On my recent trip to the Owens Valley, I tried to look for good panorama opportunities. These situations arise when there is an expansive vista that lends well to an image that is three to six times wider than it is high. As with any photograph, one thing to keep in mind is to make sure the entire contents of the frame supports the photograph. There should be no large empty areas, unless those areas purposefully support the image with negative space.
These images can be created with any regular digital camera. The images are stitched together in post processing to create large, wide angle views. All of the photos presented here are in the 40 to 100 megapixel range, which means they can be printed very large (at least 30×90 inches). For better appreciation for the detail captured in these photos, please be sure to click on the image to see a larger view.
The sun lights stormy clouds as sets behind the eastern Sierra range, north of Bishop. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 640. Evaluative metering 0 EV: 1/400 sec. at f/8. Composed of 7 stitched photos, handheld.The sun rises over Hot Creek, as the Sierra Nevada looms in the distance. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: 3.2 sec. at f/16. Composed of 4 stitched photos.The wall of the eastern Sierra rises over ten thousand feet above the Alabama Hills at dawn. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/4 sec. at f/16. Composed of 7 vertical stitched photos.An ancient bristlecone pine crouches on a snowy slope, greeting morning's first rays of light, Ancient Bristlecone Pine Forest. Canon 70-200mm f/4L lens with the EOS-5D MkII. ISO 200. Evaluative metering 0 EV: 1/6 sec. at f/7.1. Composed of 7 stitched photos.
Recently I was out photographing birds when a western scrub jay landed fairly close to me on a wooden post. Even though this was not a species I was targeting that day, I took advantage of this opportunity, and slowly and quietly swung my lens around to point at the bird. He was so close that his head filled my frame.
I took several tight head shots, and decided I also wanted to capture the entire bird, as I had a great background to work with, and wanted to get as many different types of shots as possible. I used the techniques I described in my thinking digitally post, and took several horizontal slices of the bird, knowing that I could stitch them later.
A western scrub jay perches in early morning light. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering 0 EV: 1/200 sec. at f/6.3
Of course I could have backed up in order to fit the jay’s entire body in the frame, but I didn’t for several reasons. First, I didn’t want to spook the bird by picking up my tripod and walking backward. In this case, the bird came to me, so I hadn’t had to stalk it. Second, being able to stitch multiple frames yields a much larger file size than a single shot, allowing for bigger prints. Finally, being so close to this bird allowed me to capture fine detail in the feathers. If I backed further away, my lens wouldn’t be able to resolve this amount of detail.
This is the conclusion of a recent backpacking trip to Oregon’s Eagle Cap Wilderness. If you missed them, check out the first part here and the second part here.
At sunrise, a cloud bank moves up out of the valley to the east of Glacier Lake, catching the first rays of sunlight, Eagle Cap Wilderness, Oregon
I emerged from my tent half an hour before dawn on the morning of the fourth day a very cold man. My breath had frozen into ice crystals in the mesh on the inside of my tent and the 25 degree night had pushed my 30 degree sleeping bag beyond its limits. Watching the alpenglow emerge on the cliffs above the lake, I warmed myself by jumping up and down behind my tripod. Just as the sun was hitting the top of the peak, a cloud bank moved up out of the valley to the east, catching the sun’s rays.
The first rays of sunlight greet a backcountry campsite at Glacier Lake, Eagle Cap Wilderness, Oregon
The photo above shows our meager, no-fire campsite. Although cold, the entire area was beautiful to behold. With eager anticipation for some warmth, I watched the sun creep down the face of the cliff. The cloud bank continued to move up from the valley to the east, and a new set of much darker, ominous clouds emerged from the valley to the west. Suddenly I began to get nervous about some weather moving in, and we packed our site quickly, skipping breakfast.
Sun peaks over a cloud bank, touching the surface of Glacier Lake, Eagle Cap Wilderness, Oregon
As we were getting ready to leave, the sun finally hit the surface of the lake, generating steam rising from the frigid water.
