I’ve posted previously about some of the birds I had a chance to photograph on a trip to India last year. No spot was more prolific than the Ranganathittu Bird Sanctuary just outside Mysore. Although I was there off-season for migratory birds, I was able to get up close to a variety of the resident species, through the cunning use of a wooden rowboat.
A little egret stands alone on a rock, Ranganathittu Bird Sanctuary, India
Some of the birds were close cousins of common birds that I regularly photograph. This little egret very closely resembles the snowy egret that is common in wetlands near my home in California.
A mugger crocodile suns itself on a large rock, Ranganathittu Bird Sanctuary, India
On the other hand, most of the sightings were brand new for me, and very different from home. We were able to get quite close to this mugger crocodile in the boat. Luckily, he seemed busy sunning himself and didn’t pay us much attention!
A male river tern sits on a rock, ready to go find food to feed his mate as part of a courtship ceremony, Ranganathittu Bird Sanctuary, India
One of the less common birds for that area was the river tern. We lucked upon a pair engaged in courtship ritual. A male and female were sitting on separate rocks when the male flew off to find food to give to the female. Although we didn’t get a chance to witness it before we floated on, the pair engages in a food exchange as part of their courtship.
A juvenile black-crowned night heron stands on a large rock in a shallow lake, Ranganathittu Bird Sanctuary, India
Even from low in the water, we got some decent views of black kites circling high overhead. One landed in a tree growing out of the top of a nearby cliff. My 800mm lens came through and allowed me to get reasonable shots even from far away.
Several flying fox fruit bats hang upside down from a tree, resting through the hot day, Ranganathittu Bird Sanctuary, India
And yes, it was much more than just birds. In addition to the crocodile, I was able to see a cluster of fruit bats trying to sleep away the morning. I found and photographed a couple that weren’t completely sealed up in their wings.
A white-spotted fantail spreads its tail feathers and dances around on the open ground in the shadow of a tree, Ranganathittu Bird Sanctuary, India
Finally, after departing the boat, we lucked upon a white-spotted fantail. He was quick and difficult to photograph, staying under bushes most of the time and rarely coming out into the open. But when he finally did, I was low to the ground and ready for him.
In all, I loved the variety and experience of shooting in a different part of the world.
I spent about an hour this morning doing some bird photography with my new 7D Mk II. My primary use for this camera will be birds and wildlife, and I found and photographed some of the usual suspects around my home. This is not meant to be a formal review by any means, but I wanted to share some of my first impressions.
A black-crowned night heron perches above water in pre-dawn light, Belmont, CA.
Before we get to performance, I have to address how the camera felt out in the field. It was a real joy! The build quality is solid and the camera was extremely responsive and accurate. Ergonomically, the buttons are laid out well, and I can tell a lot of thought went into designing the UI. The number of settings on this camera can be daunting, but almost everything can be customized to suite your exact photography needs.
A golden-crowned sparrow perches atop an ornamental bush, Belmont, CA.
Obviously auto-focus capabilities are one of the headliner features for this camera. Canon’s new auto-focus debuted on their flagship pro body, and have been filtering down to less expensive cameras in the last couple of years. I haven’t tried out the myriad AF algorithms available (I’ll do further testing with these using birds in flight), but I can say that auto-focus was fast and accurate. Almost everything I captured was tack sharp. I’ll be setting up the camera with different AF settings depending on whether I’m photographing stationary animals or birds in flight.
A blacktail jackrabbit pauses in the morning light to watch for predators, Belmont, CA.
As the sun was rising, I shot mostly at ISO 1600, gradually dropping down to ISO 400 as the day got brighter. At ISO 1600, there is still some noise visible in the shadows, but it was easily corrected in post processing. I found very clean shadows at ISO 800 and below. With my previous camera (7D), my starting ISO was usually 400 and I’d go up from there if the situation demanded it. Based on the performance of the Mk II, I will probably do most bird photography at ISO 800, giving me a full stop of extra light to play with in most circumstances.
A great blue heron is reflected in still water in early morning light, Belmont, CA.
