Photo Fix Or Photo Fraud?

I was able to digitally remove the mud, restoring a close approximation of what the chicks' reflections looked like behind the mud.

I took this photo last year of a black-necked stilt and her three young chicks. I had set up in my usual position, with my lens close to the water surface in order to achieve a more intimate eye-level perspective. I was happy with the shoot and this shot in particular, showing all three chicks together with the mother standing protectively over them.

The only thing that bothered me each time to looked at it was the out-of-focus mud bank just peaking up into the frame. It had not been a concern when I was shooting the mother by herself, but once the chicks were introduced to the scene, the mud cut off parts of their reflections and became a distracting element.

The original image included a distracting mud berm obstructing the reflections of the chicks.
The original image included a distracting mud berm obstructing the reflections of the chicks.

This week I took another look at the shot and realized I might be able to pull off digitally removing the mud feature, and finally fulfilling my original vision. The result is below.

I digitally removed the entire mud bank across the bottom of the photo, and restored portions of each chick’s reflections to rebuild what had been hidden behind the mud. While I was at it, I removed a distracting out-of-focus blade of grass from the left hand side of the photo.

I was able to digitally remove the mud, restoring a close approximation of what the chicks' reflections looked like behind the mud.
I was able to digitally remove the mud, restoring a close approximation of what the chicks’ reflections looked like behind the mud.

Was my change acceptable? Ethical perceptions of photography range wildly. Each photographer and photo critic sits somewhere on the spectrum from thinking that photography is merely a form of art so it is up to the artist’s vision, to thinking that any changes to what was captured by the camera is unethical and not acceptable.

In fact, ethics in photography cover topics other than just post-processing manipulation (which probably gets 80% of the attention). Even when a photograph represents accurately what a camera captures, it does not mean that the scene wasn’t artificially created by the photographer.

I think the judgment lies in how the photograph is presented to the audience. Is this presented as a work of art created in the mind of the photographer? Is it a natural history image, meant to accurately depict a natural scene or behavior? Do the digital edits in any way change the fundamental portrayal of that natural scene or behavior?

For example, in the digitally altered image presented in this article, if I had artificially inserted any of the chicks into the scene with the mother in order to create more emotional impact, that would go beyond what I consider an ethical representation of my work. It would be depicting a behavior in a species that never actually took place. However, the edits I have made fall inside what I consider ethical. I have not changed the position or behavior of any of the subjects of the photo. I have only removed an aesthetically distracting element in order to create a more pleasing photo.

What do you think? I’d love to hear your opinions on the matter.

Snowy Plover With Chicks

A snowy plover sits with its freshly hatched brood of three chicks
A snowy plover sits with its freshly hatched brood of three chicks

Recently I had the opportunity to photograph a new snowy plover family nesting along the Pacific side of the San Francisco peninsula. Snowy plovers nest up and down the coast of the US in open sand. Well-known nesting grounds are often closed to the public during sensitive nesting periods, but this family managed to survive on a public, widely-used beach.

A snowy plover chick explores a seemingly massive clump of seaweed.
A snowy plover chick explores a seemingly massive clump of seaweed.

Capturing this vulnerable family on camera was a delicate operation. I had to be very careful not to get too close or spend too much time in contact with the family, or risk stressing out the mother or the chicks and causing irreparable harm to them. I paid close attention to the mother, looking for signs of stress or protective behavior.

Two snowy plover siblings explore their new world together
Two snowy plover siblings explore their new world together

I had been looking for an opportunity to photograph snowy plover chicks for over two years. At that time I found and photographed a nesting plover, but never was able to make it back for the hatchlings. The first thing I realized when I found these ones were how quickly they moved! They would each run at a full out sprint in opposite directions. I loved watching their antics and they poked around towering driftwood or climbed mountainous piles of foot-tall seaweed – quite an effort for their inch-tall frames.

Soon however, they found their way back to mom, and attempted to squeeze themselves underneath her protective tent of feathers.

Two snowy plover chicks struggle to push into the protective care of their parent, while a third sibling is already occupying this feathered embrace.
Two snowy plover chicks struggle to push into the protective care of their parent, while a third sibling is already occupying this feathered embrace.

Here the mother already has one chick nestled in her feathers, while the remaining two siblings try to push their way in.

I limited my time with them to only 10 minutes, and made sure to keep my distance. I wanted to make sure the little ones were spending their precious energy foraging for food instead of running from a giant with a camera!

A snowy plover stands along the beach with two newly hatched chicks
A snowy plover stands along the beach with two newly hatched chicks

It was great to see life thriving, especially outside of protected areas. It seems at least this one family was able to adapt to their environment and raise three chicks on a busy beach.

Swallows Galore

A tree swallow perches on a narrow branch in the sun
A tree swallow perches on a narrow branch in the sun

When I first got into photographing birds, I would often walk along the bay trails and wonder what these incredibly fast birds zooming around at full speed close to the ground were. They never seemed to slow down, and never seemed to perch. They always had somewhere important to be.

A violet-green swallow perches on barbed wire
A violet-green swallow perches on barbed wire

I soon learned that these were swallows, and eventually got better views (and photographs) when I did find the odd one perched for a brief few moments. I also learned that there are six swallow species that can be seen through the Bay Area: barn, cliff, tree, violet-green, northern rough-winged, and purple martins. So far I have satisfactory photos of all but the last two.

A cliff swallow hangs from a nest and feeds a hungry chick
A cliff swallow hangs from a nest and feeds a hungry chick

The problem with photographing swallows is that they never seem to slow down. They fly far to quickly to photograph in flight (at least it is beyond my skill level) and they even feed in flight. I rarely saw them perch, and when they did so, it was for very short periods of time.

A barn swallow perches on barbed wire
A barn swallow perches on barbed wire

Over time, I was able to find most of my target species while they were resting. Finding an active colony of cliff swallows helped because the parents returned on a regular basis to feed their babies. I’m sure I’ll get opportunities with my last two local swallow species soon, and may even catch sight of a bank swallow migrating through the area.

Parenthood

A canada goose delivers a lesson to its young chicks
A canada goose delivers a lesson to its young chicks

One of my favorite wildlife subjects to photograph is a parent with their new young. Watching how different species teach their children about the dangerous world in which they live is a joy.

Two canada goose chicks forage at the edge of a small pond
Two canada goose chicks forage at the edge of a small pond

Seeing siblings interact is also a lot of fun. They play together, squabble, and compete for food. All of these help activities teach them important survival skills.

Two canada goose siblings swim together in a pond
Two canada goose siblings swim together in a pond

Photographing these family interactions is challenging. You have to be close enough to catch the action, while still maintaining enough distance to let their natural behavior unfold. If you get too close to a family group, the parents will corral their chicks as if from a dangerous predator.

A gosling stands in shallow water eating
A gosling stands in shallow water eating

Canada geese is one of the easiest species to see these types of family behaviors in local wildlife. In the bay area they are a year-round species so there are lots of chicks running around in the spring.

A canada goose escorts its chicks to a small pond for a swimming lesson
A canada goose escorts its chicks to a small pond for a swimming lesson

They are much larger than ducks, which allows the parents to teach their young in open areas, rather than keep them hidden in the pickle weed like ducks.

A canada goose keeps a careful eye on its young
A canada goose keeps a careful eye on its young

Sometimes I get so wrapped up in watching these chicks that I forget to take photos, and end up using my lens as a scope. They always bring a smile to my face.

Copyright 2017 Hank Christensen