The first rays of sunlight heat the cold waters of Glacier Lake, creating steam, Eagle Cap Wilderness, Oregon
The photo above shows the shoreline silhouetted against darkening storm clouds. The rising steam is backlit by the sun. It was definitely time to leave. I felt a little better that we were packed up, because if it started pouring on us, we could at least throw a poncho over us to keep dry. Packing up camp in a downpour on the other hand, was a miserable proposition.
Snow covered cliffs tower above Glacier Lake, Eagle Cap Wilderness, Oregon
As we hiked up out of Glacier Lake on our way to Glacier pass, the clouds continued to gather. From a higher elevation, the entire expanse of the lake was visible. The photo above was stitched from five overlapping photos, hand held. When photographing a panorama, the most important thing to keep consistent between images is focus and exposure. Things like white balance can be corrected on the computer later.
The west fork of the Wallowa River drains out of Galcier Lake and winds down the valley to Frazier Lake, Eagle Cap Wilderness, Oregon
Closer to the pass, we got a view of the west fork of the Wallowa River draining out of the eastern end of Glacier Lake, and continuing down the valley to Frazier Lake, which we visited the day before. This photo shows how the entire eastern side of Glacier Lake seems to float high above deep valleys on three sides. It was stitched together from nine vertical shots, all hand held. Whenever possible, I shoot panoramas in a vertical format to preserve the top and bottom of the final image. Often times, the warping of photos by the stitching algorithms can reduce the resulting photo to a thin strip. The vertical format helps to counteract the vertical image loss.
Eagle Cap towers over Mirror Lake, Eagle Cap Wilderness, Oregon
We descended from Glacier Pass down to Moccasin Lake, and then a short distance to Mirror Lake. Originally I had planned to spend the night at Mirror Lake, but after talking to a ranger the night before, we decided to push through so our last day was not so long. She told us that there were over 60 groups camping at Mirror Lake the night before. Not wanting to hike for four days only to camp right on top of people, it was a no-brainer.
The peak of Eagle Cap is visible for many miles around, Eagle Cap Wilderness, Oregon
Past Mirror Lake, we climbed the steep trail to Horton Pass, our exit point of the Lakes Basin management area. Just before the top of the pass is the cutoff trail to the summit of Eagle Cap itself – the omniscient sentry overlooking much of the Lakes Basin. The trail junction offered up-close views of the peak and surrounding area.
At Horton Pass, I thought surely we had seen the highlights of the trip, and we could more or less blast through the descent from the pass to the car. However, Eagle Cap Wilderness had one final surprise in store for us – Eagle Creek Canyon.
False hellebore fills the meadows of Eagle Creek Canyon, Eagle Cap Wilderness, Oregon
We left the crowds behind (we didn’t see anyone else until we got close to our car the following day) and started downhill, all of our climbing behind us. As we descended further from the pass, the landscape got more beautiful. False hellebore turning golden and orange contrasted with the greens of the surrounding forest.
The setting sun lights up the cliffs surrounding Eagle Creek Canyon, Eagle Cap Wilderness, Oregon
Sharp peaks lined each side of the canyon, while Eagle Creek rushed ahead, gathering size and force with every tributary we passed.
Painted cliffs descend to a mixture of fir and pine along East Eagle Creek, Eagle Cap Wilderness, Oregon
Once again, fast moving clouds created an ever-changing light show on the eastern cliffs. We hiked until the sun set behind the western ridge overlooking the canyon. With several hours of daylight left, we had plenty of time to find a picturesque camp site shaded by a ring of trees. Nearby, Eagle Creek could be heard gurgling away.
Wildflowers adorn the meadows of Eagle Creek Canyon, Eagle Cap Wilderness, Oregon
The photo above was just outside of the tree ring surrounding our camp site. Wildflowers were everywhere, creating a variegated feast for the eyes. This canyon was as scenic (if not more so) than the Imnaha River Valley we visited earlier in the trip. It was well worth the additional effort of a longer drive and more elevation gain to visit these two rivers, offering more spectacular sights and more solitude than the popular Lakes Basin area.
Wildflowers line the trail through Eagle Creek Canyon, Eagle Cap Wilderness, Oregon
The next morning, we were up early and quickly broke camp and got on the trail. While we were anxious to get back to the car (and start our 7 hour drive!) we still lingered here and there to enjoy our surroundings. The beauty and variety of the scenery cemented my decision to come back to this part of Oregon for future trips. There is so much to explore here.
