A Change Of Scenery Revisited

A pied-billed grebe is reflected in the still water near the shore of a lake. The color reflected in the water comes from the nearby shore.

Years ago, I wrote about how long lenses give the photographer the ability to completely change the background of the image they’re working on while still behind the camera. With a slight move left, right, up or down, you can change the angle of your shot, and sometimes change the background elements that appear behind your subject. Because long lenses help blur the background into solid colors, this can change the look and mood of your photo without changing the main subject.

I’m always looking for these opportunities while photographing wildlife. Photo editors constantly seek variety, so when I’m on a bird, I try to get as many poses, expressions, and backgrounds as possible. I think of it like an outdoor “studio” session, giving me the ability to come up with scene changes for my subject. (I still haven’t figured out how to do wardrobe changes, but that is a topic for another post!)

In the photos below, I first photographed the greater yellowlegs with the shoreline of a lake as the background. The background blurred to a nice tan-brown. I then changed my angle by swinging around to the left, and now the lake was behind the bird, coloring the background in a blue wash.

A greater yellowlegs stands on the railing of a dock.  The background color comes from a distant shoreline behind the dock.
A greater yellowlegs stands on the railing of a dock. The background color comes from a distant shoreline behind the dock.
A greater yellowlegs stands on the railing of a dock.  The background color comes from a lake behind the dock.
A greater yellowlegs stands on the railing of a dock. The background color comes from a lake behind the dock.

You can achieve similar color changes using reflection (and patience) as well. In the photos below, I didn’t change my position, but just waited for the bird to move instead. When I first photographed this pied-billed grebe, it was fishing and diving close to shore. The colors of the shoreline were reflected in the surface of the water, contributing dominant oranges to the photograph. I knew that this bird was likely to move away from the shore eventually, so I sat a waiting, hoping to capture that color variety. I didn’t have to wait long before this happened, with an added bonus of the grebe moving closer to me, filling my frame. The blue sky reflected off the water, giving the photo an entirely different look.

A pied-billed grebe is reflected in the still water near the shore of a lake.  The color reflected in the water comes from the nearby shore.
A pied-billed grebe is reflected in the still water near the shore of a lake. The color reflected in the water comes from the nearby shore.
A pied-billed grebe is reflected in the still water near the shore of a lake.  The color reflected in the water comes from the sky, turning it blue.
A pied-billed grebe is reflected in the still water near the shore of a lake. The color reflected in the water comes from the sky, turning it blue.

The next time you’re out photographing with a longer lens (depending on your subject, anything over 100mm can work well), think about trying different backgrounds with your subject. This works great on people pictures as well!

Greater Yellowlegs (Photo of the week)

A greater yellowlegs stands in shallow water, reflecting the golden colors of sunset
A greater yellowlegs stands in shallow water, reflecting the golden colors of sunset. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering +1: 1/400 sec. at f/6.3

The photo this week features the greater yellowlegs. They are somewhat common in the Bay area throughout the winter, usually seen in ones or twos. On this day, I came across two yellowlegs foraging with a willet in a shallow, narrow slough. It was late afternoon and the sun was just starting to reach the horizon, so I knew I didn’t have much light left in which to shoot. Unfortunately, all three were in the deep shadow of the high bank of the slough, so I wasn’t getting that sweet sunset light that I was after.

Just then a runner appeared on the trail paralleling the slough, and decided to stop and watch these birds. Once he stopped, all three flushed and flew a hundred yards north to a spot where the bank lowered and the slough opened up. Lucky me! For once, I benefited from someone chasing away the birds I was photographing. I quickly (and much more carefully than the runner) repositioned myself to their new location, very happy to see that all three birds were now bathed in golden light. I had less than a minute of these lighting conditions before the sun finally dipped below the mountains.

A greater yellowlegs stands in shallow water, reflecting the golden colors of sunset
A greater yellowlegs forages for food in shallow water. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering +1: 1/400 sec. at f/6.3

Copyright 2017 Hank Christensen