Ansel Adams Wilderness

A couple of weeks ago my friend Steve and I finally headed into the Sierra high country for a long-overdue back-country excursion. Due to the heavy snow pack this year and busy schedules, this turned out to be our only trip of the summer. To make the most of it, we chose to visit the Ansel Adams Wilderness, arguably one of the most scenic regions of the Sierra.

Banner Peak is reflected in Thousand Island Lake at dawn, Ansel Adams Wilderness
Banner Peak is reflected in Thousand Island Lake at dawn, Ansel Adams Wilderness. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 1/15 sec. at f/14.

Hiking out of June Lakes and up Rush Creek, we hit less than ideal weather. The climb was a brutal slog (4200 ft of gain), and thunder clouds began to congregate in the western sky. A biting wind whipped us from all sides, making even the flat spots (of which there were few) seem like a chore.

Finally we reached our destination – Thousand Island Lake. Rising above the lake was the impressive Banner Peak, but most of it was obscured by thick clouds. This is a very scenic and popular spot. Sitting next to both the Pacific Crest Trail and the John Muir Trail, it receives an enormous number of visitors each summer. Even though it was after Labor Day, and the weather was no good, there were still quite a few backpackers settling in for the night along the north shore of the lake. I’d hate to see this place on a mid-August weekend!

We set up camp and soon the weather was too cold to even wait for darkness to fall. We were in our tents by 7pm.

The sun rises over Thousand Island Lake and Banner Peak, Ansel Adams Wilderness
The sun rises over Thousand Island Lake and Banner Peak, Ansel Adams Wilderness. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 1/15 sec. at f/14.

Dawn brought clear weather and introduced me to an entirely new landscape. The wind was gone, and Banner Peak was reflected like a mirror in all its morning glory. I finally got out my camera and began to hunt for shots. The day before I took only four photos the entire day.

After finally warming up, we packed up camp and decided to get away from the crowds. We headed north off trail. We only had one ridge to climb before descending into Davis Lakes. It was our shortest hiking day on record, but given the beautiful scenery we were surrounded by, we couldn’t complain.

Mt. Davis is reflected amongst the boulders in Davis Lake, Ansel Adams Wilderness
Mt. Davis is reflected amongst the boulders in Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: 1/6 sec. at f/16.

We spent a leisurely afternoon by lower Davis Lake, and I scouted the area so that I would be prepared when the evening’s magic hour arrived. I was not disappointed, with views to the south (above) and to the north (below).

Mountains are reflected in the smooth surface of Davis Lake at sunset, Ansel Adams Wilderness
Mountains are reflected in the smooth surface of Davis Lake at sunset, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: .3 sec. at f/16.

After another long night in our tents, I woke long before dawn and watched the world slowly light up around me while I was hunkered behind my lens. It was our last morning out, and it didn’t disappoint. The landscape had a wholly different feel than in the sunset light the night before.

Sun lights the tip of Mt. Davis at dawn, Ansel Adams Wilderness
Sun lights the tip of Mt. Davis at dawn, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: .8 sec. at f/16.

The lake shore had many interesting boulders and grass features to position in the foreground. This helped to keep the shots varied and gave me plenty to work with in terms of composition.

The morning sun touches the peaks surrounding Davis Lake, Ansel Adams Wilderness
The morning sun touches the peaks surrounding Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: 1 sec. at f/16.

Soon the morning’s sweetest light was gone, but I was confident that I had captured at least a little of the beauty around me. It was time to pack up and start the long hike out.

Mt. Davis is reflected in the still morning waters of Davis Lake, Ansel Adams Wilderness
Mt. Davis is reflected in the still morning waters of Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 1 EV: 1 sec. at f/16.

Despite the problematic weather at the beginning of our trip, I thought it turned out very well. I was glad to have visited this area, and know that I’ll be back to photograph it more in depth.

Ten Lakes, Yosemite National Park

After waiting all summer for the snow to melt out of the high country, I finally ventured north of Tioga Road with some friends from college for a weekend backpacking trip. Instead of my usual high mileage days, our focus was on leisure time in the backcountry, which gave me plenty of time for photography. We hiked into the Ten Lakes region – an area featuring a chain of lakes with forested streams in between them, all draining into the Tuolumne River far below.

