Mount Shasta glows in the warm light of sunset, Weed, CaliforniaThe setting sun casts Mount Shasta in shades of red and purple, Weed, California
This week I chose two photos of Mt. Shasta at sunset on the same day. The first shows more of the landscape surrounding the mountain, while the second just features the peak at the moment of sunset. I usually use the 3:1 aspect ratio when I stitch together multiple shots into a panorama, but sometimes (as is the case here), I crop single shots down to that ratio. In both of these photos, I thought that this aspect ratio created a more pleasing image, rather than showing an uninteresting foreground or a large sky above the mountain.
The photo of a ring-billed gull below will appear in the upcoming October issue of Bay Nature, a quarterly magazine dedicated to the intelligent and joyful exploration of the natural places, plants, and wildlife of the San Francisco Bay Area. The photo will appear in an article about the region’s various gull species, and how they are impacted by a changing habitat.
Ring-billed Gull portrait in soft evening light at sunset
As the sun sets, it casts one final beam across wild lupine and granite boulders, Sierra National Forest, CA
This week’s photo is all about light. If you take away the dramatic lighting effects from this photo, you are left with something pretty mundane – a forest and some rocks. But with the sun filtering through the trees as a star burst, lighting the granite boulders and contrasting them with the darker forest, an interesting image is born.
Before this composition found me, I was pointing my camera in the opposite direction and quickly becoming uninspired. Sure, I was shooting from the edge of a cliff and had a large, open, forested valley below me, but no specific feature stood out and grabbed my attention. I turned around and saw that the sun was setting behind the trees, and knew then that I would use sunlight as my subject.
It didn’t take much hunting around to find this line of granite boulders illuminated by the setting sun. Now I had a decision to make – include the sun in the image or not? Since I was shooting at f/16 (as I often do with landscapes), I knew I’d get a nice, tight star burst effect from the sun. I ultimately decided to include it in the image because I wanted to balance the lower right of the image which included a lot of light, with the light of the sun in the upper left.
Another thing to worry about when shooting into the sun is that the camera’s meter can will be thrown off. If I shot this at the camera’s recommended shutter speed (I was in aperture priority), the forest would have been rendered brighter and the granite would have been completely blown out. I dropped the exposure compensation by two stops, which gave me a photo much closer to what I was seeing with my eyes.
I am pretty happy with the result. It is not the typical grandiose landscape typical of Sierra photography, but a more intimate scene. Hopefully it conveys more than just the visual aspect, but a real sense of place – the distant echos of forest birds, the sharp smell of pine needles, the thumping of the heart at high elevations. Ultimately for me, it was my latest reminder that when in doubt, I should always follow the light.
Snow-capped Wizard Island sits in the deep blue waters of Crater Lake
Last month my wife and I got a chance to visit Crater Lake National Park in southern Oregon. I had been several times before, but never armed with the digital equipment of today. Although I knew there would still be snow in July, I was surprised at how much was still there.
Even in July, snow covers the rim of Crater Lake. Formed in the caldera of an extinct volcano, it is the deepest lake in the United States. This depth accounts for the rich blue color of the water.
Snow was several feet deep in the forest, and drifts up to 10 feet deep still had the eastern rim road closed for the foreseeable future. In fact, it even snowed on us while we were there – something I was certainly not expecting in July. Thankfully I have a sensible wife who had booked us into a cabin – it saved us from camping in the mud between the snow drifts that covered the camp ground! And the snow really does add to the scenery.
The cinder cone of Wizard Island sits just off the rim of Crater Lake.
At night, the temperature dropped below freezing, and the wind picked up. While most sane people were in the lodge enjoying an after dinner drink around the fire, I was standing at the rim freezing while waiting for the sun to set. Luckily I got some nice colors that made the temporary discomfort worthwhile.
The orange hues of sunset light the overcast sky over Wizard Island, Crater Lake National Park, Oregon
Crater Lake is most famous for its amazingly deep blue color. This color comes from the clarity of the water (the lake water comes only from rain and snow melt) and depth of the lake (over 1900 feet deep). Blue is the last color of the spectrum to be absorbed as light passes through water. It is this intense blue that is reflected up from the depths of the lake. In fact, Crater Lake is the deepest lake in the United States and one of the clearest in the entire world.
Mount Mazama exploded nearly 8,000 years ago, creating an eruption 100 times larger than Mount St. Helens in 1980. The mountain's summit collapsed, forming a caldera 6 miles in diameter. Over time, rain water and snow melt filled the chasm, creating one of the 10 deepest lakes in the world.
It was a great trip, and inspired us to go back for some hiking when there is less snow. It might also be fun to do a multi-day cross-country ski trip around the rim. In spite of the weather (or maybe because of it), it was a pleasure to see Oregon’s only National Park. See the entire Crater Lake National Park gallery.
