portrait – Page 28

June 20, 2010March 29, 2017

A change of scenery

In a post a couple of weeks ago, I mentioned making corrections to your background while still in the field. Another trick you can sometimes employ is to get a different look by changing the background completely. This works best when using long telephoto lenses (400 mm and up).

A great egret poses in soft evening light, preparing to fish for dinner

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The great egret in the photo above was perched on a short fence, and eying the water below. He seemed to be looking for the best place to fish for dinner. I was directly in line with the angle of the sun, so as to reduce any side lighting on the egret. The foliage of a berm far behind him created a solid, even color.

I got several head poses that I liked, but since my subject was being so patient, I wanted to see if I could get a completely different background. The berm was not very high, and the evening sky above it was a nice light blue. I moved to the right and lowered my camera until I was close to the ground. This removed the berm from my background completely, and gave me the photo below with a background of sky.

A great egret poses in soft evening light, preparing to fish for dinner

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Because my lens was a long telephoto, I didn’t have to move far to change my background. This is great when my subject is wildlife, and they can decide to end the photo session at any moment. However, I use the same idea even when photographing friends with shorter lenses. Taking the time to look around for different background options can give you different variations on the same subject and can lead to new, interesting photos.

June 6, 2010January 14, 2013

Reflection At Dawn (Photo of the week)

A couple of weeks ago, I saw a good opportunity for a minimalist portrait of a black-crowned night heron in beautiful light. It was dawn and I saw this heron perched in the middle of a small pond on top of a rock. The water was very still, accentuating the quiet of the morning. The background was the water behind the bird, which would blur into a pure solid. The placid surface created a nice reflection. What drew me to this composition was the lack of habitat (other than the rock on which the heron perched). I couldn’t have created a more fundamental portrait if I had posed the bird in a studio.

May 30, 2010January 14, 2013

Dowitcher At Sunset (Photo of the week)

I photographed this dowitcher just as the last light of the day was hitting the marsh. He was busy with dinner, but paused long enough for me to create a portrait. I like this shot because it shows some of the bird’s habitat along with the entire body. Although crisp bird portraits with blurred backgrounds of solid color look great, sometimes we strive to isolate the subject from its habitat just a little too much.

May 26, 2010March 29, 2017

Instant photo correction – always watch your back (ground)

Have you ever taken a great photograph, been really excited about it, only to get it onto the computer and see that some distracting background element ruined it? I have learned this lesson too many times. Yes, you can spend time in photoshop and mask and clone and clean and and and…. It takes a lot of time (and photoshop skill).

A couple of weeks ago, I got the chance to actually modify my behavior based on this lesson. I was photographing snowy egrets by the water, and had my tripod legs low and splayed out, so as to get my camera close to the ground. I saw a juvenile black-crowned night heron perched atop a short fence, and took the following picture.

Juvenile Black-crowned Night Heron. A small strip of sky is visible at the top of the frame.

I was really focused on its head angle and exposure, and was pretty happy with the result, when I scanned the entire frame and noticed the background. The shallow depth of field gave me a nice solid green, except for a sliver of blue at the top of the frame. While the photo was still good, the sky at the top detracted from the even background. No problem – luckily I had noticed this issue while I was still behind the camera. A quick adjustment to my tripod legs raised my rig to eye-level with the bird, eliminating the sliver of sky, and improving my photo. The resulting image is below.

By moving the camera up, I was able to eliminate the sky, and create a solid smooth green background.

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No matter what type of photography you are doing, it always pays to stay attentive to everything in your frame. Usually by simply moving up, down, left or right, you can improve the shot and save yourself a ton of work on the computer.