I am a little late this year, but finally, here are my favorite images from the previous 12 months. This year I only had one major photography focused trip to the northern California coast, capturing the delicate rhododendrons amongst the fog of the coastal redwoods. I also had a truncated attempt at the John Muir Trail (got completely rained out after only three days) and a wonderful trip to Kauai to celebrate ten years with my beautiful wife.
Photos from all of these trips plus a wide variety of birds made my top 40 list this year. Please enjoy the gallery below. For best viewing (especially if viewing on a mobile device), please click on the following photo:
Click the photo above to see the top picks from 2013!
Or, just enjoy the gallery here on the page. To view larger photos in the embedded gallery below, be sure to click the icon in the lower right corner to enter full screen mode.
For me, learning happens in spurts. Call it a growth spurt of the mind. Over the last few weeks I have been spending many hours learning advanced Photoshop techniques to help me process my photos. This gives me better tools to recreate exactly what I saw, and the mood I felt when I took the photograph.
Now, I’m no slouch when it comes to Photoshop, but that application is so deep and allows for so much creativity, there is always more to learn. Once you’ve become expert in all the individual tools Photoshop has to offer, combining them to work for you becomes a life-long practice.
Needing to try out some of the new techniques I was exploring (detailed selections, channel masking, blending modes, etc), I decided to reprocess the photo above, which I took two years ago in Eagle Cap Wilderness. I always loved the photo, but never felt that I achieved that sense of awe that I experienced hiking down East Eagle Creek canyon. My latest reworking of the photo is above – here is the result of my original processing two years ago:
Painted cliffs descend to a mixture of fir and pine along East Eagle Creek, Eagle Cap Wilderness, Oregon
One of the things that I love about digital is that as time goes on, the experience I gain not only impacts my photographs going forward, but can have a positive impact on old photos as well. It can also be seen as a curse – that feeling that you’re never really finished working on a photograph. But I’d rather see my work (even old work) improve over time, and I’m more than willing to put in the time to make that happen.
A couple of weeks ago my friend Steve and I finally headed into the Sierra high country for a long-overdue back-country excursion. Due to the heavy snow pack this year and busy schedules, this turned out to be our only trip of the summer. To make the most of it, we chose to visit the Ansel Adams Wilderness, arguably one of the most scenic regions of the Sierra.
Banner Peak is reflected in Thousand Island Lake at dawn, Ansel Adams Wilderness. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 1/15 sec. at f/14.
Hiking out of June Lakes and up Rush Creek, we hit less than ideal weather. The climb was a brutal slog (4200 ft of gain), and thunder clouds began to congregate in the western sky. A biting wind whipped us from all sides, making even the flat spots (of which there were few) seem like a chore.
Finally we reached our destination – Thousand Island Lake. Rising above the lake was the impressive Banner Peak, but most of it was obscured by thick clouds. This is a very scenic and popular spot. Sitting next to both the Pacific Crest Trail and the John Muir Trail, it receives an enormous number of visitors each summer. Even though it was after Labor Day, and the weather was no good, there were still quite a few backpackers settling in for the night along the north shore of the lake. I’d hate to see this place on a mid-August weekend!
We set up camp and soon the weather was too cold to even wait for darkness to fall. We were in our tents by 7pm.
The sun rises over Thousand Island Lake and Banner Peak, Ansel Adams Wilderness. Canon 24-70mm f/2.8L lens with the EOS-5D MkII. ISO 100. Evaluative metering -2/3 EV: 1/15 sec. at f/14.
Dawn brought clear weather and introduced me to an entirely new landscape. The wind was gone, and Banner Peak was reflected like a mirror in all its morning glory. I finally got out my camera and began to hunt for shots. The day before I took only four photos the entire day.
After finally warming up, we packed up camp and decided to get away from the crowds. We headed north off trail. We only had one ridge to climb before descending into Davis Lakes. It was our shortest hiking day on record, but given the beautiful scenery we were surrounded by, we couldn’t complain.
Mt. Davis is reflected amongst the boulders in Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: 1/6 sec. at f/16.
We spent a leisurely afternoon by lower Davis Lake, and I scouted the area so that I would be prepared when the evening’s magic hour arrived. I was not disappointed, with views to the south (above) and to the north (below).
Mountains are reflected in the smooth surface of Davis Lake at sunset, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: .3 sec. at f/16.
After another long night in our tents, I woke long before dawn and watched the world slowly light up around me while I was hunkered behind my lens. It was our last morning out, and it didn’t disappoint. The landscape had a wholly different feel than in the sunset light the night before.
Sun lights the tip of Mt. Davis at dawn, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 0 EV: .8 sec. at f/16.
The lake shore had many interesting boulders and grass features to position in the foreground. This helped to keep the shots varied and gave me plenty to work with in terms of composition.
The morning sun touches the peaks surrounding Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering -1 EV: 1 sec. at f/16.
Soon the morning’s sweetest light was gone, but I was confident that I had captured at least a little of the beauty around me. It was time to pack up and start the long hike out.
Mt. Davis is reflected in the still morning waters of Davis Lake, Ansel Adams Wilderness. Canon 17-40mm f/4L lens with the EOS-5D MkII. ISO 100. Evaluative metering 1 EV: 1 sec. at f/16.
Despite the problematic weather at the beginning of our trip, I thought it turned out very well. I was glad to have visited this area, and know that I’ll be back to photograph it more in depth.
A long exposure turns the flowing water of Eagle Creek to silk, Eagle Cap Wilderness, Oregon
On the last evening of my recent backpacking trip to Eagle Cap Wilderness, I had some time to photograph Eagle Creek, which was close to camp. Through a combination of the late hour of the day and my polarized filter, I was forced to use a slow shutter speed.
When photographing movement (especially water), a slow shutter is often desired, so I decided to accentuate the effect by setting the camera to ISO 50 (instead of my usual ISO 100 setting for landscapes). This gave me a shutter speed of 6 seconds at f/16, rendering to the rushing water into a smooth abstract. The polarized filter took all the reflective sheen off of the vegetation, allowing the green bushes to pop.
This image could have benefited from a slightly wider angle lens. Unfortunately, after much internal debate, I had decided not to bring by 17-40mm lens along on the trail (purely a weight issue). I use the 24-70mm lens for most of my backpacking work, but in the future, I will probably carry the wider lens with me for occasions like this.
Below are a couple more shots from the creek.
The surface of the water appears to be smooth, due to the long exposure. Eagle Cap Wilderness, OregonThis shot was taken above Eagle Creek, looking down at the water, Eagle Cap Wilderness, Oregon
