Last weekend I took a quick two night backpacking trip with some friends, in hopes of hitting the high country of the Sierra Nevada in peak wildflower season. I set my sights on Gem Lake in Emigrant Wilderness – just about the right elevation for flowers this time of year. Having been there before, I knew that even if the place wasn’t in bloom, we’d have a great time and see some amazing scenery.
I like Emigrant Wilderness because there are no trail quotas and it is very easy to get a wilderness permit with short planning. We set out from the Bay Area early Friday morning, stopping at the Mi Wuk Ranger Station on the way up Highway 108. Even though we were taking our time, we still hit the trail by 10AM, plenty of time to reach our 10 mile destination of Gem Lake.
The trail meanders between thick forest and open granite-filled vistas. Most of Emigrant Wilderness is easily accessible cross country due to many gently-sloping wide open granite bowls and domes. This time we stuck to the trail, and made easy progress. Every so often we were rewarded with a scenic vista. If you are not already a lover of granite, after a few hikes in this part of the Sierra you soon will be!
The elevation changes were just enough to tire our bodies by the time we reached Gem Lake. This lake certainly lives up to its name. However, it is very popular and can get quite crowded on the weekend. As it was Friday night, we were able to relax lakeside in relative peace. As the sun set, the wind settled and we got some nice reflections on the water.
The next day we went further up trail and explored Jewelry Lake and Deer Lake. Deer Lake is much larger and Gem or Jewelry, and it was hot enough to warrant a midday dip in its cool waters. This is a great area to take your time and not hurry along the trail. One more night, and it was time to head back.
Luckily there were plenty of wildflowers along the trail to keep us entertained. We had perfect weather for our 26 mile journey and everyone enjoyed the change in scenery.
With its easy access and lack of quotas, this is the perfect place for an impromptu night or two in the wilderness.
Gear I used to create the photos in this post:
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A couple of summers ago I met my brother and dad in Mt. Lassen National Park for a backpacking trip. This park sees one fraction of the backpacking that other national parks get. As a result, you get the feeling of having the back country to yourselves. More importantly for me, this trip would revolve around revisiting the Lassen Cinder Cone that sits in the east part of the park. We had been there many years before on a day hike, but backpacking would give me more time to explore it photographically.
We spent the night at Snag Lake, and in the morning, approached the Cinder Cone from the south. From there, we reached the steeper of the two trails that wind to the top. In the photo above, you can see my brother as a small speck as we neared the cone from the west.
The trail to the top is built using the loose volcanic scoria that makes up the cone itself. It is only a little more solid than walking up a sand dune, and is not for the faint of heart. This is due not only to the phyisical exhaustion that comes from pushing up such a slope, but also the steepness of the trail itself. At times I felt like I was going to tumble backward down the trail as my backpack made me somewhat off balance.
Those who reach the top are rewarded with spectacular views of Mt. Lassen to the west, as well as a chance to peer down into the crater of the cone. A trail even descends into the mouth of the crater, where you can stand next to thermal steam escaping from the ground.
The cinder cone was formed long ago by many small eruptions that threw lava into the air, which cooled into the loose, porous volcanic rock. Over time, this piled up into the 700 foot tall cone that we see today. It is thought to have erupted as recently as the 1650s, though the only activity that remains today is the steam rising from the crater.
The painted dunes are pumice fields formed by oxidation of volcanic ash from earlier eruptions of the Cinder Cone. Its beautiful colors formed because the ash fell on lava that was still hot and forming.
After a while at the top, and after we tired of braving the fierce wind, we descended the way we had come up. I tried not to think about the consequences of losing my footing, and took it step by step.
Soon we were down and continuing our day’s hike to our destination of Summit Lake. The promise of camp chairs and cold beer quickened our step. It was great to spend time up close with this unusual creation of nature.
I recently finished compiling my top 40 picks from the last 12 months. The gallery is an assortment of my various trips and outings, including trips to India, Mexico and Canada. As always, there is a mixture of bird, wildlife and landscape, including some previously unpublished.
Please enjoy the gallery below. For best viewing (especially if viewing on a mobile device), please click on the following photo:
To view the gallery, click here to see individual photos.
If you are interested in compilations from previous years, please see the 2010, 2011, 2012, 2013, and 2014 lists.
Recently I was asked to judge a photo contest for a small camera club. The skill levels of the participants ranged from beginner to advanced, and after viewing the wide variety of entries, I began to think about simple ways to increase anyone’s chance of winning. Follow some or all of the tips below to maximize your chances of your photos rising to the top of the heap. I’ve sprinkled in some photos that I’ve entered in previous photo contests.
Got an absolutely amazing photo of the setting sun over the ocean? If the contest theme is fall colors, then its probably best to save that great shot for a more appropriate contest. Good judges will disqualify even stunning photographs if they don’t suit the theme of the contest. Along the same lines, make sure you pay attention to all the criteria. You don’t want to waste your time or the judge’s by submitting photos that will be technically disqualified.
Some contests provide an opportunity to fill in information about the photograph. If there is a description field, use it! But don’t just describe what the photo already shows visually. Rather, tell the story of how you captured the photo and what you were thinking when you clicked the shutter. This is your opportunity to “sell” the photograph to the judge, so use the space wisely. Any details you can provide about motivation, technique, or even processing can help cement the image in the judge’s mind so that it is remembered later.
It is always a good idea to ask your peers what they think about the photos you are considering for a contest. Gather a selection and ask your photo friends to act as judge. You might be surprised by their choices. In the past, I’ve gravitated toward photographs that I’ve spent a lot of effort taking and processing, and that has influenced too much what I thought of it, regardless of whether it was actually a good photograph or not. Asking for others’ opinions can help prevent your personal skewing of a photograph’s merit based on the effort it took to produce it.
Point your subject into your frame (not out of it)
Whether your photograph is of a person, animal, or even mountain, it is always more aesthetically pleasing to have the subject face into the frame. That means there is more space in front of the head than behind it. The same is true for direction of motion – if an animal is walking or running, put more space in front of it than behind. So what about the mountain? Most mountains (or trees, or clouds, or …) seem to point in one direction or another. Put more space in front of the direction it is pointing than behind it. Of course, many rules are made to be broken, and sometime going counter to the rule can add a lot of tension to the photograph. But make sure that the judge will recognize and receive that tension well.
Find plenty of separation between your photograph’s main elements and avoid converging lines. Space between major subjects helps the photo breath, and convergence can create unintended tension points and generally looks sloppy. Usually converging lines can be solved in the field by moving your camera forward, backward, side to side, or up or down. Try to find the right perspective that when flattened into a two dimensional photograph, leads the viewer easily through the frame.
If possible, try to find out who is judging the contest. Some contests will publish this information outright; others you might have to dig around a bit. Spend a little bit of internet time finding out more about the judges and what style of photography they gravitate toward. Have they judged a contest before? Which images did they choose previously? Chances are they will judge the current contest based on similar criteria. If the contest is judged by a panel, try to contribute at least one photo that matches each judge’s personal style and tastes. This may seem like cheating, but any leg you can get up on the competition is a worthy pursuit.
Hopefully these tips get you thinking about photo selection and photo taking for the next contest that you consider entering. This can help you maximize you time, effort, and money!