Tag: coast

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Oregon Coast Sunset

The tide washes through a sea arch, allowing a view to the ocean beyond, Harris State Beach
The tide washes through a sea arch, allowing a view to the ocean beyond, Harris State Beach

On my recent trip up the California coast to the redwoods, I had an opportunity to pop up into Oregon to visit Harris State Beach, home of a very interesting sea arch. The arch is carved into a rock wall just offshore, with plenty of interesting boulders along the beach, giving enterprising photographers many options for compositions. As the sun was setting, I settled for a more centered approach to my composition, centering the arch directly above a centered rock. Usually I avoid such centering, choosing instead to lead the viewer’s eye out of one of the lower corners, but in this case I think it works. Simple, yet strong.

The sun sets behind offshore sea stacks, Harris Beach State Park
The sun sets behind offshore sea stacks, Harris Beach State Park

After settling on a composition I was happy with, I had a few minutes to run north in order to catch the sun as it set behind a large sea stack. In order to get into a position where the sun would set behind the rock, I scrambled up onto another rock and perched precariously at the top, while trying to give my tripod enough room. Let’s just say that I was relieved when I got the shot and could climb back down, by body and camera gear still in tact.

Large flat rocks lead through the rising tide to a dark sea arch in a rock wall, Harris State Beach
Large flat rocks lead through the rising tide to a dark sea arch in a rock wall, Harris State Beach

After the sun dropped below the horizon, I went back to the sea arch and really explored the foreground rocks. I fell in love with these ones, but from their vantage point, you could not see all the way through the arch. In this case, I chose to crop the top of the photo, as the rock wall really wasn’t that interesting and instead focus the photo on the foreground rocks themselves. The low light allowed for a slow shutter speed, turning the rushing waves into a calm mist.

The sun sets behind a bank of offshore clouds, silhouetting the sea stacks at Harris State Beach, Oregon
The sun sets behind a bank of offshore clouds, silhouetting the sea stacks at Harris State Beach, Oregon

The parking area at Harris Beach offers commanding views down onto the beach below, and just before I left, I spent some time with the very last of the sunset light. Here there was a nice stream forming an s-curve into the photo. Overall I found this a pretty photogenic beach, and I know I’ll be back in the future, especially to shoot that arch in different types of light.

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A Counter-intuitive Tip To Tack Sharp Photos With A Long Lens

The hues of twilight cast offshore sea stacks in a blue glow as waves wash around them, Crescent City, CA
The hues of twilight cast offshore sea stacks in a blue glow as waves wash around them, Crescent City, CA

On my recent trip north up the California coast to photograph redwoods and rhododendrons, I also had an opportunity to shoot sea stacks just offshore in Crescent City, CA. After shooting a bit with my 70-200mm, I really wanted to go for a unique perspective of these rocks and stack them on top of one another. So I grabbed my go-to bird lens, the 800mm f/5.6. Using a Canon 7D with a cropped sensor gave me an equivalent focal length of 1280mm.

I waited until the sun set, giving me photos with the cool blue of dusk, and allowing me to slow my shutter speed to turn the crashing waves into a calming mist. This is the effect I was after – hard, sharp rocks shrouded in a blue fog of moving water. However, as soon as my shutter speed got longer than 1/100th of a second and started creeping toward the 1 and 2 second mark, the results on the back of my LCD were horribly blurry.

In normal shooting conditions with this lens, I never like to let the shutter speed drop below 1/250th of a second, and only if I have a stationary subject do I lock down the gimbal head on my tripod and go for something slower. But usually 1/100th of a second is my slowest usable shutter speed. What to do in this situation? Even by bumping the ISO very high I couldn’t achieve a fast enough shutter speed in these darkening conditions, and doing so would also counteract the effect of the moving water.

The solution seemed counter-intuitive at first. I found that by greatly lengthening my exposures, I was able to achieve much sharper results! The initial blurriness I was seeing was caused by the shutter vibration, amplified by the extremely long focal length (and yes, I was using mirror lockup). When I increased the exposure time, the percentage of time that the mirror shake impacted the overall exposure time was reduced, thus creating a sharper image. Using this principal, I found that by exposing for 30 seconds, I was able to achieve the sharpest results.

