San Francisco Bay in springtime is a great place to capture songbirds in action. This song sparrow would fly from perch to perch, stopping to sing out very methodically in each direction. This was my favorite shot that I took of him, because his head is thrown back, and it looks like he’s really getting into it.
I like to photograph songbirds about an hour after sunrise. They are still very active in their morning routines, and the ambient light is bright enough for action shots (songbirds can move very fast!) Another technique I employ is to go to places where there are people. Birds that are used to people being around tend to be more at ease and will likely let you approach closer before flying off. Running trails, parks, and urban ponds are all great places to find birds that are used to people.
This week’s photo was taken during my recent trip to Salt Point State Park. There were quite a few of these sparrows flitting around from bush to bush, some of them stopping occasionally to sing out at the top of their tiny lungs.
With bird photography, my goal, whenever possible, is to try to be close to the subject’s eye line. In this case, it was easy, as the top of the bush was about 5 feet off the ground. My camera was therefore also at about 5 feet, so that the lens looked directly into the bird’s eye. When birds are at ground level, I try to get very low, either kneeling behind my camera or sometimes down on my stomach (which can get quite dirty!) In these cases, my tripod legs are at their shortest, and splayed out to each side so that the tripod head is just off the ground. I find this simple concept can really give the viewer more of a connection to the photograph.
Last week I spent a few days at Salt Point State Park, along the California coast just north of Jenner. The state park encompasses over six miles of shoreline, as well as miles of interior trails through coastal forest. This portion of the coast is one of the most dynamic in the state, made so by acres of sandstone, shaped over time by the strong waves and stronger wind, creating an alien landscape of stone and water.
Although the sky was clear and the sun was out, the temperature never topped 60 degrees. Windy conditions persuaded most people to stay away, entrusting the entire length of coastline to me alone. By early evening, the wind really picked up with gusts between 30 – 40 mph. I had a hard enough time just staying on my feet much less keeping my tripod steady. The wind was only outdone by the strength of the massive waves breaking against the rocky shore.
In the mornings, the wind from the night before had subsided, but the ten to fifteen foot waves were no less fierce.
The variety of the landscape was impressive. I found myself walking through fields of recently bloomed wildflowers, back-dropped by sheer cliffs plunging to an azure ocean. At low tide, pools appeared among newly uncovered rock, offering a glimpse into the lives of the sea dwellers who live there.
The park was home to a variety of wildlife, from song and shore birds to seals, lizards, and an abundance of healthy looking deer. Ultimately it was a brief few days, but a welcome respite from the bustle of the Bay Area. There was much more to see at Salt Point than time allowed, and I know I’ll be going back there in the future.
This pair of stilts had a nest nearby that they were watching over. I couldn’t tell if there were eggs there yet, but they didn’t seem to stray too far. I photographed them on a windless morning (great for reflections due to the glassy still water) about an hour after sunrise.
Whenever possible, I try to position myself in between the sun and the subject I am trying to photograph. While side-lighting can add interest to a landscape, smaller subject matter almost always looks better with direct front light. Sometimes if the physical space around an animal doesn’t permit this positioning I’ll go ahead an take the picture anyway, but those usually go straight to the garbage bin.