Ten Lakes, Yosemite National Park

After waiting all summer for the snow to melt out of the high country, I finally ventured north of Tioga Road with some friends from college for a weekend backpacking trip. Instead of my usual high mileage days, our focus was on leisure time in the backcountry, which gave me plenty of time for photography. We hiked into the Ten Lakes region – an area featuring a chain of lakes with forested streams in between them, all draining into the Tuolumne River far below.

A calm lakes reflects the surrounding cliffs in early morning, Ten Lakes, Yosemite National Park
A calm lakes reflects the surrounding cliffs in early morning, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 1/6 sec. at f/16. Stitched vertical frames creating a 44 megapixel image.

We found a campsite at the far end of a small lake. The site was situated atop a thirty foot cliff, giving us a commanding view of the lake and surrounding cliffs. Behind us rose an unnamed granite peak, offering the camp a nice backdrop. Best of all however, was the nearby stream dropping from an upper lake into the lake below. There was an endless variety of small pools and cascades, giving me plenty of material to work with.

A stream runs between two lakes in the Ten Lakes chain, forming a small cascade, Yosemite National Park
A stream runs between two lakes in the Ten Lakes chain, forming a small cascade, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2/3 EV: .6 sec. at f/16.

Just before sunset on our first night, the clouds started moving in. While other campers might have cast a worrisome eye to the skies, I was elated. I knew that the chance for a dramatic sunset was greatly increased with the changing weather conditions, and thankfully I was rewarded with one. The best part – I only had to walk about ten yards from our campsite to get the view I wanted. Given it required almost no work on my part, I almost felt guilty.

The dramatic skies of sunset are reflected in one of lakes of the Ten Lakes chain, Yosemite National Park
The dramatic skies of sunset are reflected in one of lakes of the Ten Lakes chain, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 2.5 sec. at f/16.

The next morning was bright and clear. I woke up early to explore the area, and see what the morning had to offer. Our little lake looked quite different in the morning, and I took advantage of the still air to get a nice reflection in the background of a camp-side stream photo. I can never get enough of Sierra Nevada granite.

Trees and vegetation grow amid Sierra granite, Ten Lakes, Yosemite National Park
Trees and vegetation grow amid Sierra granite, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering 0 EV: 1.3 sec. at f/16.

Working my way up the stream, I found a spot where I could capture the running water with the peak that rose above our site.

A stream cascades down slabs of granite below an unnamed peak, Ten Lakes, Yosemite National Park
A stream cascades down slabs of granite below an unnamed peak, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2 EV: .6 sec. at f/18.

This day was a rest day – full of fishing and exploring some of the other lakes in the chain. Working our way up to a higher lake, we saw there were still huge slabs of snow right at the shoreline. Going higher still, we found a lake with no fish, but a perfect spot for a mid day swim. There is something very special about having an entire lake to yourself in the most populated state in the nation. Of course, along the way, I also had plenty more opportunities for photos.

A stream cascades through a forest in the Ten Lakes region of Yosemite National Park
A stream cascades through a forest in the Ten Lakes region of Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2/3 EV: 1/6 sec. at f/16.

After exhausting ourselves and getting a great night of sleep, it was time to head back to the real world. It was a great trip, with beautiful landscape and only seven miles of hiking each way. While the location was not as remote as most of my Sierra trips, I enjoyed the slower pace and additional time for photography. I’ll definitely have to work in more trips like this in the future!

Columbia River Gorge Sunset

The sun sets on the Crown Point Vista House, overlooking the Columbia River Gorge, Oregon
The sun sets on the Crown Point Vista House, overlooking the Columbia River Gorge, Oregon. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1/3: .4 sec. at f/16.

Last weekend I was up in Oregon visiting my parents. One of the enjoyable aspects of visiting the area in which I grew up is some of the fantastic photographic opportunities there. Growing up at the mouth of the Columbia River Gorge, it was easy to take some of the remarkable scenery for granted. But living elsewhere and visiting this area helps me put fresh eyes on a familiar landscape.

