perched – Page 13

August 1, 2011January 14, 2013

Anna’s Hummingbird On Nest

An anna's hummingbird perches on the edge of its nest as it prepares to feed its chicks. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering -2/3: 1/640 sec. at f/10.

Recently I was alerted to the location of an anna’s hummingbird nest near my house. After much searching, I found a nest the size of an espresso clinging to a narrow tree branch. No hummingbirds were visible, but I knew this nest contained several recently hatched chicks. I could hear them making faint sounds as they waited for their parent to show up with food. Finally, an adult approached and perched on the edge of the tiny nest.

An anna's hummingbird feeds hungry chicks while perching on the edge of its tiny nest. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering -2/3: 1/800 sec. at f/10.

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The hummingbird proceeded to feed each chick one by one. Once it was finished feeding them, it settled down for a short rest on to of the nest, incubating the chicks.

An anna's hummingbird sits on top of its nest, incubating young chicks. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 800. Evaluative metering -2/3: 1/800 sec. at f/10.

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I took these photos from 20 feet away, which is the minimum focusing distance of my lens. It is important to never approach any kind of nest too closely. Doing so will disturb the nest and stress the birds, potentially causing the death of the chicks.

In fact, after taking these photos, I saw a couple approach the nest, and start trying to pull away some of the pine needles you see in the above photos, so that they could get a better view. This is perhaps the most destructive thing they could do, short of picking up the nest and dumping the chicks on the ground. After asking them to back away from the nest, I explained that in pulling away cover, they were exposing the nest to predators, and leaving the nestlings vulnerable. That exact scenario had played out with a similar nest in the area only weeks before. Someone had broken away protective branches around the nest, and all the chicks were killed.

Hopefully these little ones made it.

July 14, 2011March 29, 2017

Isolating nature

Living in an urban environment, I am often viewing wild things against a backdrop of non-wild habitats. This is especially true of birds, as they perch on anything convenient – fences, lamp posts, roof tops. A constant challenge is to showcase these wild birds without exposing the urban landscape in which they’re found.

A juvenile red-tailed hawk perches on the top of a metal lamp post

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I found this juvenile red-tailed hawk perched at the top of a lamp post, surveying the surrounding grasses for potential prey. He seemed fairly bold (as many juveniles tend to be), and allowed me to approach closely. Several poses later, I wasn’t happy with including this man-made element in my “nature” shot. He’d look much better perched on a scraggly branch of a long-dead tree. But, you must work with what you have. So I tried to move in even closer to eliminate this unnatural element, and create a pleasing head shot of this great bird.

An immature red-tailed hawk looks back over its shoulder

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Although this hawk showed no indication of leaving based on my original approach, I still was very slow and methodical about getting closer. The reasoning behind this are twofold. First, I reduce my chances of the hawk getting spooked and leaving. And second (and more important), I don’t stress out the bird, even if he was to remain in place. When approaching any wild animal, always make sure they are comfortable with your presence. If they show signs of stress (with birds, usually a wing flap or calling out), back away!

Eventually, I got close enough to fill the frame with a head and shoulders portrait of the hawk. Composed against blue sky, I’ve successfully removed all man-made elements. The following image shows another technique to eliminate obvious hand-of-man elements, while also using the head shot approach.

A western bluebird perches in front of a red barn

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In this instance, a western bluebird was perching on an ugly fence (covered in bird poop) in front of a red barn. The sun angle required I be facing the barn, thus not being able to avoid including it in my background. Once I had framed the bird however, I used an aperture that reduced the barn to a solid red background. Though not exactly natural, I thought it was quite pleasing.

I moved in close to isolate the bird’s head, and removing the fence. This time the target bird was much smaller than the hawk, and I knew that in order to fill the frame with the bird’s head, I needed to be closer than the minimum focusing distance of my lens. I added an extension tube between the lens and my camera, reducing the minimum focusing distance. Luckily this bird was quite used to people (and was probably expecting to be fed!), allowing me to get close enough.

June 2, 2011January 14, 2013

Turn a head shot into a portrait

A western scrub jay perches in early morning light. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering 0 EV: 1/250 sec. at f/6.3

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Recently I was out photographing birds when a western scrub jay landed fairly close to me on a wooden post. Even though this was not a species I was targeting that day, I took advantage of this opportunity, and slowly and quietly swung my lens around to point at the bird. He was so close that his head filled my frame.

I took several tight head shots, and decided I also wanted to capture the entire bird, as I had a great background to work with, and wanted to get as many different types of shots as possible. I used the techniques I described in my thinking digitally post, and took several horizontal slices of the bird, knowing that I could stitch them later.

A western scrub jay perches in early morning light. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 640. Evaluative metering 0 EV: 1/200 sec. at f/6.3

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Of course I could have backed up in order to fit the jay’s entire body in the frame, but I didn’t for several reasons. First, I didn’t want to spook the bird by picking up my tripod and walking backward. In this case, the bird came to me, so I hadn’t had to stalk it. Second, being able to stitch multiple frames yields a much larger file size than a single shot, allowing for bigger prints. Finally, being so close to this bird allowed me to capture fine detail in the feathers. If I backed further away, my lens wouldn’t be able to resolve this amount of detail.

May 30, 2011January 14, 2013

Lazuli Bunting

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Last week I spent the evening in Arastradero Preserve in Palo Alto in order to photograph Lazuli Buntings as they returned to the Bay Area for the summer. I hiked for a while through grassy hills spotted with oak trees, past wet marshy areas, and through dark oak woodland, still not seeing any of the buntings. I stopped and played their call on my iPhone. From every direction, dozens of voices answered my call. I then realized that I had been surrounded by buntings all day, I just had not recognized their bird song.

It was as though a veil had been lifted, and I started seeing them everywhere. As the sun started to drop to the west, I saw many buntings move to the treetops, hoping to sing out to the world in those last rays of the day.

A lazuli bunting perches on a branch in the sun, Arastradero Preserve, Palo Alto, CA. Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 400. Evaluative metering 0 EV: 1/2000 sec. at f/7.1

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By the end of the day, I had my target species in the bag, plus a few other surprises.