A calm lakes reflects the surrounding cliffs in early morning, Ten Lakes, Yosemite National Park
A calm lakes reflects the surrounding cliffs in early morning, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 1/6 sec. at f/16. Stitched vertical frames creating a 44 megapixel image.

We found a campsite at the far end of a small lake. The site was situated atop a thirty foot cliff, giving us a commanding view of the lake and surrounding cliffs. Behind us rose an unnamed granite peak, offering the camp a nice backdrop. Best of all however, was the nearby stream dropping from an upper lake into the lake below. There was an endless variety of small pools and cascades, giving me plenty of material to work with.

A stream runs between two lakes in the Ten Lakes chain, forming a small cascade, Yosemite National Park
A stream runs between two lakes in the Ten Lakes chain, forming a small cascade, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2/3 EV: .6 sec. at f/16.

Just before sunset on our first night, the clouds started moving in. While other campers might have cast a worrisome eye to the skies, I was elated. I knew that the chance for a dramatic sunset was greatly increased with the changing weather conditions, and thankfully I was rewarded with one. The best part – I only had to walk about ten yards from our campsite to get the view I wanted. Given it required almost no work on my part, I almost felt guilty.

The dramatic skies of sunset are reflected in one of lakes of the Ten Lakes chain, Yosemite National Park
The dramatic skies of sunset are reflected in one of lakes of the Ten Lakes chain, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 2.5 sec. at f/16.

The next morning was bright and clear. I woke up early to explore the area, and see what the morning had to offer. Our little lake looked quite different in the morning, and I took advantage of the still air to get a nice reflection in the background of a camp-side stream photo. I can never get enough of Sierra Nevada granite.

Trees and vegetation grow amid Sierra granite, Ten Lakes, Yosemite National Park
Trees and vegetation grow amid Sierra granite, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering 0 EV: 1.3 sec. at f/16.

Working my way up the stream, I found a spot where I could capture the running water with the peak that rose above our site.

A stream cascades down slabs of granite below an unnamed peak, Ten Lakes, Yosemite National Park
A stream cascades down slabs of granite below an unnamed peak, Ten Lakes, Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2 EV: .6 sec. at f/18.

This day was a rest day – full of fishing and exploring some of the other lakes in the chain. Working our way up to a higher lake, we saw there were still huge slabs of snow right at the shoreline. Going higher still, we found a lake with no fish, but a perfect spot for a mid day swim. There is something very special about having an entire lake to yourself in the most populated state in the nation. Of course, along the way, I also had plenty more opportunities for photos.

A stream cascades through a forest in the Ten Lakes region of Yosemite National Park
A stream cascades through a forest in the Ten Lakes region of Yosemite National Park. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 50. Evaluative metering -2/3 EV: 1/6 sec. at f/16.

After exhausting ourselves and getting a great night of sleep, it was time to head back to the real world. It was a great trip, with beautiful landscape and only seven miles of hiking each way. While the location was not as remote as most of my Sierra trips, I enjoyed the slower pace and additional time for photography. I’ll definitely have to work in more trips like this in the future!

Eastern Sierra Wrapup

Earlier this month I had the pleasure of attending a short three-day workshop with David Muench, one of this country’s preeminent landscape photographers. Assisting him was Jerry Dodrill, who spend his early professional photography career working for Galen Rowel. It was great to catch up with both of them, and see some of the best that the eastern Sierra has to offer in the spring. It was a busy three days, during which I averaged about four hours of sleep per night. I spent a few days on either end of the workshop to meet up with friends and do a little exploring on my own. Here are a few photographs from the trip.

Barrel cactus is just starting to bloom in the Alabama Hills, Lone Pine, CA
Barrel cactus is just starting to bloom in the Alabama Hills, Lone Pine, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering -1/3 EV: 1/6 sec. at f/22.

The photo above and directly below were taken in early morning in the Alabama Hills, just outside of Lone Pine. It is an area famous not only for the sheer face of the eastern Sierra and the multitude of arches that frame them, but also for the many movies made here. Recent films include Iron Man, Gladiator, and Gone In 60 Seconds. Driving out on the dusty dirt road after sunrise, we saw two women walking along the road. I did a double take as I saw one of them was Penny Marshall. Really weird place to see a Hollywood celebrity!

