The current issue (May/June 2016) of Bird Watcher’s Digest has my photo above published with an article about a group of birders who sought out all 51 wood warbler species in a single year. I got this photo of the Townsend’s Warbler several years ago in Pacific Grove, California, while on the hunt for monarch butterflies. While the butterflies were scarce that day, I was thrilled to get wonderful views of this striking bird, with a color bonus of pink cherry blossoms.
I photographed this rufous-backed robin in Puerto Vallarta, Mexico. Although it is not one of the more “exotic” looking species I was hoping to see, as a bird photographer, I was elated to get a new species. We’re just weird that way. The only robins I had photographed before are the extremely common American robin, found throughout North America.
I was shooting up into a thick canopy, so I was happy to get the few clear shots I could. Before long, the robin flew to the upper reaches of the trees and out of sight.
The rufous-backed robin (or rufous-backed thrush) is endemic to the Pacific side of Mexico, so this was definitely the spot to see this bird. It is shyer than the American robin, and slightly smaller. In retrospect, I was very lucky to see this bird, and even more lucky to have captured these photographs.
I photographed several great kiskadee when I was in Mexico at the beginning of the year. These are large flycatchers, prevalent throughout Latin America. Most of the time I saw them high in the treetops, but after a bit of patience, I was able to photograph several in the lower branches.
Regardless of the pose, the best photos are captured with a catch-light in the bird’s eye. This brings a sense of life to the bird, and creates a more pleasing photo.
Both photos were shot with the great Canon EF 100-400mm lens. It is not the fastest out there (f/5.6), but when used correctly, it can produce fantastic results.
One thing that struck me on a visit to Mexico this year was the variety of palm trees in the vicinity. I watched the way palm leaves of different sizes interacted with each other, and decided to create some abstract photos showing some of the patterns the leaves create.
I played with a variety of angles, shooting up into the trees. However, this didn’t really give me what I was after. In most shots, the sun created a harsh back light and I couldn’t see enough of the palm details. I then realized that I could try shooting down into the trees instead.
Using a telephoto zoom, I climbed to the fifth floor of a hotel and got out onto a balcony. By shooting directly down over the edge, I was able to get a great vantage point of the tops of the palms. Using different focal lengths of the zoom gave me a variety of compositions. My favorite is the shot below, zoomed out a bit and showing more of the trees.
As always, playing with the edges of the frame (what are you going to cut off) and with the negative space within the image are all critical to the success of the image. Through experimentation I found several compositions that I liked, balancing the palms throughout the frame.
