My German friends can check out the recent February 2018 issue of GeoLino Magazine to see one of my photos of an African caracal. I shot this photo in Namibia in 2016 at the Naan Ku Se Wildlife Sanctuary.
Excerpt from Feb 2018 issue of Geolino Magazine of article about the African caracal.
It is pretty amazing in the information age to be able to have such a global reach with one’s photography. Things sure have come a long way from mailing stock lists to photo editors and if you could spark any interest with the written word, mail a package of slides for consideration. Even in the early days of digital, mailing CDs of images was common place, as file transfer rates were still slow. Today however, stock collections can be made available for searching from anywhere in the world.
A caracal sits in the dappled shade of the afternoon sun, Naan Ku Se Wildlife Sanctuary, Namibia.
I captured this tree silhouette at the peak of a glorious sunset in the heart of the Namib desert. I spent some time with this tree, crafting the photo. I wanted to reduce the tree to a graphic form against the beautiful colors of the sky. Because the tree was reaching to the right, I oriented its trunk to the far left of the photo so that it is reaching into the frame and up and over the distant mountains.
After taking a look on the computer, and doing some basic processing, I was really happy with it. That is until I showed it to a friend, and was met with a frown and shrug of the shoulders. “It doesn’t really do anything for me,” was the response I remember.
Now to give a little bit of background, this friend has a great eye for photography and is certainly not one to heap praise where it is not due. As surprised as I was by the reaction, I knew I needed to pay attention to this critique because of my friend’s impeccable taste. So what went so wrong?
A desert tree silhouettes against a sunset sky, Namib-Naukluft National Park, Namibia.
The more time I spent with the photo, the more I began to agree with the review. I finally realized that I was the victim of an age old pitfall of art. I had spent so much effort creating the photo, I was attributing more value to its end result than I should have. Okay, so its not a horrible image. But like all critical photographers, I thought a lot about this fresh perspective. The fine branches of the silhouette are too chaotic and it has a relatively weak subject matter. The colors of the sunset are not enough to hold the main focus of the image.
Since I share many successful photos with you, I thought I’d share a failure. Well, maybe not a failure, but one that leaves me with a “meh” feeling. The lesson here is to seek honest, unbiased feedback for your work. Think about who you go to for a quick ego boost, and who is there to offer a fresh opinion that might just push you to be a better photographer.
Sometimes when I go to new locations, they can be so awe inspiring that I feel photographically challenged. When this happens, I need to take a step back and think about the location’s special traits that fill me with such awe. What is important about this area – is there some natural event occurring, or some irregular weather phenomenon? In short, what are the stories this new place is trying to tell me? Answering this question often lends direction to my photography and helps me realize which stories about the area I want to share with others. (Note: although I primarily photograph natural subjects, this technique works equally well with any location or subject).
I recently used this technique when I spent several days in the Namib Desert in Namibia last year. At first, being surrounded by these huge red sand dunes was overwhelming. What should I shoot first? As I explored the desert around me, I began to recognize several stories that this place had to tell.
The most obvious story was about the sheer size of the sand dunes found here. This is the oldest desert in the world, and home to the world’s largest sand dunes. I had photographed sand dunes before, but never any of the massive size that I saw in this desert. The rust-orange massifs were more akin to sand mountains than something as temporary and fleeting as a dune. Some of the largest dunes stood over 1000 feet tall, dwarfing the sparse trees and flora that dared to grow at their feet. In the photo below you can faintly see a few trees, which give the enormity of the dunes a sense of scale.
The giant sand dunes of Namibia turn many shades of red and orange under shifting clouds, Namib-Naukluft National Park, Namibia.
Although this desert receives only 10 mm of rain each year, amazingly there are large mammals that thrive here. This was story number two. Here, a gemsbok oryx (one of Africa’s many species of antelope) roams among dry scrub and dying trees. With no ground water to drink, these animals rely on the occasional fog that rolls in from the Atlantic ocean. After the fog collects on plants and their fur, the oryx lick the scarce moisture from each other’s coats, sustaining themselves until the next foggy morning.
A gemsbok oryx stands in front of a massive dune, wet from a rare early morning thunder storm, Namib-Naukluft National Park, Namibia.
While I could take up-close portraits of oryx in other parts of Namibia, telling the story of these large antelope thriving in the desert necessitated using a shorter lens than I usually do for wildlife. A 400mm lens allowed me to include the massive red walls of sand that dominate this habitat. Again, it was important for me to use unique elements of the scene to tell the story of that location.
Gemsbok oryx cross flat ground in front of a wall of sand – the lower slopes of a massive sand dune, Namib-Naukluft National Park, Namibia.
A third aspect of this desert that I wanted to show photographically was the rust orange color of the sand. This reddish orange comes from the high iron concentration in the sand and the gradual oxidation of that iron. The older the dune, the more orange it becomes. In order to offset the beautiful orange and red tones of the sand, I needed blue skies, giving my photos nice complimentary colors. Counter to most of my landscape photos, I opted to shoot in late morning or early afternoon (instead of sunrise or sunset, when the sky itself would be much warmer and closer in tonality to the sand). Had I not been thinking of how to convey the story of these ancient orange dunes, I likely would have kept my camera in the bag at this time of the day!
Afternoon light provides enough blue in the sky to compliment the reddish-orange of the dune, Namib-Naukluft National Park, Namibia.
A final story waiting to be told about this area was the play of light across the contours and textures of the dunes. The photo below was shot at sunrise, creating extreme side light and casting a sharp shadow line along the front crest of the dune. This strong shadow added shape and contrast to the dune.
Rare storm clouds cast shadows across the massive dunes of the Namib Desert, Namib-Naukluft National Park, Namibia.
The shadows in the image below manifested very differently in that they are not created by the shape of the dune itself, but rather by clouds moving in front of the sun. Because these dune ridges are actually quite far apart, a large cloud shaded only a single ridge at a time, giving me endless shadow patterns to choose from over the course of about half an hour. This was my favorite image of this type, as the closest and farthest ridges are in shadow, isolating the middle ridge in sunlight.
Rare storm clouds cast shadows across the massive dunes of the Namib Desert, Namib-Naukluft National Park, Namibia.
When I first arrived in this vast desert, I was challenged by where to start with my photography. But by focusing on those stories that made this place so special, I could use them to direct my photographic effort. It even helped me develop a shot list to try to fill during my brief stay. Next time you find yourself in a challenging location, stop and listen. Perhaps the area will open up and share its stories with you.
I’ve finished processing my photos from a trip to Namibia, Africa last year (yeah, sometimes it takes a while to get everything processed). Here is a gallery of some of my favorite shots.
Several plains zebra line up to drink at the Okaukuejo waterhole, Etosha National Park, Namibia.
It was a truly amazing trip, as I was lucky enough to
Watch endangered black rhinos congregating around a waterhole in the dead of night
Walk among the tallest sand dunes in the world (over 1000 feet) in the world’s oldest desert
Witness a rare lightning storm in the desert as thunderclouds rolled over endless dune fields
Visit Deadvlei, an ancient river valley dotted with 700 year old desiccated tree husks in the heart of the Namib desert
Drive 2500 miles (mostly on dirt roads) over 11 days, see a good variety of countryside
See the desert-adapted bush elephants of Damaraland
Check out the gallery this and much more, including numerous birds and wildlife. Click each image to see the next, or use your keyboard arrows to navigate.
