A male blue-winged teal is mirrored in the glassy water surface. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering +2/3: 1/400 sec. at f/8
Things have been pretty busy for me lately, with a quick vacation out of the country and running here and there to capture migrant birds as they pass through the area. I did manage to get some photos processed of a late departure – the blue-winged teal. There is a small pond near my house (local birders know it as “Radio Road”) that is one the best places in the Bay Area to view blue-winged teals in the winter. Several pairs are usually present and can often be viewed quite closely.
I saw this male in prime photographing position when I was out running. I find that running is a great way to scout out the miles of shoreline near my house to see where specific birds might be found later in the day. If he would just remain in the same general area for a while longer, I could finish my run and grab my camera.
A male blue-winged teal perches on an underwater rock. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 500. Evaluative metering +2/3: 1/1600 sec. at f/8
When I returned later in the day, he was still sitting in the same spot sleeping. Several other photographers had recognized this great opportunity as well and had set up shop nearby. Now the waiting game began. I needed him to wake up! I got in a comfortable position, sitting on the ground behind the tripod with its legs splayed out so as to get as low as possible. After about 15 minutes, one of the other photographers gave up and left. You can only take so many photos of a sleeping bird!
Finally the teal woke up, preened for a while, and swam around close to shore, feeding on submerged vegetation. The lighting was perfect, with the sun just starting to set behind me. I felt slightly bad for the absent photographer because I know I’ve been that guy before. The more experienced I become, the more I realize that patience is one of the most important virtues of wildlife photography.
I photographed this Mandarin duck today at a city park in San Jose. This is a very strange location for this species, as it is most often found in Asia. After speaking to some of the locals who visit the park often, I learned that this drake has been seen on and off at the lake over the last three years.
The Mandarin duck once flourished across eastern Asia, but today there are only about 1000 pairs throughout all of China, and about 1000 pairs in Russia. Japan is thought to have about 5000 pairs. They have also appeared in various locations in Europe, numbering about 1000 pairs in total. Because this species is not native to Europe, it is surmised that this population grew from escaped captive birds and flourished as a feral population. They have been breeding in the wild ever since. But where did this guy come from?
A head and shoulders portrait of a mandarin duck is captured as it swims through still water. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering +1/3: 1/320 sec. at f/8
It turns out that something similar to what happened in Europe may have also happened in Sonoma, California, only on a much smaller scale. Sonoma is a couple hours drive north from San Jose, and has about 100 feral Mandarin ducks. I’m just guessing here, but this bird may be associated with that population. And apparently he enjoys coming to this lake!
A mandarin duck looks up after taking a sip of water. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering +1/3: 1/320 sec. at f/8
It was fairly overcast today, which has its advantages and disadvantages for bird photography. One of the downsides is that the sky is much darker, which means that shutter speeds must be slower than on a sunny day. However, benefits include a lack of harsh shadows from the sun (meaning I could photograph this bird from any angle, instead of with the sun directly behind me), and more saturated colors due to reduced glare. I was very happy to be able to photograph this species in decent conditions. The biggest bonus of course was that I only had to drive half an hour instead of flying to Asia or Europe!
Recently I spent a morning photographing the sea life in Moss Landing, California. The harbor at Moss Landing boasts a great variety of sea birds and mammals, and is favorite spot for many sea otters. I woke early and arrived at the harbor at dawn, hoping to catch some of the wildlife in early morning light. Most of the usual suspects were there, including the common loon.
A common loon swims alone through deep water. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering +2/3: 1/1600 sec. at f/7.1
Also seen cruising around the harbor, occasionally diving for food were several surf scoters. A male, resplendent with his colorful beak came close, probably to see if I was one of those fishermen who might have some bait to spare.
A male surf scoter swims through open water. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering 0 EV: 1/1000 sec. at f/7.1
And then of course, there were the sea otters, probably the most popular attraction at the harbor. I saw about twenty to thirty of them all floating together, either diving and eating, playfully wresting each other in the water, or just floating on their backs, taking a bit of a nap. One otter in particular had an entertaining way of grooming himself. First, he would lick one paw while rubbing the back of his head with his other paw. Then he’d switch paws, slowly cleaning the back and sides of his head.
First licking one paw, and then the other, a sea otter takes turns massaging his head with each paw. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering +2/3: 1/800 sec. at f/8
After repeating this behavior for several minutes, it was time for the face massage. Opening his mouth, he’d lightly rub his cheeks in small circles. After a while, he really got into what he was doing, opening and closing his mouth and sticking out his tongue occasionally. Abruptly he stopped, and went back to licking his paws and cleaning his head.
A sea otter rubs its face on each side of its mouth, giving itself a gentle massage. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering 0 EV: 1/1600 sec. at f/8
Sea lions and harbor seals were also in attendance at the harbor. Most of the sea lions were crowded on a pier waiting for fishing boats to return and share their left-overs. Unfortunately, the time of day did not cooperate with the only angle of approach I had, and all of my photos were severely back lit. The harbor seals however were busy traveling to and fro, so I had better opportunities with them.
A harbor seal swims just under the surface of the water, head just peeking out. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering -1/3: 1/800 sec. at f/8
As the morning stretched on, more tourists arrived and the harbor started to get crowded. I was happy to have woken early and arrived at dawn, giving me plenty of time in relative solitude with the animals. Pretty soon it was time to leave. The sun was high overhead, most of the wildlife had scattered, and the otters had settled in for a nice long lazy day in the waves.
With arms folded behind its head a floating sea otter lets out a huge yawn. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering +2/3: 1/1000 sec. at f/8
My photo pick this week is of a pied-billed grebe that I found swimming alone in a narrow channel in a neighborhood near my house. The afternoon light reflected off of the rocks in front of me, which acted as a diffuser, giving me night even light across the scene. Houses along the opposite shore cast the water in a reddish hue.
As always, I tried to get as close to eye level with the bird as possible. However, it was difficult to do so in this spot, requiring me to pick my way over sharp rocks to get close to the water. True eye level was impossible here, as the channel was only about fifteen feet wide, and the immediate shore was too steep to set up my tripod. I made the best of the given situation, unfolding two of the legs so that they were close to flat, with the third tripod leg longer and pointing downhill, almost touching the water. Then I sat down underneath and behind the camera – giving me a comfortable position from which to shoot, while still allowing good hand support for my lens. It also lowered my profile and allowed me to be absolutely still, which will usually allow the target bird to approach closer instead of swimming away (which they often do!)
A pied-billed grebe swims through still water calling out with its beak open. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering +2/3: 1/250 sec. at f/8
By remaining perfectly still, I was able to photograph this grebe for a while as it swam back and forth in front of me. The narrow channel kept the wind off the water, creating great reflections.
When I’m out specifically photographing birds, I look for two things – either an uncommon species that I haven’t photographed before, or a great shooting situation with good light and the right aesthetics to create a good photograph. I’ve photographed pied-billed grebes before, but this was a situation I couldn’t pass up because of the nice light, great reflections, and close proximity to the bird.
