American White Pelican

An american white pelican stands on one foot on the shore of a lake
An american white pelican stands on one foot on the shore of a lake

There is a large pond near my house that attracts American White Pelicans at various times of year, sometimes in large numbers. I’ve seen as many as 30 pelicans congregated along the shore, preening and snoozing. I came across this solitary pelican late last year. As it was getting close to winter, this pelican didn’t have the typical “horn” that grows from the top of the bill during breeding season.

An american white pelican spreads its wings and shuffles along an island in the middle of a lake
An american white pelican spreads its wings and shuffles along an island in the middle of a lake

These photos were shot from the shore, with the setting sun behind me. The pelican had set up shop on a small island in the middle of the pond. One of the difficulties I encountered was separating the pelican from all the activity around it. Also on this island were many gulls (one can be seen in each photo), double-crested cormorants, black-necked stilts, and several sandpiper species. Needless to say, it was a pretty crowded place. I managed to get a few portraits that I liked, but frustratingly, some of the pelican’s best poses occurred while an ignorant interloper plodded by in the foreground. Such is nature photography. If I wanted complete control, I’d take up studio portrait photography!

Prepare For Landing

An american avocet spreads its wings to come in for a landing
An american avocet spreads its wings to come in for a landing

Most of the bird images I take tend to be portrait-type images. The reason for this is situational – like it or not, birds do a lot of standing around. While these static shots are great for exploring the finer details of a bird’s plumage, they show little of a bird’s behavior. That’s why whenever possible, I try to capture birds in action. Whether it be flying, foraging or fishing, photographs of birds in action can tell a more complete story about that species, as well as show off details that may otherwise be hidden.

Feet extended, a brown pelican skies across the surface of the water as it lands
Feet extended, a brown pelican skies across the surface of the water as it lands

One of my favorite action shots is the landing. When a bird comes in for a landing, the body tends to be more upright, which allows the underside of the wings to be angled toward the lens. The bird needs to stop both its downward and forward momentum, causing the wings to fan out at their maximum surface area, as shown in the first photo above.

Because the bird’s body is more upright, the landing is almost an action version of a portrait shot. Anthropomorphizing the body position, the bird is almost saying, “Okay, I’m here and ready for my photo op.”

A brown pelican flaps its wings as it lifts off the surface of the water
A brown pelican flaps its wings as it lifts off the surface of the water

Conversely, the take-off shot is not usually as photogenic. The body is more parallel to the ground, and on the downstroke, the wings tend to flatten out and their detail is hidden from the camera. Also, the bird is definitely headed somewhere else, which lacks the same connection a viewer might feel with a bird portrait.

A white pelican spreads its wings as it takes off from the water
A white pelican spreads its wings as it takes off from the water

Sometimes, however, I get lucky with a take-off photo and capture the wings in the full upstroke position, showing wing detail and freezing a pose that happens very quickly. Although I am happy with outcomes like this, I still prefer the landing poses in photographs.

At the end of the day, there are so many bird behaviors to capture, finding those perfect moments is an endless quest. Multiply that by almost 9,700 bird species, and rest assured that the life of a bird photographer never gets dull.

Great Blue Heron Chicks

Two great blue heron siblings huddle together as a strong wind blows across their nest
Two great blue heron siblings huddle together as a strong wind blows across their nest. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/400 sec. at f/8

Recently I joined two photographer friends in photographing two large great blue heron nests. One nest (above) held two relatively young chicks, while the other housed three siblings who were almost ready to fledge. In the smaller nest, the two chicks waited and waited, but I never witnessed a parent return with food. The other nest, however, was a different story.

Three hungry great blue heron chicks eagerly await the return of a parent with food
Three hungry great blue heron chicks eagerly await the return of a parent with food. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 500. Evaluative metering +1/3 EV: 1/2500 sec. at f/6.3

About ten minutes after ariving on site, we were rewarded with a parent’s return to feed its chicks. That was when the aggressive battle began.

An adult great blue heron returns to the nest to feed its hungry chicks
An adult great blue heron returns to the nest to feed its hungry chicks. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 500. Evaluative metering +1/3 EV: 1/2000 sec. at f/6.3

As the parent was trying to regurgitate its meal for the hungry chicks, they took turns squawking in its face, demanding food.

Hungry great blue heron chicks surround the parent, begging to be fed
Hungry great blue heron chicks surround the parent, begging to be fed. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 500. Evaluative metering +1/3 EV: 1/2500 sec. at f/6.3

When it took a while for the food to come up, the chicks got more aggressive. One would grab the parent around the beak, and yank its head down into the nest. When this didn’t work, one of the chicks bit around the parent’s neck and yanked at the throat. I was shocked to see such a display, but figured this kind of behavior fostered some of the competition amongst the siblings that would serve them out in the “real world”.

A great blue heron chick aggressively bites at the parents beak and neck, waiting to be fed
A great blue heron chick aggressively bites at the parents beak and neck, waiting to be fed. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 500. Evaluative metering +1/3 EV: 1/2000 sec. at f/7.1

After the parent finally dumped the food at the bottom of the nest, it took off, presumably to continue to feed these young insatiable appetites. The youngsters continued to battle each other over the remnants until it was gone. The next time you see one of these seemingly docile creatures standing at the edge of a marsh, remember that they are also predators, trying to eke their own way through the world.

Mono Lake Osprey

Clutching the remains of a fish he caught, an osprey takes off out of a nest after he delievered dinner to his nesting mate, Mono Lake, CA
Clutching the remains of a fish he caught, an osprey takes off out of a nest after he delivered dinner to his nesting mate, Mono Lake, CA. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 1600. Evaluative metering 0 EV: 1/320 sec. at f/5.6

Last week I took a photography trip to the eastern Sierra to capture some spring time action over there. I went with a photographer friend to the south end of Mono Lake in hopes of a great sunset. Unfortunately, the skies were clear and the light was flat. Instead of a lasting sunset glow, it was as if someone just turned out the lights.

Fortunately, there were two pairs of osprey nesting near the shore in large nests built on top of two tufa towers. Just before dusk, the males came in close to the nests with fresh-caught fish. We had a brief show during which they perched on nearby tufa towers, enjoying their dinner, before they returned to the nests to deliver what was left to their respective mates.

An osprey clutches the remains of a fish in its talon as it perches on top of a tufa tower, Mono Lake, CA
An osprey clutches the remains of a fish in its talon as it perches on top of a tufa tower, Mono Lake, CA

During this time, the sun set and the light left. However, just before it got completely dark, I managed to get a shot of one of the males leaving the nest with the rest of the fish dinner. Because the sun was well over the horizon, it back lit the birds. I knew I could not get enough detail on the birds, so I underexposed and went with a full silhouette, emphasizing the graphical shape of the osprey taking off.

Copyright 2017 Hank Christensen