This is a continuation of a recent backpacking trip to Oregon’s Eagle Cap Wilderness. If you missed it, check out the first part of the Eagle Cap journey here.
False hellebore thrives along the banks of the Imnaha River with Jackson Peak looming above, Eagle Cap Wilderness, Oregon
Our third day on the trail started in one of the most beautiful valleys I have ever seen. The closer we hiked to Hawkins Pass and the headwaters of the Imnaha River, the more spectacular the scenery became. The trail from our river-side camp site all the way to the pass gave us varied views of Jackson Peak to the west.
Looking south down the Imnaha Valley, one can see Jackson Peak and the mountains beyond, Eagle Cap Wilderness, Oregon
The bright yellows and oranges of the sun-baked meadows gave way to light and dark bands of green, with gray cliffs towering above. Just below Jackson Peak was a tree-less avalanche field, adding variety to the features of the landscape. Sunlight played through the fast-moving clouds, drawing shadows across the scene. Every moment brought a new mood and a changing picture.
Near its headwaters, the Imnaha River becomes a waterfall, Eagle Cap Wilderness, Oregon
Just when I thought we had seen all this valley had to offer, the land rose abruptly, turning the gentle Imnaha River into a beautiful waterfall. A short hike from the trail to the bottom of the falls was well worth the effort.
The headwaters of the Imnaha River start in a large, glacier-carved bowl, Eagle Cap Wilderness, Oregon
As the trail climbed in elevation, the valley opened up into a large bowl. Glacial snow melt cascaded down the sheer cliffs in tiny trickles, gathering the bowl to form the headwaters of the Imnaha. Darker gray and brown rock was banded throughout the limestone, forming a colorful tapestry of geological history. In this high mountain air, it was hard to imagine that this limestone was formed from the crushed bones of ancient sea creatures and coral. I tried to picture looking out upon vast coral reefs teaming with fish.
A backpacker pauses to admire the impressive view of Jackson Peak and the Imnaha River Valley, Eagle Cap Wilderness, Oregon
The trail continued upward toward Hawkins pass, switch-backing up a steep slope. This offered us expansive views of the valley we had hiked up that morning. Here is my brother once again volunteering to be my backcountry adventure model. I’d like to think he enjoyed the view as much as I enjoyed capturing him in it. This image is truly a kaleidoscope of nature, with oranges, yellows, many shades of green, all fading into the light blue of the distant mountains and sky.
Two backpackers descend the north side of Hawkins Pass. Eagle Cap can be seen peeking over the ridge, Eagle Cap Wilderness, Oregon
After a quick break at the top of Hawkins pass, we were ready to descend into the popular Lakes Basin. Here we met our first people of the trip – an indication that we were entering a very popular area. In fact, from this point on, the trail got much busier (that is until we left the Lakes Basin area the following day!) The view from the pass was mostly rocky steep talus slopes. In the photo above, the wilderness’ namesake, Eagle Cap, can be seen peeking over the horizon, in the center-left.
White limestone cliffs tower above Frazier Lake, Eagle Cap Wilderness, Oregon
The trail dropped to Frazier Lake, a popular spot to stop for lunch and a quick dip in the water. Once again, white limestone cliffs made an appearance. Here, a trail splits off to Wallowa Lake, following the west fork of the Wallowa River, but we turned left and started climbing again. After a short climb up a narrow valley, we arrived at Glacier Lake, our destination for the night.
Surrounded on two sides by glacier covered cliffs, the water of Glacier Lake turns turquoise in the setting sun, Eagle Cap Wilderness, Oregon
Due to their overuse, at all lakes in the Lakes Basin area, it is against regulations to have a campfire. I don’t know why, but when I’m in these regulated areas, mother nature seems to spite me with some very cold nights. As the sun set over the horizon and the wind picked up, I knew we’d be in for a doozy. Staring across the lake at the glaciers clinging to the slopes of the cliff face, I could see where this lake got its name. In fact, this lake is only ice free for two months of the year. After that long night on the lake, I wasn’t surprised a bit.
