If you’ve ever been to Hawaii, you’ve probably seen the Hawaiian Goose, or Nene. A decedent from the Canada Goose, this bird is the official state bird of Hawaii, and is found wild exclusively on the islands of Kauai, Maui, and Hawaii. One of its main distinctions is the ruffled feather patterns down its neck. The Nene derives its name from the soft call it makes, sounding like “nay, nay.”
Like many once populous species, the Nene has had a difficult recent history. In the early 20th century, due to hunting and introduced predators, the entire world population was reduced to 30 birds by 1952. It was successfully bred in captivity and reintroduced into the wild, and today it is estimated that 800 Nene live in the wild. Even after these re-population efforts, it is the rarest goose in the world.
A nene stands for a headshot in front of green grass
On a recent trip to Kauai, I had many great opportunities to photograph Nene. Unfortunately, many had become used to tourist’s food, and were quite fearless in their approach. I found if you sit still long enough, some would practically come sit in your lap!
I first heard about Adobe’s astonishing anti-shake feature In October 2011 when they demoed it at their user conference. The tool works on photos that were focused correctly but had a slow enough shutter speed to introduce camera shake (usually from hand-holding the camera), resulting in a blurry photo. To put it simply, the tool will analyze these photos, attempt to derive the directional path that the camera was moving along at the time the photo was taken, and correct that blur path. If it worked, this would be the holy grail of photo correction, finally disproving photography teacher’s mantra – “You can’t fix a blurry photo.”
At the time it was touted as a feature “in development,” which in software speak means it is something we’re tinkering with, but might actually never be released. Therefore, I was very surprised when it was announced as a headline feature of Photoshop CC. Now that this was out, I was excited to put it to the test with some real world examples from my catalog. Would this be a handy tool in the digital photographer’s toolbox, or just useless demo ware – a good idea with poor execution?
To start with, I needed to find a couple of test photos. I did a metadata search in Lightroom through my entire archive for photos taken with my Canon 800mm lens at a shutter speed of less than 1/200 of a second. Even when mounted on a tripod with the image stabilizer turned on, such a slow shutter speed usually introduces camera shake. This results in blur, even when the subject is correctly focused. Most photos taken at this speed with that lens are mistakes, usually due to a rapid change in light or background. And almost all of them become throwaways, never seeing the light of day on my web site.
I quickly found two candidate photos, one of a female ring-necked pheasant at 1/180 seconds which was almost sharp, and a much blurrier shot of a swimming common gallinule at 1/100 seconds.
I first worked on the pheasant and brought it into Photoshop. I duplicated the background to create a working layer and opened the anti-shake filter. The first thing the tool does is to pick a portion of the photo and analyze the edges to make a judgement about the motion of the camera at the time of capture. It automatically selected a portion of the face, probably because it has the sharpest edges in the photo. I slightly adjusted the detection square so that it just included the most important parts of the bird’s face. This is the area I wanted maximum sharpness. Other than that, I left all settings default. I had no experience with custom settings here, and in those cases, it is usually best to leave things alone to see how the tool performs.
There is a large preview in the tool, but I found it didn’t really help me determine if the shake was corrected or not. I hit OK to see the following results:
In this photo, the blur introduced by camera shake has been corrected using Photoshop’s new anti-shake tool.
As I said, the original was almost sharp but not quite. But I was blown away with how sharp the corrected photo was! This definitely turned a throwaway into a keeper. (Thanks Adobe!) Here is a closer crop comparison to help see the improvement in sharpness.
The top image is the shot out of camera, suffering from slight camera shake. The bottom photo has been corrected using Photoshop’s new anti-shake tool.
Very satisfied with the results of the ring-necked pheasant, it was time to really put the anti-shake tool to the test. I opened the common gallinule photo and followed the same steps above. This photo is much blurrier than the ring-necked pheasant, but I was fairly sure the subject was in focus, just blurry due to camera shake. This time I again chose a target rectangle around the bird’s head, as this was the area of critical focus (especially the eye). The results are below:
In this photo, the blur introduced by camera shake has been corrected using Photoshop’s new anti-shake tool.
