It is once again that time of year where we assemble compilations of the best and worst of the previous 12 months. Here are the results of culling through my many photos from 2012. Looking back it was a nice mixture of birds, wildlife, and landscapes. I had great photo trips to Death Valley and Grand Teton National Parks, but didn’t spend quite as much time in the High Sierra as I would have liked. Please enjoy the gallery below. For best viewing (especially if viewing on a mobile device), please click on the following photo:
Or, just enjoy the gallery here on the page. To view larger photos in the embedded gallery below, be sure to click the icon in the lower right corner to enter full screen mode.
When we pulled up to the stand of aspen that Jack had scouted earlier, I could tell he was hopefully optimistic about the coming sunset. I was participating in a 5 day photo workshop with landscape legend Jack Dykinga, and this was our first field excursion of the workshop. We were in Grand Teton National Park and the weather had been less than optimal, with thick smoke sitting on the floor of the valley, extirpating any hope of a clear view of the mountains. However, earlier in the day, there had been a shift in the wind, and the weather forecast called for a storm moving through in the next couple of days.
“You know, we might just get a killer sunset,” Jack said to the eager group. The location certainly was beautiful. A colorful grove of fall aspen stood before us with the grandeur of the Tetons rising behind. But the clouds were building in the west and there was still a haze in the sky above the mountains. I just didn’t see it. Uninspired, I set about working with tight shots of the trees.
As it got later, I decided to move up the road a bit and get into a position that removed my foreground, composing just the trees and mountain. Just in case we have a sunset, I thought. A few minutes later, Jack appeared to my left and a little ways behind me. Apparently he had found his spot and was getting ready for the sunset he was anticipating. I could tell he was getting more excited as it got later. I still didn’t see anything special in the light, so I asked him what he thought was going to happen.
“We have just a trace of smoke in the sky, with clouds building above, that when the sun sets behind that notch,” he pointed to the right of the mountains, “we might just get God beams blasting up from behind.” Not sharing his optimism, I adjusted my composition anyway, including the notch he pointed to. Just in case. Eventually, the sun set behind the notch, just as he predicted, but no great light. “Just wait,” he called out to the group. “And be ready!” Moments later it all came together.
As he captured his images, Jack whooped into the air with joy. And he let out more than one of his trademark “Woof!” shouts. As amazed as I was about Jack’s ability to predict exactly what the light was going to do, I realized that what was happening here was not pure luck or voodoo magic. Certainly this ability to anticipate the light came from his years of experience working with 4×5 cameras. Working with large format film requires a far slower pace than what is possible with the run-and-gun potential of 35mm format. One of the requirements of this slow pace is the ability to anticipate and then patiently wait for the light to happen in front of you. Since he was a successful large format photographer for so many years, logic dictates that he must also be an expert light forecaster. It is a skill I greatly admire and will strive to hone in the future.
A few days later, Jack was giving one of his amazing photographic lectures. When a student asked how he “lucked” across a particular cactus with a perfect bloom, Jack said that this image was taken on something like his tenth trip to this spot in as many days, waiting for the bloom to become optimal. And he had previously visited this site close to a hundred times. In other words, Jack knew these cacti very well. After all, the best photographers are experts on their subjects.
After the workshop, I got a chance to put this lesson to practice. My friend Jerry Dodrill (and the workshop’s co-leader), suggested that although we had been to the same stand of aspen several times already (our group had revisited the first night’s location later in the week), he felt the location still had more to offer. “I’d love to see both the mountains and those trees side lit in the early morning,” he told me. And although this would make three visits in four days to the same spot, we awoke long before dawn and made the journey out to this secluded forest service road. I had my doubts as we watched the clouds in the pre-dawn light, streaking to the east, but I trusted Jerry’s experience, and knew that this was an opportunity to try out Jack’s suggestion that we revisit locations well known to us.
As I set up my composition and waited for the light, I became aware that each time I came here, I did know the area a little better, giving me a better idea of how to approach the subject. In fact, as I lined up my shot that morning, I felt I was in the best spot of all my previous attempts at this shot. Moving left and right, forward and backward, zooming in and out gave me infinite possibilities to compose this type of shot. It helped to understand the some of the subtleties of my subject and have a clear vision in my mind of exactly what I wanted to achieve.
As the top of the mountain began its alpenglow transition to day, the scene in front of me was beautiful. But I heard Jack’s voice in my mind – “Wait for it!” All at once the morning sun brushed the aspen with luminous side light. I clicked the shutter, appreciative for these lessons from Jack.
For my second post from my recent trip to Grand Teton National Park, I’ll focus on what I had considered the main attraction before the trip – the mountains. What was not expected however was being greeted by thick smoke from several nearby forest fires. On my first day in the park, the mountains were obscured by a dull gray haze that was so thick, you could barely make out the outline of the peaks.
Luckily however, some wet weather and (better yet) wind came through the valley, and helped clear things up a bit. In fact, I was excited to see the wet weather move in not just to help in clearing out the smoke, but because storms (and the clouds they bring) really help create drama. One of the worst things a landscape photographer can see in the forecast is clear blue skies.
I managed to visit all of the famous views of the Tetons while I was there. Though I usually shy away from such places, any self-respecting photographer should have these shots in his portfolio. After all, there is a reason they have become famous views!
