop of Mt. Whitney and Mt. Langley.

Various patterns and colors of rock form layers to the face of Mt. Langley, Alabama Hills, CA
Various patterns and colors of rock form layers to the face of Mt. Langley, Alabama Hills, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering 0 EV: 1/4 sec. at f/18.

This photograph is a more straight-forward interpretation, using the layering of rock bands to lead up to Mt. Langley. The area offers infinite patterns of boulders and rocks, many of which can be composed into very strong photographs. This is one of many areas for which David Meunch is famous.

The rising sun lightly dusts the peaks of the Eastern Sierra, Bishop, CA.
The rising sun lightly dusts the peaks of the Eastern Sierra, Bishop, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering 0 EV: 1/13 sec. at f/18.

The mountains to the west of Bishop provide a dramatic backdrop for a variety of foreground locations and environments. The above photo used a small pond in a flooded field to create a reflection of Mt. Humphreys, Basin Mountain, and Mt. Tom (from left to right). The morning was clear with not a cloud in the sky (not a photographer’s best conditions for shooting!) The lack of wind was great for reflections, but the lack of clouds reduced the drama of the morning significantly. This is one of those examples of a great location with imperfect conditions. It is definitely a spot I hope to revisit and capture with more dramatic skies.

Irises come into bloom outside of Bishop, CA
Irises come into bloom outside of Bishop, CA. Canon TS-E24mm f/3.5L II lens with the EOS-5D Mark II. ISO 400. Evaluative metering -1 1/3 EV: 1/20 sec. at f/16.

The flooded field also contained wild irises, which were just starting to come into bloom.

Irises catch first light, Bishop, CA
Irises catch first light, Bishop, CA. Canon 24-70mm f/2.8L lens with the EOS-5D Mark II. ISO 200. Evaluative metering -1 EV: 1/13 sec. at f/18.

Our last evening brought a special sunset treat – a long line of lenticular clouds that formed above the Sierra crest had blown out over the Owen’s Valley. With strong winds out of the west, there was no cloud buildup in that direction, allowing the sun to light up the underside of the lenticulars at sunset. This phenomenon can happen regularly in the area due to the local topography, and has come to be know as the “Sierra wave”.

Lenticular clouds form over Owen's Valley at sunset, Bishop, CA
Lenticular clouds form over Owen's Valley at sunset, Bishop, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering +1 EV: .4 sec. at f/22.

It was a great trip – I got to spend time with friends and meet some new ones. Although nature photography tends to be a “solo sport”, it can be great fun meeting up with like-minded people.

Copyright 2017 Hank Christensen