This photograph features the famous Crown Point Vista House standing sentinel atop its cliff, overlooking the Columbia River. It is an over-photographed image, but one I love coming back to in different conditions. Here I only wished for a more dynamic sky, but as is always true in landscape photography, you get what nature gives you.

Bishop Creek Waterfall (Photo of the week)

Water cascades down the south fork of Bishop Creek, Inyo National Forest, CA
Water cascades down the south fork of Bishop Creek, Inyo National Forest, CA

This week’s photo was a tough choice for me. I couldn’t decide if I liked the photo above, or the photo below better. I shot the first photo as I came upon the scene, exploring the best angles from which to capture this waterfall. I loved how the roots of the bush on the left seemed to break the granite into small slabs, so I moved in close to simplify the scene, resulting in the second photo.

A root system grows from broken granite, Bishop Creek, Inyo National Forest, CA
A root system grows from broken granite, Bishop Creek, Inyo National Forest, CA

After much deliberation, I chose the first photo as my favorite for several reasons. Firstly, it is more of a layered photo, with several foreground elements stacking up to lead the eye easily to the upper waterfall. Secondly, it accentuates the fall colors a little more than the second photo. There are more trees included in the background, and since it was shot from a higher vantage point, there are more fall colors reflected in the pool between the upper and lower waterfalls. The second photo holds more tension because the root system really makes the eye travel around it and up the creek. Either way, I like them both.

As with any art, there is no “right” answer in photography (although there can be many wrong answers!)

Bristlecone At Sunset (Photo of the week)

An ancient bristlecone pine reflects the last rays of daylight, White Mountains, CA
An ancient bristlecone pine reflects the last rays of daylight, White Mountains, CA

On my recent trip to the eastern Sierra to photograph the fall colors, I visited the Ancient Bristlecone Pine Forest in the White Mountains, part of the Inyo National Forest. I had done some reading about the area from books such as David Muench’s classic Timberline Ancients (out of print), and several of Galen Rowell’s insightful essays from Vision and Inner Game of Outdoor Photography. But actually being there and walking among these trees was a spiritual experience, and one I will not soon forget.

We were blessed with a recent snow storm that blanketed the crest of the White Mountains – not enough to close the road, and just enough to provide a clean contrast to the rough, twisted texture of the bristlecone. We were working an exposed western-facing slope, and after taking a few establishing shots, I climbed to the top of the hill. I quickly remembered that I was at 11,500 feet in elevation, as I was out of breath after only a few steps! My goal in the photo above was to capture the vibrant colors of sunset reflected in the wood of the bristlecone, while also getting the colors in the opposite horizon, as well as the earth shadow as it crept across the eastern foothills and Nevada desert beyond. The warm pastels in the wood are continued in the sunset colors of the sky above.

All lengths of lens work here, depending on your personal style and vision – whether it is to shoot a distant mountain top grove with a telephoto, or to crawl up inside the gnarled spiral of a branch with a fish-eye. The challenge in shooting these trees is to try to decide what to include and what to leave out of the frame. One question I kept coming back to that helped me to focus was, “What is the main point of this photo?” If my answer was “the texture of this branch,” then why include the roots of the tree? If my answer was “to show the desolate environment in which these trees live,” then I knew to shoot wide and and treat an entire group of trees as the main subject.

Below are a few more photos I took while exploring the bristlecone forest.

A bristlecone log frames an upright tree, both of which have lived for thousands of years, White Mountains, CA
A bristlecone log frames an upright tree, both of which have lived for thousands of years, White Mountains, CA
A bristlecone pine grows from a desolate, snowy mountainside, White Mountains, CA
A bristlecone pine grows from a desolate, snowy mountainside, White Mountains, CA
Fresh snows blankets the slopes of the White Mountains, framing the ancient bristlecone pines that live there
Fresh snows blankets the slopes of the White Mountains, framing the ancient bristlecone pines that live there

Copyright 2017 Hank Christensen