Even with the wind and weather moving through, we had several very foggy mornings. It was nice to see the smoke dissipating (fog generally looks “cleaner” than smoke), but at times the thick fog obscured both the view and the sun rising behind us. However, as the old saying goes, work with what ya got, and on one morning, I was able to use the fog to my advantage, adding a layer of separation to an otherwise straight forward sunrise shot.
Probably the most iconic spot in the park is Oxbow Bend, where the Snake River pools into a large area, allowing for still water and insane reflections. I was there on two mornings, and both times I didn’t even stop the car. The first attempt saw that familiar smoky haze, and in the second we were greeted by dense fog. And yet both times there were close to 100 photographers lined up waiting for sunrise. To this day I still don’t know what they expected to shoot in that weather, but I guess you have to respect their commitment? Meanwhile I was off to better spots for that weather.
Eventually I did get to photograph Oxbow Bend, this time around 10 in the morning. Usually I’m done for the morning by this time, but the fog was just starting the clear out. Luckily the trees along the shoreline were blazing with yellow, which juxtaposed the late morning blue of the mountains beyond. Some day I’ll have to make it back here for sunrise – I’ll be sure to sharpen my elbows first.
As amazing as the Tetons were to see in person, I began to realize by the mid point in my trip that the real stars of the show (beyond the numerous wildlife) were the fall colors and the trees that wore them. But that will have to remain for another post….
Recently a friend and I headed up to Yosemite for an early season 4-day backpacking trip. It was a good excuse to loosen up the joints for the summer and get out in the Sierra backcountry. We chose the area around Lake Vernon as sort of a staging point from which to launch an off-trail loop into some of the less explored drainages. Supposedly, this area was relatively snow-free compared to other areas at similar elevation (7,000 – 9,000 ft).
We decided to hike up out of Hetch Hetchy due to the easy access. Because permits are issued at the entrance gate, you can get a wilderness permit the night before as late as 9pm. That is a huge help for those driving up after work from the Bay Area. We got there Friday night, got our permit, and settled in at the backpacker’s campground overlooking O’Shaughnessy Dam. We were up at 5:30 the next morning, and hit the trail by 7am. We had a very long day of hiking and lots of climbing, so we needed the early start.
The uneventful hike along the edge of Hetch Hetchy reservoir was punctuated only by the raging waters of Wapama Falls (see photo above). A couple of weeks earlier, the flow from the fast snow melt was so great that park rangers closed the bridges across the falls and shuttled people by boat around the dangerous spots. I was happy that we timed it such that it was a easy walk through the water spray.
We reached Rancheria Falls by 9:30 and began our long climb up out of the lower elevations of Hetch Hetchy. After a long day of absolutely nowhere to camp (not that we were ready to stop anyway), we reached our destination of Lake Vernon. It ended up being a 16 mile day with 4800 ft of elevation gain. Not surprisingly, we were pretty worn out for a first day of the season! With little time to scout before it was fully dark, I set my alarm to wake up before sunrise and do some quick scouting for shots along the shoreline.
One of the features of the lake that struck me was that all along the shoreline, trees were growing directly out of the water. I’m guessing that the Lake was at peak capacity and was flooding the base of the trees, but it definitely made for an interesting silhouette abstract. The sun soon rose into a cloudless sky, and we were quickly packed up and ready to hit the trail once again.
Above Lake Vernon, we hit quite a few places where the trail was under one to two feet of water. Large patches of snow began appearing amongst the trees. As we climbed higher, we began to worry about our original plan of climbing off trail to 9,000 feet and from there, exploring some of the ridge lines. As we got closer to our destination, we could see the ridges were still full of snow. With no choice but to change our plans, we camped up above Lake Wilma on some flat granite slabs next to a quiet cascade.
The next morning we decided that the best course of action was to more or less retrace our steps back to Lake Vernon, as we were pretty worn out from trudging through flooded meadows and snow drifts. At least this day would be mostly downhill (only 1500 ft of elevation gain), as the previous two days combined were close to 8,000 ft of gain. Walking downhill most of the day allowed us to enjoy the beauty of Falls Creek, which the trail followed most of the day.
We set up camp in the same spot along Lake Vernon that we had used two nights earlier. A bonus was getting to use the rest of the firewood we had already gathered! The next morning was quiet and beautiful. The surface of the lake had settled into a mirror, reflecting everything along the shore with perfection.
After enjoying a leisurely morning at the lake, we didn’t hit the trail until 9:30, our latest start yet. That was okay, because we had only an 11 mile hike out to the car, downhill almost the entire way. We left the lake opposite our entry point, creating a loop from Hetch Hetchy to Lake Vernon. We made quick time, blasting out of there in 4 1/2 hours. The most scenic part of the last day was descending the old construction road from Beehive Meadows. This was a road built to service the building of the dam, which has been converted into a hiking trail. A few chunks of asphalt were still seen here and there, but for the most part, mother nature had wiped out this road long ago with severe freeze/thaw cycles and many rock slides. Although the exposed decent was hot and hard on the joints, it did offer some stunning views of the reservoir.
As I was reaching the waterline, I couldn’t help but try to visualize what this valley would look like in its original condition, before the dam was built. I couldn’t help but feel a touch of remorse as I imagined John Muir shaking his head in disgust.
We reached the car by 2pm and began the drive home. It was a great first trip of the season, clocking in at 3 1/2 days of hiking, just over 50 miles covered, and over 10,000 ft of elevation gained. If this was a warmup trip, what’s the next trip going to be like?