Shooting at 10 frames per second felt awesome. Even though I’m used to 8 fps with the older 7D, the incremental speed boost was noticeable. While I didn’t have any action situations that called for this speed this morning, having that capability was reassuring. With the large buffer, I never hit any card write delays, even though I was shooting with a slow card.
A black-crowned night heron stands on a buoy, watching for fish, Belmont, CA.
At one point, I crept close to a black-crowned night heron and began to fire off 10 fps bursts (mostly just for fun). The chatter of the shutter was loud enough to get his attention, and he stared at me, looking a bit anxious. I then remembered that the camera features a silent shutter mode (it applies extra dampening to the shutter mechanism so that it is very quiet). I set the camera to silent burst mode. This reduces the fps from 10 down to what felt like 3 or 4 fps, but it was nearly silent! I continued shooting photos of the now comfortable bird. This feature will actually be very helpful for getting close to some of the more sensitive wildlife – a nice little bonus.
A greater yellowlegs is reflected in shallow still water, Belmont, CA.
So far, the results are fantastic. One caveat is that at the time of this writing, Adobe does not yet support the camera’s RAW files, so I had to use Canon’s software to convert to tiff before processing them in Lightroom. I’m sure I’ll get better results once I can process the RAWs directly with Lightroom, as Canon’s processor seems very poor. But the images are sharp, and the tones are pleasing. Auto white balance seems accurate. If anything, it seems that the Mk II overexposes a little more than the 7D, but I’ll get a feel for where the exposure compensation needs to be for various lighting conditions as I use the camera more.
Of course, the camera also has some goofy crowd-pleasers like multiple exposure and in-camera HDR. While I wont be using these for any serious work, they can be fun to muck around with if you’re bored.
A black-necked stilt fishes in shallow water, Belmont, CA.
A juvenile black-crowned night heron perches among reeds along the edge of a pond. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering 0 EV: 1/320 sec. at f/8
I little while ago I found myself in a situation in which I could not have gotten the shot I wanted had I been using film. After being tipped off by a friend, I found this nice looking juvenile black-crowned night heron in some reeds next to a pond. The shoreline was such that in order to get the proper frontal lighting on the heron, with a small angle of inclination between the lens view and the ground, I had to be right up close to him. Luckily, he seemed in no hurry to move, nor did he seem to care about my presence. While this distance was great for making tight head shots like the photo above, there was no way I could “back up” and capture any habitat around the bird.
Then I started thinking digitally. I knew that if I was careful in my photographing, I could take multiple photos and stitch them together later, creating the illusion of a wider angle. An added benefit would be a huge image file, which I could later print at very large sizes if I wanted to.
The process of taking the photos was very similar to the process I use for creating stitched panoramas – set the camera to manual exposure, fix the focus so that it is constant for all images, and fire away. The difference was that instead of moving left to right in a single line, my goal was for an aspect ratio close to a normal 35 mm photograph (2:3). In this case, I created two columns of three photos. I didn’t worry about lining up the overlap perfectly – I just eyeballed it.
Note that this only worked because my subject was completely stationary. If the heron was moving at all, the photos would not have lined up well and the stitched image wouldn’t have been successful. It probably took between five to ten seconds to capture all six shots, which I then stitched in Photoshop, creating the 50 megapixel image below.
Composed of six separate images (two columns of three shots), this stitched photo is 50 megapixels. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering 0 EV: 1/250 sec. at f/8
Even though I found myself in a position where I was “too close” (don’t worry, I’m not complaining – its a GREAT problem to have!), I was able to think digitally to solve my problem. By combining multiple shots, I was able to virtually “back up” and capture a wider shot of the heron.
A black-crowned night heron perches on a small rock in a middle of a pond. Its reflection shows in the glassy water in early morning light.
A couple of weeks ago, I saw a good opportunity for a minimalist portrait of a black-crowned night heron in beautiful light. It was dawn and I saw this heron perched in the middle of a small pond on top of a rock. The water was very still, accentuating the quiet of the morning. The background was the water behind the bird, which would blur into a pure solid. The placid surface created a nice reflection. What drew me to this composition was the lack of habitat (other than the rock on which the heron perched). I couldn’t have created a more fundamental portrait if I had posed the bird in a studio.