In this case, the sharpness improved quite a bit, but the results were not as stellar as the first photo. The resulting photo almost looked a little too crunchy, with small halo artifacts here and there. That said, this photo now became usable at smaller sizes. It will find a new life in web use and for smaller prints. Here is a crop to do a detailed comparison.
The top image is the shot out of camera, suffering from slight camera shake. The bottom photo has been corrected using Photoshop’s new anti-shake tool.
So what do these two real world tests tell us about the tool? First and foremost, this is not a panacea for blurry photos. This is no reason to go sell your expensive tripod on eBay. However, it can rescue some photos that are right on the verge of sharpness, but suffer from some amount of camera shake. And for those photos, it really does a fantastic job.
I’ll definitely spend some time scouring some of my older photos that I rejected because of camera shake. I’m very impressed with how well Adobe was able to pull this off – it is definitely a worthwhile and very usable feature.
Everywhere I go for bird photography, I see starlings. Sometimes alone, sometimes in huge flocks, these birds are very common throughout much of the world. Here in the US, they are known as European Starlings (as they are native to Eurasia), elsewhere as Common Starlings, and in Europe, simply Starlings.
Because of their ubiquity, they are generally regarded as pests or just ignored by the general population. However, closer inspection reveals a beautiful feather display and a strange and sometimes unbelievable vocalization. Adults have an iridescent black feather coloring, and in winter, it becomes speckled with white flecks. At the right angles of light, the black feathers reflect a glossy green or purple.
A European starling perches on a branch of a white-barked tree
They can be excellent mimics, repeating various bird songs and sounds from the environment. Each bird has its own repertoire with more proficient birds having a range of up to 35 variable song types and as many as 14 types of clicks.
Here is a sample vocalization from a common starling:
Taken individually, they can be a quite striking bird. But real amazement comes from their behavior in a flock, or murmuration. Changing speed and direction based on their closest neighbors, they fly as one shape-shifting organism, with the ability to perform a beautiful aerial ballet. A YouTube video gained popularity a few years ago showing off this behavior.
The next time you see one of these birds perched in your neighborhood, take a moment and admire them for the interesting species that they are.
Meet Gidget, a Cavalier King Charles Spaniel. She loves to fetch the ball, and will do it for hours if you let her. Afterward, she is quick to take long naps and generally look very cute.
I find myself doing more and more pet photography these days. I photographed some friends’ dogs on a recent trip to Las Vegas, where they live. These little ones are Cavalier King Charles Spaniels, and they have the wonderful trait of remaining cute even long after puppihood. They both had a very sweet disposition and were relaxed and easy to work with. I didn’t try to pose them at all or add props – they were cute enough just hanging out and snoozing! Too see all the photos of these two buddies, be sure to check out the gallery here.
Meet Lola, a Cavalier King Charles Spaniel. She has a very sweet disposition and loves to cuddle.
These are very impromptu and informal shots, but even if you are not creating a full studio setup, there are certain things to keep in mind to improve the photos. Most importantly, put the camera at eye level with your subject. This is a good idea for any time of animal photography (and people too!), but with pets, your environment is controlled and you really have no excuse not to. If the dog is lying on the floor, this usually means you are too. But the sore knees is worth it in the end.
Meet Gidget, a Cavalier King Charles Spaniel. She loves to fetch the ball, and will do it for hours if you let her. Afterward, she is quick to take long naps and generally look very cute.
Next, and again this is a general rule for many types of photography, use a tripod whenever possible. As I didn’t have a studio setup for these shots, I was relegated to normal home lighting, which can be quite dark. I stayed away from using a strobe as I didn’t have any diffusers or bouncers with me, and I was too lazy to create a make shift one. This meant that longer shutters and a tripod were a must.
Meet Lola, a Cavalier King Charles Spaniel. She has a very sweet disposition and loves to cuddle.
Finally, if a pet is active or energetic, tire them out before any photography session. For Gidget this meant fifteen minutes of playing fetch with a ball. She was already pretty calm to begin with, but after a fetch session she was very relaxed in front of the lens. A tired pet will allow the photographer much more freedom in posing, props, or just making sure the pet will sit still.
Pet photography can be a lot of fun (in fact, I think I enjoy it more than taking people portraits!) and the results can be treasured keepsakes for loving owners.
