Eagle Cap Wilderness Part 1

About a month ago I took a five day backpacking trip, accompanied by my brother and father. We decided to check out Eagle Cap Wilderness, Oregon’s largest National Wilderness area. Our loop took us through a “back door” approach to the very popular Lakes Basin management area of the wilderness, which features dozens of mountain lakes surrounded by towering peaks.

Two backpackers ascend the steep Little Kettle Creek trail to Crater Lake, Eagle Cap Wilderness, Oregon
Two backpackers ascend the steep Little Kettle Creek trail to Crater Lake, Eagle Cap Wilderness, Oregon

After a 5.5 hour drive from Portland, we got to the eastern side of Whitman National Forest, at which point we spent another 1.5 hours on unpaved forest service roads. Now I understood why our route was completely devoid of other people. The much more popular route into the Lakes Basin is to leave from Wallowa Lake from the north. After parking, we had a steep climb of 3000 feet in 6 miles. We got to our destination of Crater Lake with just enough daylight to set up camp.

Two backpackers pump water from Crater Lake in the early morning as the surrounding hillside reflects off the lake's surface, Eagle Cap Wilderness, Oregon
Two backpackers pump water from Crater Lake in the early morning as the surrounding hillside reflects off the lake's surface, Eagle Cap Wilderness, Oregon

The next morning we enjoyed the sunrise, broke camp, and pumped our water for the day. The photo above shows my brother and father getting water from the lake, with the reflection of Krag Peak in the surface of the water. Due to the lack of clouds that morning, the sunrise was rather dull, but the water was so still and clear that it provided very nice reflections. Once we were done, we hiked around the north side of Crater Lake and caught our first view of Cliff Creek Canyon.

Boulders give way to dense forest along Cliff Creek canyon, Eagle Cap Wilderness, Oregon
Boulders give way to dense forest along Cliff Creek canyon, Eagle Cap Wilderness, Oregon

Cliff Creek flows from an outlet of Crater Lake to the north east, eventually joining the Imnaha River. Cliff Creek Canyon a V-shaped valley interspersed with forest and meadows. I could see the remnants of various wildflowers here, although I think we were catching the tail end of the season. The trail was fairly uneventful, until we reached the Imnaha itself – a much bigger river, in a more impressive valley.

The Imnaha River sweeps through a river valley surrounded by trees, Eagle Cap Wilderness, Oregon
The Imnaha River sweeps through a river valley surrounded by trees, Eagle Cap Wilderness, Oregon

After an easy creek crossing, we wound up the Imnaha River Valley in a northerly direction, following the South Fork of the Imnaha River. Here the landscape exploded with beauty, informing us that everything before was just a prelude. Towering white limestone cliffs greeted us at every turn.

Limestone formations form wave-like patterns underneath towering limestone cliffs, Eagle Cap Wilderness, Oregon
Limestone formations form wave-like patterns underneath towering limestone cliffs, Eagle Cap Wilderness, Oregon

Broad meadows stretched before us, with mountains to each side. Lush grass bloomed with wild flowers, growing near the many tributaries running out of the mountains.

Limestone cliffs tower above the Imnaha River Valley, Eagle Cap Wilderness, Oregon
Limestone cliffs tower above the Imnaha River Valley, Eagle Cap Wilderness, Oregon

We hiked on until close to sunset, at which point we found a shaded camp site next to the river. Although the temperature dropped significantly that night, we had a pleasant night sleep listening to the quiet burbling of the water.

To see more, be sure to check out part two of this trip.

East Eagle Creek Canyon (Photo of the week)

Painted cliffs descend to a mixture of fir and pine along East Eagle Creek, Eagle Cap Wilderness, Oregon
Painted cliffs descend to a mixture of fir and pine along East Eagle Creek, Eagle Cap Wilderness, Oregon

This week’s photo was taken on a recent backpacking trip to Eagle Cap Wilderness in north-eastern Oregon. The trip was so scenic that I’m still wading through many great photographs, creating a photographic trip report (so stay posted). This shot was taken on the last evening of the trip, as we were working our way down the canyon from the headwaters of East Eagle Creek. The setting sun lit the western-facing cliffs in soft light. I was doubly blessed that in the afternoon, the gray skies broke up into fluffy white clouds, giving the sky a little texture.