I love the barrel cactus growing in this area, and wanted to feature one using the backdrop of Mt. Whitney and Mt. Langley.

Various patterns and colors of rock form layers to the face of Mt. Langley, Alabama Hills, CA
Various patterns and colors of rock form layers to the face of Mt. Langley, Alabama Hills, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering 0 EV: 1/4 sec. at f/18.

This photograph is a more straight-forward interpretation, using the layering of rock bands to lead up to Mt. Langley. The area offers infinite patterns of boulders and rocks, many of which can be composed into very strong photographs. This is one of many areas for which David Meunch is famous.

The rising sun lightly dusts the peaks of the Eastern Sierra, Bishop, CA.
The rising sun lightly dusts the peaks of the Eastern Sierra, Bishop, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering 0 EV: 1/13 sec. at f/18.

The mountains to the west of Bishop provide a dramatic backdrop for a variety of foreground locations and environments. The above photo used a small pond in a flooded field to create a reflection of Mt. Humphreys, Basin Mountain, and Mt. Tom (from left to right). The morning was clear with not a cloud in the sky (not a photographer’s best conditions for shooting!) The lack of wind was great for reflections, but the lack of clouds reduced the drama of the morning significantly. This is one of those examples of a great location with imperfect conditions. It is definitely a spot I hope to revisit and capture with more dramatic skies.

Irises come into bloom outside of Bishop, CA
Irises come into bloom outside of Bishop, CA. Canon TS-E24mm f/3.5L II lens with the EOS-5D Mark II. ISO 400. Evaluative metering -1 1/3 EV: 1/20 sec. at f/16.

The flooded field also contained wild irises, which were just starting to come into bloom.

Irises catch first light, Bishop, CA
Irises catch first light, Bishop, CA. Canon 24-70mm f/2.8L lens with the EOS-5D Mark II. ISO 200. Evaluative metering -1 EV: 1/13 sec. at f/18.

Our last evening brought a special sunset treat – a long line of lenticular clouds that formed above the Sierra crest had blown out over the Owen’s Valley. With strong winds out of the west, there was no cloud buildup in that direction, allowing the sun to light up the underside of the lenticulars at sunset. This phenomenon can happen regularly in the area due to the local topography, and has come to be know as the “Sierra wave”.

Lenticular clouds form over Owen's Valley at sunset, Bishop, CA
Lenticular clouds form over Owen's Valley at sunset, Bishop, CA. Canon 17-40mm f/4L lens with the EOS-5D Mark II. ISO 200. Evaluative metering +1 EV: .4 sec. at f/22.

It was a great trip – I got to spend time with friends and meet some new ones. Although nature photography tends to be a “solo sport”, it can be great fun meeting up with like-minded people.

Bishop Creek Waterfall (Photo of the week)

Water cascades down the south fork of Bishop Creek, Inyo National Forest, CA
Water cascades down the south fork of Bishop Creek, Inyo National Forest, CA

This week’s photo was a tough choice for me. I couldn’t decide if I liked the photo above, or the photo below better. I shot the first photo as I came upon the scene, exploring the best angles from which to capture this waterfall. I loved how the roots of the bush on the left seemed to break the granite into small slabs, so I moved in close to simplify the scene, resulting in the second photo.

A root system grows from broken granite, Bishop Creek, Inyo National Forest, CA
A root system grows from broken granite, Bishop Creek, Inyo National Forest, CA

After much deliberation, I chose the first photo as my favorite for several reasons. Firstly, it is more of a layered photo, with several foreground elements stacking up to lead the eye easily to the upper waterfall. Secondly, it accentuates the fall colors a little more than the second photo. There are more trees included in the background, and since it was shot from a higher vantage point, there are more fall colors reflected in the pool between the upper and lower waterfalls. The second photo holds more tension because the root system really makes the eye travel around it and up the creek. Either way, I like them both.

As with any art, there is no “right” answer in photography (although there can be many wrong answers!)

Copyright 2017 Hank Christensen