2013 Round-up – Top 40 photos of the year

I am a little late this year, but finally, here are my favorite images from the previous 12 months. This year I only had one major photography focused trip to the northern California coast, capturing the delicate rhododendrons amongst the fog of the coastal redwoods. I also had a truncated attempt at the John Muir Trail (got completely rained out after only three days) and a wonderful trip to Kauai to celebrate ten years with my beautiful wife.

Photos from all of these trips plus a wide variety of birds made my top 40 list this year. Please enjoy the gallery below. For best viewing (especially if viewing on a mobile device), please click on the following photo:

Click the photo above to see the top picks from 2013!
Click the photo above to see the top picks from 2013!

Or, just enjoy the gallery here on the page. To view larger photos in the embedded gallery below, be sure to click the icon in the lower right corner to enter full screen mode.


Hank’s Picks 2013 – Images by Hank Christensen

If you are interested in compilations from previous years, please see the 2012 2011 and 2010 lists.

Shooting the Ends of the Day

Stillness envelops the landscape of Mono Lake just after sunset
Stillness envelops the landscape of Mono Lake just after sunset

One of my favorite times of day to shoot is either just before sunrise or just after sunset. The sky casts the entire scene in deep blues and purple hues, and the light becomes very soft. It is actually a great time to shoot because all harsh contrast is removed, and the photo captures all the details in the shadows.

The photo above was taken about 45 minutes after sunset, just after the typical “magic hour” light had left the sky. For post-sunset photography, it helps to scout your intended shots earlier in the day, as it can quickly get quite dark, and it is harder to compose the photograph. There is only about half an hour with this type of light before it becomes night photography.

Additional benefits include lack of crowds (even most photographers leave after the sunset light goes away), and (usually) any wind will die down, allowing for reflections and keeping grass and plants from moving in those long exposures. Here it is helpful to have an intervalometer to help time really long exposures, as most cameras stop their auto exposure shutter timings at 30 seconds. A stopwatch can also work in a pinch, but that can become more fiddly, especially in the waning light.

Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks
Moments before the sun rises, Hot Creek reflects the cool glow of snow covered peaks

This photo was taken at the other end of the day, about a half hour before sunrise. Again, there is little contrast difference between the foreground and the distant mountains due to the soft, even light. I had been to this location before, and had pre-visualized this shot in this kind of light. This helped me greatly in knowing where to go and how I wanted to compose this shot, so that I didn’t have to wander around in the dark (and cold!) of the early morning. I find it also helps with my early morning motivation to know exactly what I want to accomplish. Without a clear plan, it is far too easy to glance out the window and then roll over and go back to sleep!

Sonoma Coast Sunrise

Dawn breaks over the rolling hills of the Sonoma Coast
Dawn breaks over the rolling hills of the Sonoma Coast

A little while ago a friend and I were out near Bodega, shooting sunrise along the Sonoma coast. Because we were getting some morning fog rolling inland, any kind of shoot along the water was a no go, and we headed into the rolling hills just off the ocean. Here we had great views to the south as the sun side-lit the undulating farmland, punctuated by scattered forest.

The early rays of sun peak through a dissipating fog along the Sonoma Coast
The early rays of sun peak through a dissipating fog along the Sonoma Coast

I love opportunities to shoot fog, whether it is filtering through trees, or defining separation between mountains or hills. The added atmosphere can lend a certain drama to the photo.

Once the sun had risen, I chose to shoot directly into it, knowing the fog would help filter the direct light.

The early rays of sun peak through a dissipating fog along the Sonoma Coast
The early rays of sun peak through a dissipating fog along the Sonoma Coast

Here I loved the way the fog helped the trees separate into layers. I worked the composition and exposure, trying to balance the direct sun, low contrast fog, and back-lit grasses so that they could all add elements to the same photo. Once I was satisfied with some of the larger elements of the landscape, I moved into the macro realm to capture detail.

The rising sun backlights the golden grasses of a Sonoma Coast hillside
The rising sun backlights the golden grasses of a Sonoma Coast hillside

The back-lit grass itself captured my attention and demanded further photographic exploration. Moving from a small aperture to a very large one gave me the ability to amplify the fine detail of only the few grasses that remained in focus. The rest of the grass blended into a nice evenly colored backdrop.

Soon the sun had risen higher and the fog began to burn off in the rapidly warming day. I packed up my gear, happy for the fog that forced us up into the hills.

Upcoming Publication – Bay Nature Magazine

This photo of a striped skunk will appear in the upcoming April – June issue of Bay Nature, a quarterly magazine promoting the diversity of the natural world around the San Francisco Bay Area. The image will appear in an article about the art and science of tracking the wild creatures that populate our increasingly urbanized world.

A striped skunk poses for a portrait in pickleweed growing along the San Francisco Bay
A striped skunk poses for a portrait in pickleweed growing along the San Francisco Bay

You can read more about the capture of this image in an earlier post.

Copyright 2017 Hank Christensen