This shot is a great example of what RAW capture from a digital SLR can achieve. The most important aspect to keep in mind when finding the right exposure, is to make sure not to blow out your highlights. Once a highlight is blown, there is no information to recover in the image file. To prevent blowing out the highlights, I use the histogram and adjust the exposure compensation up or down as needed. In this case, I was at risk of the clouds being overexposed, so I had to dial back the exposure to -1 EV. The resulting histogram actually showed that I had overexposed the image just a little, but I knew that was okay, because I was shooting RAW. I brought the file into Lightroom, and used the Recovery slider to bring the detail back into the clouds.

Now I was faced with a very dark foreground. The Fill Light slider helped with that, but the sky was still brighter than it appeared to my eyes in real life. Enter one of Lightroom’s best features, the Graduated Filter. This allowed me to darken just the exposure of the sky, bringing the whole image back into balance.

Shooting RAW gives me the most flexibility to make important image processing decisions on my computer after I get home, rather than relying on the camera manufacturer’s automated algorithms to run in camera while processing the RAW into a JPG. If there is one aspect of digital photography I would recommend, it is learning about and understanding the benefits of shooting RAW. If your camera has this setting (even many point-and-shoot cameras now have this), use it. There will be more work to be done after you get home, but the resulting images will make that effort well worth it.

Crater Lake Sunset, Eagle Cap Wilderness (Photo of the week)

The setting sun highlights an outcropping on rock, jutting into the still waters of Crater Lake, Eagle Cap Wilderness, Oregon.
The setting sun highlights an outcropping on rock, jutting into the still waters of Crater Lake, Eagle Cap Wilderness, Oregon.

This week’s photo was taken during a recent backpacking trip into Eagle Cap Wilderness in northeastern Oregon. This was our first night, and the end of a long day of driving and a steep uphill climb of 3000 feet. Even before I pressed the shutter release, I knew I wanted to convert this image to black and white. A small rock peninsula was jutting out into the lake from the opposite shore, and I wanted to accentuate the extreme contrast between the brightly lit rocks and the shadowed forest beyond.

As expected, we had the lake to ourselves. Unlike the famous Oregon counterpart of the same name, this “Crater Lake” in the Eagle Cap Wilderness is small, and is not considered a destination unto itself, but a stopping point as the hiker gets deeper into the wilderness. In fact, this lake is not formed in a crater at all, but a dimple in the landscape carved by glaciers of the last ice age. As this lake is fed by snow melt, its water is crystal clear. Although small, this lake definitely is beautiful, which can be at least some comfort on very cold nights.

Red Foxglove (Photo of the week)

Red Foxglove grows alone in a clearing in the forest, Corbett, Oregon
Red Foxglove grows alone in a clearing in the forest, Corbett, Oregon

This week I’m posting a wildflower shot. I don’t often get out to specifically shoot wildflowers, but seeing pristine foxglove like this, standing out against a green forest backdrop makes it hard to pass by.

I was up visiting my parents who live near the Columbia River Gorge outside of Portland, Oregon. I decided to photograph portions of their forest, which is mostly Douglas fir, and can get pretty dense in places.

Because the forest was thick, it was dark, and a tripod was required. For this shot, I used a polarized filter to cut any sheen from the vegetation. This really allowed the greens to pop. I also wanted to isolate the flowers, so I used a wide aperture (f/2.8) and the telephoto end of my 24-70mm zoom lens. In general, the longer the lens, the shallower the depth of field, so if I’d shot the flower at 24mm, even at f/2.8 the background foliage would have been much more in focus. With 70mm, all the busyness of the forest disappeared into a sea of green.

Below is another shot from the same trip, though of a different foxglove in a different part of the forest.

Red Foxglove petals hang from a green stock
Red Foxglove petals hang from a green stock

Copyright 2017 Hank Christensen