A couple things to keep in mind. First, this technique will only work if there is no wind. Even a slight breeze will blow a huge lens like that back and forth, ruining any chance of a long exposure. Second, make sure to check sharpness by zooming in to your resulting photo on the camera’s LCD. Never trust sharpness from a photo displayed 3 inches across – everything looks sharp when it is that small!

So next time you’re out with a giant lens trying to do landscape work (really not a very common combo!), remember to experiment with the slower shutter speeds. You might just find some sharpness in there.

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Sonoma Coast Sunrise

Dawn breaks over the rolling hills of the Sonoma Coast
Dawn breaks over the rolling hills of the Sonoma Coast

A little while ago a friend and I were out near Bodega, shooting sunrise along the Sonoma coast. Because we were getting some morning fog rolling inland, any kind of shoot along the water was a no go, and we headed into the rolling hills just off the ocean. Here we had great views to the south as the sun side-lit the undulating farmland, punctuated by scattered forest.

The early rays of sun peak through a dissipating fog along the Sonoma Coast
The early rays of sun peak through a dissipating fog along the Sonoma Coast

I love opportunities to shoot fog, whether it is filtering through trees, or defining separation between mountains or hills. The added atmosphere can lend a certain drama to the photo.

Once the sun had risen, I chose to shoot directly into it, knowing the fog would help filter the direct light.

The early rays of sun peak through a dissipating fog along the Sonoma Coast
The early rays of sun peak through a dissipating fog along the Sonoma Coast

Here I loved the way the fog helped the trees separate into layers. I worked the composition and exposure, trying to balance the direct sun, low contrast fog, and back-lit grasses so that they could all add elements to the same photo. Once I was satisfied with some of the larger elements of the landscape, I moved into the macro realm to capture detail.

The rising sun backlights the golden grasses of a Sonoma Coast hillside
The rising sun backlights the golden grasses of a Sonoma Coast hillside

The back-lit grass itself captured my attention and demanded further photographic exploration. Moving from a small aperture to a very large one gave me the ability to amplify the fine detail of only the few grasses that remained in focus. The rest of the grass blended into a nice evenly colored backdrop.

Soon the sun had risen higher and the fog began to burn off in the rapidly warming day. I packed up my gear, happy for the fog that forced us up into the hills.

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Barn Owls At Sunset

A barn owl lands on a snag while hunting at dusk
A barn owl lands on a snag while hunting at dusk

A few days ago, my friend Jerry Dodrill and I headed out to the Sonoma coast for a little sunset photography. We had mixed targets – we had our landscape gear with us, hopeful for a stunning sunset, but also had our wildlife gear in case that opportunity presented itself. Unfortunately, the weather conditions never materialized for a good sunset – it was clear skies all the way across the Pacific to the western horizon.

However, Jerry knew of a spot that might give us some nesting cormorants along a sea cliff. With that potential in mind, we headed out.

We reached a spot where sheer cliffs dropped into the choppy ocean below. A few cormorants were nesting low on a cliff, and brown pelicans skimmed low and silent over the water in fighter jet formation. As we moved further along the cliff edge, a large flapping of wings caught my attention. “Raptor,” I called out pointing with one hand while the other started preparing my camera and lens for flight photography. As I tracked the object through my lens, I could see a large, flat white face peering at the ground. Barn owl. Soon, more objects took to the sky, and we counted at least five barn owls hunting in the late evening light.

The sun spotlights a barn owl as it hunts in the last few minutes of daylight
The sun spotlights a barn owl as it hunts in the last few minutes of daylight

With the sun setting behind us, it acted as a sort of spot light, turning the owls bright orange against a darker field, now fully in the sun’s shadow. This was indeed magical light, and it only lasted a few moments. Soon the sun set behind the western horizon, and while the owls became more active, it was becoming difficult to track them in the waning light.

A barn owl flies low over a field, hunting for rodents just after sunset
A barn owl flies low over a field, hunting for rodents just after sunset

We continued to shoot until it got too dark to produce any kind of salvageable results. As it was, I was impressed at the performance of the higher ISOs that I normally never use. With a little noise reduction in post processing, the images still retained quite a bit of detail.

As we packed up, I was once again reminded of one of the most important lessons of outdoor photography – get outside! Only if you don’t go out at all will you be guaranteed zero results.

Copyright 2017 Hank Christensen