Shooting the Ends of the Day

Stillness envelops the landscape of Mono Lake just after sunset
Stillness envelops the landscape of Mono Lake just after sunset

One of my favorite times of day to shoot is either just before sunrise or just after sunset. The sky casts the entire scene in deep blues and purple hues, and the light becomes very soft. It is actually a great time to shoot because all harsh contrast is removed, and the photo captures all the details in the shadows.

The photo above was taken about 45 minutes after sunset, just after the typical “magic hour” light had left the sky. For post-sunset photography, it helps to scout your intended shots earlier in the day, as it can quickly get quite dark, and it is harder to compose the photograph. There is only about half an hour with this type of light before it becomes night photography.

Additional benefits include lack of crowds (even most photographers leave after the sunset light goes away), and (usually) any wind will die down, allowing for reflections and keeping grass and plants from moving in those long exposures. Here it is helpful to have an intervalometer to help time really long exposures, as most cameras stop their auto exposure shutter timings at 30 seconds. A stopwatch can also work in a pinch, but that can become more fiddly, especially in the waning light.

Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks
Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks

This photo was taken at the other end of the day, about a half hour before sunrise. Again, there is little contrast difference between the foreground and the distant mountains due to the soft, even light. I had been to this location before, and had pre-visualized this shot in this kind of light. This helped me greatly in knowing where to go and how I wanted to compose this shot, so that I didn’t have to wander around in the dark (and cold!) of the early morning. I find it also helps with my early morning motivation to know exactly what I want to accomplish. Without a clear plan, it is far too easy to glance out the window and then roll over and go back to sleep!

Oregon Coast Sunset

The tide washes through a sea arch, allowing a view to the ocean beyond, Harris State Beach
The tide washes through a sea arch, allowing a view to the ocean beyond, Harris State Beach

On my recent trip up the California coast to the redwoods, I had an opportunity to pop up into Oregon to visit Harris State Beach, home of a very interesting sea arch. The arch is carved into a rock wall just offshore, with plenty of interesting boulders along the beach, giving enterprising photographers many options for compositions. As the sun was setting, I settled for a more centered approach to my composition, centering the arch directly above a centered rock. Usually I avoid such centering, choosing instead to lead the viewer’s eye out of one of the lower corners, but in this case I think it works. Simple, yet strong.

The sun sets behind offshore sea stacks, Harris Beach State Park
The sun sets behind offshore sea stacks, Harris Beach State Park

After settling on a composition I was happy with, I had a few minutes to run north in order to catch the sun as it set behind a large sea stack. In order to get into a position where the sun would set behind the rock, I scrambled up onto another rock and perched precariously at the top, while trying to give my tripod enough room. Let’s just say that I was relieved when I got the shot and could climb back down, by body and camera gear still in tact.

Large flat rocks lead through the rising tide to a dark sea arch in a rock wall, Harris State Beach
Large flat rocks lead through the rising tide to a dark sea arch in a rock wall, Harris State Beach

After the sun dropped below the horizon, I went back to the sea arch and really explored the foreground rocks. I fell in love with these ones, but from their vantage point, you could not see all the way through the arch. In this case, I chose to crop the top of the photo, as the rock wall really wasn’t that interesting and instead focus the photo on the foreground rocks themselves. The low light allowed for a slow shutter speed, turning the rushing waves into a calm mist.

The sun sets behind a bank of offshore clouds, silhouetting the sea stacks at Harris State Beach, Oregon
The sun sets behind a bank of offshore clouds, silhouetting the sea stacks at Harris State Beach, Oregon

The parking area at Harris Beach offers commanding views down onto the beach below, and just before I left, I spent some time with the very last of the sunset light. Here there was a nice stream forming an s-curve into the photo. Overall I found this a pretty photogenic beach, and I know I’ll be back in the future, especially to shoot that arch in different types of light.

Eastern Sierra, The Panoramas

On my recent trip to the Owens Valley, I tried to look for good panorama opportunities. These situations arise when there is an expansive vista that lends well to an image that is three to six times wider than it is high. As with any photograph, one thing to keep in mind is to make sure the entire contents of the frame supports the photograph. There should be no large empty areas, unless those areas purposefully support the image with negative space.

These images can be created with any regular digital camera. The images are stitched together in post processing to create large, wide angle views. All of the photos presented here are in the 40 to 100 megapixel range, which means they can be printed very large (at least 30×90 inches). For better appreciation for the detail captured in these photos, please be sure to click on the image to see a larger view.

The sun lights stormy clouds as sets behind the eastern Sierra range, north of Bishop
The sun lights stormy clouds as sets behind the eastern Sierra range, north of Bishop. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 640. Evaluative metering 0 EV: 1/400 sec. at f/8. Composed of 7 stitched photos, handheld.
The sun rises over Hot Creek, as the Sierra Nevada looms in the distance
The sun rises over Hot Creek, as the Sierra Nevada looms in the distance. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 3.2 sec. at f/16. Composed of 4 stitched photos.
The wall of the eastern Sierra rises over ten thousand feet above the Alabama Hills at dawn
The wall of the eastern Sierra rises over ten thousand feet above the Alabama Hills at dawn. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/4 sec. at f/16. Composed of 7 vertical stitched photos.
An ancient bristlecone pine crouches on a snowy slope, greeting morning's first rays of light, Ancient Bristlecone Pine Forest
An ancient bristlecone pine crouches on a snowy slope, greeting morning's first rays of light, Ancient Bristlecone Pine Forest. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/6 sec. at f/7.1. Composed of 7 stitched photos.

Hot Creek Sunrise

Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks
Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 30 sec. at f/16.

One of my first sunrise shoots on my recent trip to the eastern Sierra was at Hot Creek. I wanted to catch some snow from the recent snow storm before it melted out of the mountains, and I knew this spot would work well with longer lenses to help emphasize the mountains.

The first shot was taken a half hour before sunrise. The scene was just starting to light up, but still maintained some of the cooler hues of night. Although there were no clouds to work with, there was some slight haze above the mountains, which reflected some of the deep purple of pre-dawn.

One of my biggest challenges in these early morning shoots is staying warm as I patiently wait behind my tripod for the light to change. For this location, the main foreground attraction was really the flowing creek, so I didn’t move around a lot. If you had been there that morning, you would have seen what looked like a crazy person jumping up and down and blowing on his hands to keep warm (yes, I forgot my gloves that morning).

Grass adorns the banks of Hot Creek as sun touches the mountains to the east
Grass adorns the banks of Hot Creek as sun touches the mountains to the east. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: .3 sec. at f/16.

After the sun rose and I felt I captured that part of the creek in the best light of the morning, I explored with the camera a little trying out different foregrounds and lens lengths. I’m a sucker for near/far verticals, and that’s what my eye gravitated toward when I saw this long grass growing along the bank of the creek.

Soon enough the photo shoot was over, as the morning light faded and fishermen began to show up along the length of the creek.

Copyright 2017 Hank Christensen